Tag Archives: Time Out Chicago

Donna J. Wan, At the Air Strip

Donna J. Wan, At the Air Strip

Donna J. Wan

At the Air Strip,
, 2012
From the In The Landscape series
Website – DonnaJWan.com

Donna J. Wan is a San Francisco Bay Area artist. She received her BA from Stanford and her MFA from the San Francisco Art Institute. Her work has been shown at Gallery 1401 at the University of Arts, New Mexico Museum of Art, Klompching Gallery, and Yerba Buena Center for the Arts. She was named a Magenta Foundation Flash Forward 2007 Emerging Photographer and, most recently, received an Honorable Mention award for Review Santa Fe's Project Launch category and the APA/Lucie Foundation Scholarship grant. Her work has been published in Fraction Magazine, Lenscratch, Time Out Chicago, Profifoto, and the Conscientious website by Joerg Colberg and written about by W.M. Hunt and Virginia Heckert of the J. Paul Getty Museum. In 2009, she was an artist-in-residence at The Center for Photography at Woodstock and was invited by Catherine Opie to lecture at UCLA. Collectors of her work include the Pulitzer-Prize winning author Richard Ford and Thomas Kellner." 

Kelli Connell: Double Life

Floating, 2005; from the series Double Life (c) Kelli Connell

These two women seen above floating in a pool–this never actually happened. Kelli Connell, whose work as Leo Costello claims, “falls within a tradition of Surrealist photography… [giving] form to the multifaceted, dynamic unconscious,” digitally manipulates her images to combine multiple exposures. She uses what is commonly thought of as an objective tool to create what she has instead termed “constructed realities.”

Her series Double Life (on view at Photo-eye Gallery through June 30, 2012) in which she employs this technique, “documents” the evolving relationship between two women (one model). In addition to exploring the visual rhetoric of digital imagery, the work is an investigation of and a kind of metaphor for the fluidity and instability of identity, sexuality, and gender roles.

“By digitally creating a photograph that is a composite of multiple negatives of the same model in one setting,” Connell writes in an artist’s statement, “the self is exposed as not a solidified being in reality, but as a representation of social and interior investigations that happen within the mind.”

This solo exhibition has previously been on view at Yossi Milo Gallery in 2007, and Catherine Edelman Gallery in 2011. That same year, Decode Books also published the Double Life monograph, which is reviewed here by Time Out Chicago and was featured as one of American Photo magazine’s Books of the Year.

A limited-edition print from that series, Floating, 2005, is available for purchase from Aperture. The image also appears in Connell’s volume of the sold out tripartite series MP3: Midwest Photographers Publication Project (Aperture 2006).

Additionally,  Connell’s work has appeared in Photo Art: Photography in the 21st Century (Aperture 2008) and The New York Times Magazine Photographs (Aperture 2011).

Prior to the show, check out a transcribed conversation between Connell and American portrait photographer Dawoud Bey on the subject of Double Life at Flak Photo.

Kelli Connell: Double Life
Exhibition on view:
June 1 – June 30, 2012

photo-eye Gallery
376 Garcia Street
Santa Fe, New Mexico
(800) 227-6941

MoCP in the News: Press for Our Origins

“Where do we, as humans, come from?” With such a broad question at the heart of Our Origins, it’s no wonder the exhibition has gotten people talking. From art critics to bloggers, take a look at what people are saying about Our Origins, which is on display at the MoCP through October 16:

Jennifer Ray, Strangler Fig Embrace, 2009; Courtesy of the artist

“Inspired by everything from fossils to x-ray diffusion, this ambitious group show considers the unanswerable questions — all from a very self-conscious, often very funny point of view.” – Flavor Pill Chicago

“The chatter about where we come from seems inescapable. Which is what makes the relative silence of Our Origins refreshing.” – Chicago Reader

“Plenty of thought-provoking works on view.” – Time Out Chicago

“[Our Origins] reflects on natural history from a distinctly human point of view.” – The Beacon-News

“For all the wit, wisdom and insight here, Alison Ruttan steals the show… [While she] may not have revealed the mysteries of being; she has effectively portrayed us as too close to other primates for comfort, evoking a mixture of humor, absurdity, depression, truth and self-recognition.” – Newcity Art

In addition to the show, curator Allison Grant also gets a little love:

“It’s refreshing to see a curator take aim at the largest human questions, and it’s good for Grant’s first exhibition ever. I admire that ambition and hope Grant will continue probing those deep questions, since for as many artists as there are investigating consumerism and commodity culture, there are just as many examining the hard philosophical and scientific question” – Art Slant