Trying to get work together for the Brighton Photo Fringe with Tri-pod and our work-in-progress show IS THAT IT (more to come later), plus moving and looking for work has been full on.
I’m now based in Brighton, for the time being, and while I find my feet, I asked Farnham student Catherine Symons, who attended the press view, to cover it for the blog. It’s great to get another perspective, let go and allow someone else the space to preview the shows…
So, I now hand over to Catherine for the first of two posts.
ON THE SURFACE OF IMAGES – JINKYUN AHN
Confrontation 1 from On The Surface Of Images © Jinkyun Ahn. Photo courtesy of the artist and The Phoenix Brighton
On Saturday 6 October the Brighton Photo Fringe 2012 was launched, starting at Phoenix Brighton. Phoenix Brighton is used this year to showcase OPEN 2012. Over 100 submissions were received and On The Surface Of Images by Korean photographer Jinkyun Ahn was selected as the winner by Clare Grafik, Susanna Brown and Oliver Chanarin.
Photographer Jinkyun Ahn in conversation with Afshin Dehkordi, Photograph by Catherine Symons
Ahn’s first major solo exhibition On The Surface Of Images shows his photographic work on the subject of his parents, looking at the theme of mortality. “The empty plot that my parents prepared for their after-life is an image of death that will be fixed eternally in the landscape, as well as, in my mind.” From the artist’s statement.
Walking around the exhibition, there is the experience of the different elements and processes that Ahn went through in his mind when making this body of work. He comments on the distance and isolation he experienced through showing the fragmenting of his parents with their faces darkened or dismembered in different ways.
On The Surface Of Images runs until 18 November.
THE PHOTOCOPY CLUB
Photos Catherine Symons.
The fifth exhibition from The Photocopy Club is on show at The Phoenix Brighton. The Brighton-based company opened in 2011 with the aim to have six bi-monthly open submission exhibitions. The idea behind this organization is to take photographs from the internet and instead put them into the public’s hands.
100 photographers work is displayed on chipboard, including envelopes and notes sent in, which adds a rawness to the project. Bringing together a variety of different images, the aesthetic of the work allows the tactile nature of the photograph to come back into play and for the work to be disseminated to a wider audience.
This show is followed by the exhibition DUO hosted by WEARELUCKY/HOLYGHOST – a show looking at the work of four pairs of young photographers. Details of their next submission exhibition can be found at The Photocopy Club deadline 18 November.
UNPHOTOGRAPHABLE – MICHAEL DAVID MURPHY & THE ENTENTE
© Michael David Murphy & The Entente
Brighton Photo Fringe designers, Michael David Murphy and The Entente invited members of the public to contribute to their work, whereby they take elements of the unphotographable and combine this with text.
Photo by Catherine Symons
“Opportunities missed. Simple failures. Occasions when I wished I’d taken the picture, or not forgotten the camera, or had been brave enough to click the shutter.” Michael David Murphy.
The result is a graphical representation of what would have been and is achieved through combining bold black text with coloured symbols. The text and symbols give the viewer a snippet of the whole image and engaging the viewer’s imagination to allow them to determine the image that they would like to see.
Allow your imagination to run free with this thought-provoking installation.
All shows at The Phoenix Brighton. Open Tues-Sun 11:00-17:00.
Filed under: Photo Stroll, Photographers, Photography Festivals Tagged: Afshin Dehkordi, Catherine Symons, Jinkyun Ahn, Michael David Murphy, On The Surface Of Images, Phoenix Brighton, The Entente, The Photocopy Club, The Unphotographable