Tag Archives: New Directions

Palais de Tokyo Young Curators Season 2013 Open Call

Dedicated to the emergence of the newest forms of contemporary art as it is, the Palais de Tokyo sees participating in the renewal of the ecosystem of art as part of its remit. This is why it undertakes to seek out and support new players, and new directions. Thus in the summer of 2013 the Palais de Tokyo is entrusting its entire programme schedule to “young curators”. Selected on the basis of the proposals they submit, the winners will bear witness to the perpetual reinvention of the issues involved in curating an exhibition, their scouting talent, and their ability to dream up new ways of relating to art. This event is likewise intended to demonstrate the dynamism of Paris and the surrounding area as part of a joint initiative involving a great many partners and institutions.

APPLICATION FILE:
The proposed project must clearly demonstrate innovative thinking about exhibition formats. Whether it relates to a solo or a group exhibition, it must envisage occupying a surface area that can be as large as 250 sq. m. It must be capable of evolving in accordance with the technical constraints and the diversity of spaces that apply at the Palais de Tokyo. The selection will be made primarily on the basis of the inventiveness of the project, its curatorial boldness, and its relevance in the current field of creative work. Applicants can indicate a preference as regards the typology of space best suited to their proposal. Applicants can be curators and/or artists.

The application file will consist of:

1. a statement of intent
2. an illustrated list of proposed artists (and/or works)
3. an estimated budget in euros comprising the items: production of works, transport, materials and equipment required
4. a CV
5. an artistic documentation giving a short description of the previous curatorial projects carried out by the applicant
6. anything else likely to shed light on the proposed project

File to be forwarded before 30 September, 2012

– In digital format to: [email protected]
– As a hard copy to: Palais de Tokyo, Young Curators, 13 av du prsident Wilson, F-75116 Paris, France

ELIGIBILITY REQUIREMENTS:
Applicants must be under 40 years of age.

SELECTION METHODS:
The Palais de Tokyo will bring together a jury consisting of seven curators from its team, its President, Jean de Loisy, and several suitably qualified notabilities. Following an initial selection, the applicants chosen will present their proposal to the jury in person. The traveling expenses of the applicants selected to present their proposals orally will be covered by the Palais de Tokyo. Between ten and fifteen winners will be named following this second phase.

FOLLOW-THROUGH OF THE PROJECT:
Each winner will be assigned a curator as their main contact at the Palais de Tokyo and will be supported by the production service throughout the implementation of the project. squido lense . The total estimate budget for the season is 500,000, excluding caretaking and security, mediation and communication. Each curator selected will receive a sum of 1500 euros as a fee, not to be included in the estimated budget.

TIMETABLE:
Call for applications: beginning of June 2012

Applications to be submitted before 30 September, 2012

Oral interviews of those selected in the first round: 5 November, 2012

Winners announced during the week of 5 November, 2012

Exhibition: June 2013

APPENDIX:
For information, a plan of the Palais de Tokyo etc click here.

Photographer Hal

I first saw work by the Tokyo photographic artist, Photographer Hal, when I explored the winning images for the New Directions exhibition at Wallspace Gallery, jurored by Debra Klomp Ching. Because the image was small, I thought that he had photographed some kind of candy, but when I saw the large photograph hanging on the gallery wall, I realized that my brain could not make the connection that what I was looking at were people.

The images below are from a series, Flesh Love, where couples are vacuumed sealed in futon cases. Needless to say this is disarming work, but at the same time, it’s work that changes our perceptions. He has a book of this work available for ipads.

I go to kabukicho in shinjuku, underground bars in shibuya and many other places which are full of activity like luscious night time bee-hives. When i see a couple of interest I will begin to negotiate. I’m sure that many people initially think of my proposal as unusual or even look through me like I am completely invisible, but I always push forward with my challenge to them. The models appear from all walks of life and individually have included musicians, dancers, strippers, laborers, restaurant and bar managers, photographers, businessmen and women, unsettled and unemployed, et al.

In my early explorations I used to capture the models in a small room or enclosed space, these images can be seen in the photo books called Pinky & Killer, and Pinky & Killer DX.

During the photo session I often prompt the couple to pose as if they’re in a sticker photo booth, an extension of the regular passport type which cause friends to pose in many alternative and fun ways. The focal point of the concept was then extended for the publication Couple Jam to include the use of the models bathtub, usually in their own home. I think of the bathroom as being one of the most private and intimate place in anyone’s home, this provoked a shyness in the models, and created a unique excitement and inspiration in the scene. In my most recent project I have applied the use of the vacuum sealed package, used to store futon covers in everyday life, I found that the couple can be sealed in, with the appearance of being freshly wrapped I have called this event Fresh Love.

