Tag Archives: Zines

Call Out – London-based collective Jur•nl seeks online responses and collaborators for experimental research zine

Wonder Valley, California, April 2012. Photo Miranda Gavin

JUR•NL CALLS FOR CONTRIBUTIONS
It’s a beautiful hot day in the UK so only a short post about a call I received from a collective asking for a contribution. I was more than happy to contribute a photo I took recently in Wonder Valley California as a stimulus. Since I sent it in, I’ve checked the website and some of the responses, both images and text, are intriguing and have got me thinking about the image again. This is the cyclical nature of work, you make it, look at it, re-look at it, have someone else look at it, and perhaps, in some small way, one’s initial response shifts.

I want to suggest to the collective that original contributor also responds to the image again so that this response can feed into the process. When I saw the photo and the images researched and quotes, I thought of a David Lynch quote from Catching the Big Fish that I would like to contribute. First, I need to find the book.

“jur•nl is a collective of five young London-based artists and photographers working together on an experimental collaborative project with professionals, whilst also engaging others in the communication between images themselves as well as creative research.

“The jur•nl concept takes a stimulus from an artist/photographer/professional and during the week, as a collective and network, they gather research in the form of images/text/video etc on their site. At the end of the week they come together as a group and create a single image in response to the stimulus. Now, the collective has widened tthe call and anyone can contribute creative research on the site, in response to the stimuli.

“From the content gathered on the site, jur•nl will create zines which will feature the public contributors work/research alongside professionals.

The creative research jur•nl is looking for can be photographs, drawings, text, video… absolutely anything in a creative or research format which relates to the stimulus of the week. So far established artists and photographers contributing have included Zed Nelson, Elina Brotherus and Emma Critchley with many more to come.

“Get in touch with your submissions and be sure to write your name when submitting so the work can be tagged with your name. Please feel free to ask questions via email, or other social networking sites.” (from the press release)

Twitter @jurnlcollective
Facebook: Jur•nl collective
[email protected]

Filed under: Uncategorized Tagged: art. research, collaboration, collective, David Lynch, Jur•nl, London College of Communication, Photography, Wonder Valley

Trevor Powers, Untitled

Trevor Powers, Untitled

Trevor Powers

Untitled,
Boston, 2011
From the Sleep the Clock Around series
Website – CargoCollective.com/TrevorPowers

Trevor Powers (b. 1985) is a photographer and curator based in Boston, Massachusetts. He studied photography at The School of the Museum of Fine Arts, where he graduated in 2008. His work is primarily based around travel and the relationships, connections, and routines of everyday life. He is interested in exploring America, collaboration, zines, and creating community and sharing work through events and shows he curates. Most recently, he launched the All Visual Boston Slideshow, a series of one-night only, digitally projected group shows featuring the recent work of local and international artists.   

Postcards From America: The Box Set

In May 2011, Magnum photographers Jim Goldberg, Susan Meiselas, Paolo Pellegrin, Alec Soth and Mikhael Subotzky, as well as writer Ginger Strand, set out from Austin, Texas in an RV. Two weeks and 1750 miles later, they arrived in Oakland, Calif.

Together, they documented their experience, the result of which is a new, limited edition book that launches this week. Postcards from America is a collection of objects: a book, five bumper stickers, a newspaper, two fold-outs, three cards, a poster and five zines, all in a signed and numbered box.

“We knew each other through Magnum, obviously, but we’d never actually tried to work together,” says Soth. “We wanted to see what that would be like, to see if we could create a kind of polyphonic sound. Hopefully the box book achieves that. It also gave us an opportunity to push each other creatively and conceptually, which I think has carried over into our individual work.”

The book does not attempt to document the American Southwest in y traditional sense. Instead, it uses the prototypically western experience of a road trip as an entry point into depicting the region. “Some of us are used to working only on immersive, multiyear projects,” says Subotzky. “Obviously this was very different. Doing it collectively brought a great energy and looseness to the work. The box, with all its moving and arrangeable pieces, really reflects that and reflects what we found on the road—a divided and often contradictory society, unsure about its identity and future.”

The Postcards from America box book, in a signed edition of 500, is available exclusively at www.postcards.magnumphotos.com 

The second Postcards from America project is scheduled to begin this April in Rochester, New York.

To read more about the project background on Lightbox click here. To read a dispatch from the project click here.