Tag Archives: Nightmare

Rémi Ochlik’s Revolutions

“War is worse than drugs. One moment it’s a bad trip, a nightmare. But the next moment, as soon as the immediate danger has passed, there is an overpowering desire to go back for more. To risk one’s life in order to get more pictures in return for not very much. It is an incomprehensible force that pushes us to keep going back in.”

Rmi Ochlik, 2004

This spring, after French war photographer Rmi Ochlik was killed during fighting in Homs, Syria, a group of close friends and colleagues felt their obligations to the photographer weren’t complete. Meeting aboard a TGV train on their way to Paris from the World Press awards ceremony in Amsterdam in late April, the group took stock of everything that had happened since Rmi’s death. find personal injury attorney . His photographs had spoken for themselves when exhibited in tribute in Amsterdam. The large circle of friends gathered in his name was a testament to his character; he was always the guy who would make friends sharing a cigarette. But one duty remained unfinishednot a tribute, nor a memorial, but a commitment to continue what was and what should have been in Rmi’s life.

Now, five months later, Revolutions is finisheda book of 144 pages, across which Rmi’s photographs of the Arab Spring spread forth. The tome depicts hope, anger, celebration and fearsome of humanity’s most powerful emotions recorded in photographsand feelings the photographer undoubtedly felt during a career cut short by the harsh realities often facing those documenting armed conflict.

Scattered through this visual record of Rmi’s witness are the words of friends, which encompass close confidants, long-time coworkers and fellow photographers. Their testimonies are short, speaking to the memories of a man killed at a time and place in the world many photographers hesitated to cover.

Ochlikbegan his photography of the Arab Spring in Tunisiaand so the book does the same. “It is impressive to see the ease with which he moves through the street as the rocks fly everywhere,” writes Julien De Rosa of his shared time with Rmi outside Tahrir Square in Cairo. “This is clearly his natural environment.”

Rmi, considered by colleagues an old-school photographer despite his youngage (29), moved with confidence and resolve through the borders of conflict in the Middle East. This is what makes his death that much more painful, for at his age and with his skill, his potential had seemed limitless.

“Be safe, okay?” were the last words that Gert Van Langendonck told Rmi before his final trip to the besieged city of Homs. “You’ve already won your World Press Photo.” And indeed Rmi’s work was deserving of high honorhis story from Libya earned him first prize in the 2012 World Press Photo competition’s General News category. His photographic eye was strongstrengthening, evenas he entered Syria. A vision deserving of high honor, cut short by a barrage of shelling that also killed American correspondent Marie Colvin.

Rmi was often aware that he didn’t have a personal project in the works, Van Langendonck told TIME. Personal projects provide an outlet for photographers to explore their interests outside of commissioned editorial work, allowing for an inner-consistency even as a photographer’s surroundings are rapidly changing. So caught up in his work, Remi didn’t need it “I’ve never had so many of my pictures published in my life,” he told Van Langendonck.

After paying the ultimate price for his work, Rmi’s personal project became clear. Although the future promise of the French photographer will never be fully realized, the publishing of Revolutions has brought a modicum of closure.

Revolutions is nowavailable through Emphas.is. The book project, funded by contributors, raised $24,250 as of Sept. 4, exceeding its original fundraising target of $15,000 by almost 40%.

Center for Fine Art Photography: Dreams

Aline Smithson, The Stairs

Whether it’s a dream or a nightmare, our night time visions make for wonderful imagery. “Dreams are a creation of images, ideas, sensations and emotions that occur in our conscious and subconscious mind. They can be the manifestation of our aspirations, goals, andfears both realistic and fantastic.”

I am thrilled to be the juror for The Center of Fine Art Photography’s call for entry on Dreams. I am a big fan of this organization, and of Hamidah Glasgow, it’s very capable director. Hamidah and I have had several conversations about how best to help and support emerging photographers and it’s very evident that the goal of this organization is to do everything in it’s power to help photographers gain exposure, experience, and education. Founded in 2004, The Center for Fine Art Photography is a nonprofit organization supported by donations, grants, and memberships. With offices, classrooms, and two galleries in Fort Collins, Colorado, the Center currently has more than 1,300 members representing 33 countries worldwide.

The due date is August 9th, with the exhibition opening on December 2nd and running through January 7th.

