Tag Archives: Video Essay

All-new issue of Lens Culture contemporary photography online now!

The latest issue of Lens Culture (www.lensculture.com) is filled with exciting new discoveries:

Exciting new contemporary photography from Russia (3 articles)
A special high-resolution preview of Paris Photo 2011
Award-winning photography from Japan, The Netherlands, Turkey, and the USA
Photos made and used as inspiration by painters Edvard Munch and Cy Twombly
Photo book reviews, including a book about Patti Smith by REM’s Michael Stipe
A video-essay about female military training camps
Behind the scenes intimate and candid photographs of body-builders
Collodion wet-plate and photogram diptych portraits of hands
Black-and-white photographs of monster storm systems
Exhibition reviews, audio interviews, and much more!
Plus more than 6 years of Archives, featuring hundreds of interesting photographers.

Please check it out, and tell your friends, too. Enjoy!


Special thanks to our hard-working, dedicated editorial and production team for this issue: Christian Andr Strand, Catherine Rierson, Samantha Pribish, and Millie Casper. nell . And thanks to you, our readers, for keeping us going!

Tim Hetherington Installation and Video on View



Installation shot of Sleeping Soliders by Tim Hetherington. Image taken with SONY a33 DLSR Camera and Lens, generously donated by Sony USA

In remembrance of Tim Hetherington, photographer, reporter, and filmmaker, Aperture is honored to present his Sleeping Soldiers video installation and his Diary video, from Wednesday, May 25 through Thursday, June 23.

Tim Hetherington was killed in Misurata, Libya, on April 20, 2011, during an attack by pro-Qaddafi forces on the rebel-held town. His funeral took place in London on May 13 and in New York, May 24.

Sleeping Soldiers (5 minutes, 2009) is an immersive video essay, shot at the same time as the film Restrepo, featuring soldiers of a U.S. Airborne Infantry platoon based in the Korengal Valley of Eastern Afghanistan, in combat, and asleep. The original three-screen installation was first shown in New York in 2009 at the New York Photo Festival, in an exhibition curated by Jon Levy.

Diary (19 minutes, 2010) is a highly personal and experimental film that expresses the subjective experience of Hetherington’s working life, and was made as an attempt to find himself after ten years of reporting. It’s a kaleidoscope of images that link our Western reality to the seemingly distant worlds we see in the media.

Both videos were shot and directed by Tim Hetherington, with editing and sound design by Magali Charrier.

Hetherington’s family and friends have suggested that donations in his memory be made to the three charities that Tim felt most strongly about: Human Rights Watch, the independent organization dedicated to defending and protecting human rights, for which he worked regularly; Committee to Protect Journalists; and Milton Margai School for the Blind in Sierra Leone, where Hetherington photographed and worked with students, who had been intentionally blinded by the Revolutionary United Force. Donations to these charities will be accepted at Aperture during the screening of his videos.

Tim Hetherington was born in Liverpool, UK, in 1970. He studied literature at Oxford University and later returned to college to study photojournalism. He lived in New York and was a contributing photographer for Vanity Fair magazine. He was known for creating diverse forms of visual communication and his work has ranged from multiscreen installations, to fly-poster exhibitions, to handheld device downloads. Known for his long-term documentary work, Hetherington lived and worked in West Africa for eight years and reported on social and political issues worldwide.

As a filmmaker, he worked as both a cameraman and director/producer. He was a cameraman on Liberia: An Uncivil War (2004) and The Devil Came on Horseback (2007), and his directorial debut, Restrepo (codirected with Sebastian Junger), was awarded the Grand Jury Prize at the 2010 Sundance Film Festival and shortlisted for an Academy Award for Best Documentary Feature, in 2011.

He authored and published two books of photographs: Long Story Bit by Bit: Liberia Retold (Umbrage Editions, 2009), and Infidel (Chris Boot, 2010).

He was the recipient of numerous awards, including a Fellowship from the National Endowment for Science, Technology, and the Arts (2000–2004), a Hasselblad Foundation grant (2002), four World Press Photo prizes, including the World Press Photo of the Year 2007, the Rory Peck Award for Features (2008), and an Alfred I. duPont award (2009).