Tag Archives: Visuals

Aperture Anthology Bluelines Arrive!

Aperture Anthology In-A-Bag


The bluelines for our upcoming Aperture Magazine Anthology: The Minor White Years, 19521976 have just been delivered to editorial, expertly packaged and fully portable!

This long-awaited volumepublished on the occasion of Aperture Magazine’s sixtieth anniversarywill provide a selection of the best critical writing from the first twenty-five years of the magazinethe period spanning the tenure of cofounder and editor Minor White.

The texts and visuals in this anthology were selected by Peter C. Bunnell, Whites protg and an early member of the Aperture staff, who went on to become a major force in photography as an influential writer, curator, and professor. linkwheel creation . Several documents from Apertures founders and individual articles are reproduced in facsimile, and the book is enlivened by other distinctive elements, including a portfolio of each cover, and a selection of epigrams and editorials that appeared at the front of each issue. An extensive index of every contributor to the first twenty-five years of the magazine makes this an indispensible resource. Stay tuned for its Fall 2012 release…

Thibault Brunet: First Person Shooter

(c) Thibault Brunet

Exhibition on view:
April 19 – May 19, 2012

4RT Contemporary
Chaussée de Waterloo, 1038
1180 Brussels

French photographer Thibault Brunet takes a photojournalist’s approach to his seemingly studio-lit portraits of soldiers, following troops through their daily missions passing through war zones and rubble waiting for those moments when “something seems to go wrong and a state of disorder sets in.” These photographs from the series First Person Shooter, along with some work from his latest series Paris: In the Aftermath of War, will be on view as part of his solo show at 4RT Contemporary in Brussels (through May 19, 2012).

“An undefined gaze or the glassy eye of a soldier; the disorientation at a Paris Métro station,” the gallery writes in their press release, “clearly familiar to us but now emptied of its usual crowds and devastated by an unknown conflict: these visuals challenge the spectator and require another look, a second reading.”

His work was profiled by Time‘s LightBox last year, which also explored his use of video game screenshots in the series, accompanied by a gallery of images from the show now in Brussels.

Brunet was also selected as runner up for Aperture’s 2011 Portfolio Prize for his work in First Person Shooter. More information on the 2012 Portfolio Prize call for entries will be available soon, but only Aperture magazine subscribers are qualified for entry, so have a look at some of work of the past recipients and runners up, and sign up today.

Cruel and Unusual @ Noorderlicht

© YANA PAYUSOVA - Holy Trinity - Holy Ghost, 2004

© YANA PAYUSOVA – Holy Trinity – Holy Ghost, 2004

The Cruel and Unusual exhibition that opens at the Noorderlicht Gallery in Groningen tomorrow is a rare breed. This is a project that started out (and still lives) on the internet, became a road trip across America, and is now both a newspaper and an exhibition. With work by eleven different artists, Araminta de Clermont, Amy Elkins, Alyse Emdur, Christiane Feser, Jane Lindsay, Deborah Luster, Nathalie Mohadjer, Yana Payusova, Lizzie Sadin and Lori Waselchuk, the exhibition focuses on prison photography, a subject that receives very little exposure. The show is co-curated by fellow photo-bloggers Hester Keijser (Mrs Deane) and Pete Brook (Prison Photography) who write two of the most dynamic and esoteric blogs that you will find on the web (aside from the dozens of other writing, curating and photographic projects). To state the obvious, prisons are not exactly a sexy subject and the fact that they have managed to put this show together is very impressive. Instead of a ‘traditional’ exhibition catalogue, the curators have put together a newspaper (print run of 4,000 / 1.50 € per copy) in an attempt to reach more readers than an expensive photobook could (they lay out their reasons for this choice in detail here). The world of photography online can be an exasperating, sprawling mess, but the fact that it can lead to projects such as this one makes it genuinely worthwhile. I’m providing a few visuals of the work on show with this post, but if you can make it to Noorderlicht before the exhibition closes on 1 April, don’t miss this.

© AMY ELKINS - 6/44 (Not the Man I Once Was)

© AMY ELKINS – 6/44 (Not the Man I Once Was)

 

© CHRISTIANE FESER

© CHRISTIANE FESER

© NATHALIE MOHADJER - Detention cell in Muyinga, Burundi 2009

© NATHALIE MOHADJER – Detention cell in Muyinga, Burundi 2009

© ALYSE EMDUR - Anonymous Backdrop Painted in Shawangunk Correctional Facility, New York 2005- 2011

© ALYSE EMDUR – Anonymous Backdrop Painted in Shawangunk Correctional Facility, New York 2005- 2011

 

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The Wonder of it All

As a blogger I get sent several press releases a day for upcoming exhibitions, from the weird to the wonderful and everything in between. Although 95% of it doesn’t hold my interest, once in a while something stands out. The press release for the upcoming exhibition at Gallery 138 in New York of photographs and videos by Clark Winter entitled The Wonder of it All stopped me dead in my tracks.

I knew nothing about Clark Winter, but discovered that he is a global investment advisor, a TV pundit, an art world mover and shaker (he serves on the Committee on Photography at the Museum of Modern Art), as well as a photographer and an “artist”. The release tells us that “in his photographs and videos (…) patterns appear, information is collected, everything is experienced; nothing is explained (…) Something’s coming, and you don’t know what it is.” It would seem that Winter leaves the explaining to his day job and let’s the invisible hand of chance govern his artistic endeavours. From the visuals I got my hands on, his photographs seem to be as random as the above press statement: snapshots taken in hotel lobbies, airports and assorted ‘exotic’ locations. Winter travels a lot and rubs shoulders with the powerful and famous, but is also capable of photographing the totally banal… a toaster, some flowers, a field. All of this is then thrown together in 3×3 grids where the mundane rubs shoulders with the “extraordinary things he has seen while travelling as a global financial advisor” and where the former comes out comfortably on top. In one self-portrait, Winter appears with electrodes attached to his head, suggesting his deep connection to these many complex layers of our planet, or perhaps simply to suggest the powerful brain that lies within it.