Photographer #241: Guillaume Zuili

Guillaume Zuili, 1965, France, works and lives in Los Angeles, USA. He became a member of VU Agency in 1992 and has been shooting images for the French Press, since 2002 as a correspondent in California. Since 1996 he has photographed cities using double exposures. Berlin, Paris Moscow, Lisbon and Prague are the cities he portrayed revealing the complexity and layers of these urban settings. At the same time he focuses on recording the myth of “The Golden State”. In his series Foreclosure Alley Zuili documented the gated communities that were created within a five year period and was the American Dream to many but has become a nightmare due to an astounding number of foreclosures. The “For Sale” signs have become the new landscape. The following images come from the series Exposed Cities: MoscowForeclosure Alley and California Oil.

Website: www.zuiliphoto.com & www.agencevu.com

– My Campus Talk Magazine: A Feminist’s Nightmare

"Rape is just surprise sex."

I think the fact that I did not punch the guy who uttered these words to me and scream "SURPRISE!" is a testament to my new found anger management skills. Unfortunately for these new skills, shortly after this encounter, I made the mistake of picking up a copy of the September 2008 issue of Campus Talk .

It wasn’t the two airbrushed wanna-be Playboy Barbies on the cover of this outstanding publication that caught my attention, but the headline "Tighten the Leash! How 2 train your girlfriend." No, the editor could not be bothered to spell out the word "to" and yes, I should probably go back to anger management classes.

This tasteful article is offset by a picture spanning the top half of the page. The image is part of a woman’s face, with bright green eyes and perfect make-up; she could be any girl under 25. The viewer only sees from the bottom of her nose to the top of her eyebrows. The light focuses on her eyes, which are wide open, pupils narrowed and eyebrows arched in surprised. From the shadows behind her, you see nothing but a thumb cutting across her cheek and a shadow of a hand firmly clamped across her mouth. Above the picture is the preface to the article: "I love you. You’re perfect. Now change!"

Indeed we all wish that at some point we could "train" our significant others; but as much as we’d like to pretend otherwise, training is not an option and there has to be give and take in every healthy relationship. For every dinner I don’t cook, there is a load of dishes for me to do.

However, what could have become an amusing social commentary about the lessons we learn as we live together turned out to be nothing more than a poorly written users manual for bullying, violence, and deceit in order to create a Stepford girlfriend.

The article itself only takes up half of the page, but suggests that a girl can, and should, be trained by her boyfriend to like sports, dress sexier, drink beer, be a minx, and talk less. The ultimate goals listed are to have your girl pole dance, stop talking altogether, and get her to drink her weight in beer as you introduce her to new and enticing sexual adventures. Great. Thanks, Casanova.

The image accompanying this article, which should invoke a feeling of terror in its viewers, comes across as artificial and surreal when taken in context. The very pairing of this article and this picture mocks the validity of violence against women, and for all intents and purposes turns it into a mere joke. In an era that is celebrating the advancement of women, this college-targeted publication is condoning the act of getting the woman you supposedly care about so drunk "that even moonshine tastes like Gatorade" and encouraging her to "slut up her wardrobe" in order for her to be considered attractive.

The seriousness of violence against women is further downplayed by the "totally useless fact(s)" at the bottom of each page. The publication plasters inconsequential tidbits like "A giraffe can go without water longer than a camel can" side-by-side with facts such as "Rape is reported every six minutes in the United States." That particular "useless fact" was found just under the how-to article titled "Man Up Your Apartment."

According to RAINN statistics, one woman is sexually assaulted every two minutes. RAINN also indicates that 1 in 6 women will be sexually assaulted in their lifetime and that college age women are 4 times more likely to be assaulted. (Check the facts at http://www.rainn.org/ ).

With publications like My Campus Talk, I don’t foresee these statistics dropping any time soon. Targeting the undergraduate populations this magazine could have the potential to educate, but instead it chooses to encourage the continued objectification and degradation of all women by approaching the issue of violence against women with a casual indifference and dehumanizing manner. These students will graduate; sadly, many will enter the real world carrying these ideals. We cannot advance as a society if we effectively disenfranchise half of our population. College is a place that prepares our children for the future, and I am hoping that our future is not a place where "rape is just surprise sex."