Of course I haven’t seen and won’t be able to see The Wonder of it All and this may simply be a case of overblown PR, but to me this feels incredibly misguided. Could there be a worse time to put together an exhibition that reveals “the private world of high finance” by giving us “access to things that are unavailable to ordinary travlers (sic)”? The idea that a man who certainly has a deeper understanding than most of global economics, finance and the powers that be and is clearly very successful in his field, could somehow translate this into a visual form with a series of off-the-cuff photographs, strikes me as a little overambitious, if not downright pretentious.

Clinton and Ali at Davos

The exhibition is part of a series exploring the relationship between art and finance, something that is extremely pertinent at this moment in time. There is a lot that is wrong with both worlds and an exploration of how they influence and affect each other could make an interesting exhibition. But surely this is something that requires more than the contents of a powerful man’s iPhone camera roll. I don’t write blogposts that frequently and writing a critique of this exhibition may have been unnecessary, a waste of your and my time. However, I can’t help feeling that in a way this exhibition is insulting to people who are actually devoting themselves to making art. The idea that it is this easy suggests that the relationship between art and finance is a lot more twisted than I thought.

If anyone does actually manage to see The Wonder of it All I would be fascinated to hear your thoughts. However, I am concerned that for someone who cites Picasso and Piero della Francesca as influences, it may be difficult to live up to such lofty expectations.

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The Role of Women in Photography at SVA


Mermaid swimming away, Weeki Wachee, 2003. © Lisa Kereszi

The Role of Women in Photography: Are We There Yet?
Thursday, September 22, 2011
6:30 pm

School of Visual Arts
209 East 23 Street
3rd floor amphitheater
New York, NY

Free with a valid college ID, $10 for general public

Elisabeth Biondi, former visuals editor at The New Yorker and currently an independent curator, will be moderating a discussion panel on the current role of women in photography at SVA. The panel includes photography critic and Aperture magazine contributing editor Vince Aletti, Aperture contributing writer Lyle Rexer (whose book The Edge of Vision was published by Aperture), as well as photographers Martine Fougeron, Lisa Kereszi, and Sarah Silver. The event is being presented by SVA’s MFA Photography, Video, and Related Media Department, in partnership with Professional Women Photographers.

Guernsey Photo Festival 2011 sets sail for a month of photography,

THE GUERNSEY PHOTOGRAPHY FESTIVAL 2011

Jean-Christophe Godet artistic director and founder Guernsey Photography Festival 2011

L-R Adam Patterson and Dana Popa, © Miranda Gavin

L-R Adam Patterson and Dana Popa, © Miranda Gavin

L-R Lauren Heinz, Adam Patterson and Dana Popa, © Miranda Gavin

L-R Lauren Heinz, Adam Patterson and Dana Popa, © Miranda Gavin

The audience at the Adam Patterson and Dana Popa talk, © Miranda Gavin

The audience at the Adam Patterson and Dana Popa talk, © Miranda Gavin

The Guernsey Photo Festival, now in its second year, opened its doors to the public and the press with a series of talks. Artistic director and founder of the festival is photographer Jean-Christophe Godet. Photos above are from the talk given by Adam Patterson and Dana Popa with Lauren Heinz from Foto8 who presented the photographers to the Guernsey audience. The Return Journey show is curated by Foto8 magazine.

The photos below are from some of the shows, more tomorrow from another Photo Stroll on the Channel Island of Guernsey. Thanks to all those who welcomed us to the island. Some thoughts on the photo festival to come. For now, the visuals for you to form your own impression of a small slice of the Guernsey Photo Festival 2011. To see more photos…

ADAM PATTERSON – THE RETURN JOURNEY

DANA POPA – THE RETURN JOURNEY

CAROLYN DRAKE – PARADISE RIVERS
To see more click here for Carolyn Drake’s Paradise Rivers.

Filed under: Photographers, Photography Festivals Tagged: Adam Patterson, Dana Popa, Foto8, Guernsey Photo Festival, Guernsey Photo Festival 2011, Jean Christophe Godet, Lauren Heinz

Webminar with Bill Frakes: video and still photography

Missy from Straw Hat Visuals on Vimeo.

Bill Frakes has been working with multimedia (video and still images) for a while and some of his work can be seen at Strawhat Visuals (see example above for a very touching story where the voice, images, and video coalesce to blend into a touching story).

Manfrotto is sponsoring a webminar where he will talk about the use of video and still images with a DSLR to capture music concerts. See the information here for free registration.

Webinar with Bill Frakes

Register for FREE

Date: April 1st

Time: 2:00 PM – 3:00 PM EDT

Title: Multimedia In The Music Business: Combining Stills And Videos Shot With A DSLR For Maximum Impact.

Description: This webinar, hosted by David Fisher, Manfrotto product manager, and featuring multi-award winning photographer Bill Frakes, takes you behind the scenes of Bill’s recent shoot of the band Backyard Babies music video “Abandon.” Backyard Babies is one of the most popular rock bands in Sweden and Bill, winner of the Pulitzer Prize, World Press Award and many others, used at least a 12 camera set up, live performances, studio shots, and a wonderful setting in the frozen Baltic Sea to create this hit music video. Attend the webinar to uncover the secrets of the band’s video, equipment survey and some very interesting backstage stories.

www.Billfrakes.com | www.strawhatvisuals.com

Contest: What Would You Like to Ask Bill Frakes?