Heidi Kirkpatrick

The photography world is hungry for new approaches to creating imagery as our current photographic environment speaks more to pixels and file sizes. Happily, there is a rebirth of exploring traditional and historical processes and a focus on the photograph as object. Heidi Kirkpatrick is creating three dimensional photographic sculptures after years in the darkroom producing traditional silver gelatin prints, that were, more often than not, tucked away in boxes. In an effort to work in a unique way, her photographs have found new homes and surfaces and they are getting lots of attention. Heidi will be giving a presentation on her work at the Portland Art Museum, as a part of their Brown Bag Lunch Talks, on January 18, 2012 at 12:00pm to 1:00pm. Her series, Specimens, was recently recognized as one of the Critical Mass Top 50 Portfolios. The image below was selected by Darius Himes for the traveling Critical Mass exhibition.

Branch ll

The two images below were selected by gallerist Deborah Klomp Ching for the New Directions exhibition at Wall Space Gallery, that opened January 1st and will run through January 29th.

Reveal

For Fredrerick

Specimens: I have had a lot of physical pain and have for many years. In my continual search for an answer, as well as my way of dealing with the unexplained, I dissect my Gray’s Anatomy book. The pages find their way into Specimens, layered under images of those closest to me. The illustrations bind, clothe and wrap the body. Putting the inside on the outside, I wear my heart on my sleeve. Reminiscent of nineteenth century cased images; Specimens are housed in small hinged tins that open and close to reveal or conceal the secrets they hold.

Heidi is a Portland photographer and artist, using found objects to create intimate and personal sculptures. Her work is mysterious, personal, and nostalgic. She explores themes of family, childhood, addiction, and pain. There is a sense of play present, but serious play that makes the viewer consider their own memories and insights. She has a book of her work, Lost and Found, through Blurb. The work below is gleaned from several series.

I am in love with film. All of my work is made with film. I shoot on film. I print on film. I do all of my own work in my darkroom. I like it dripping off my elbows. I do not use a lot of fancy equipment. My “models” are the people who are closest to me, my family and friends. I love layering the film positives over anything and everything I can think of or find. My studio is filled with found objects that inspire me, and photographs, lots and lots of photographs.

I use photographs to transform found objects into playful pieces of art. Fusing transparent figurative and family portraits with children’s toys and blocks, I create a playful tension between imagery and object. My work breathes new life into these found objects, yet they leave hints of the past in their lovingly worn appearances; the flecks of paint missing, and the soft corners worn down by tiny fingers and tumbling towers.

These works depart from the formality of a frame as they are arranged on a table top or a shelf, often stacked or placed side by side to reveal narratives of family snapshots, or the complexities of the feminine allure. In combination, I give you a chance to visit these earlier playful times while drawing on memories, contemporary issues, and visual formality.

New Directions in Contemporary Photography

candler park chiropractor . oh law firm . austin roofers .

New Directions in Contemporary Photography

diamond rings . washer and dryer repair . Comcast Deals .

Elizabeth Clark Libert

You have to appreciate an image maker who has a title like, “After the Barney’s Sale”. It’s a title not often seen in contemporary fine art photography and it’s a window into a life that is rarefied, but also real. Elizabeth Clark Libert is a bit of an open book, sharing her GPA’s and SAT score on her resume, but also her achievements in acquiring a BA from Amherst, a Post-Baccalaurate Certificate from the School of the Museum of Fine Art, and an MFA from the School of Visual Arts.

Her series, Libert & Company, is an exercise in self portraiture, but also allows a ringside seat into a family that is comfortable in it’s own wealthy skin and not making excuses for a privileged lifestyle. By shining a spotlight on the world that is most familiar to Elizabeth, it is a cathartic expression of simply accepting who she is and what she has.

2011 is proving to be a good year for Elizabeth. Her work was selected for the New Directions exhibition jurored by David Bram at Wallspace Gallery and was also selected for The Summer Show Project at the Michael Foley Gallery in NYC. Her work is also included in the first edition of 50pm,”Family Matters”, a photography magazine iPad app by Daylight and Bite! In addition, Elizabeth has self-published Libert & Company through Blurb.

“Libert & Company” is a photographic study of a financially and socially privileged New England family that I know well—it is my own. In the past I found myself hesitant to share photographs that evidence the “privileged” background that I grew up in, especially given the current state of the economy. This current body of work addresses my ambivalent attitude towards this aspect of my life. I often experience various emotions such as pride, embarrassment, guilt, and relief. With that in mind, I have started to photograph familial characters of this wealthy circle in a way that captures a certain, wavering insecurity – my projected insecurity.

The Libert Family, Cambridge

The result is a series of images where discomfort and awkwardness are present. Sometimes this unease is evident in the subjects’ ambiguous facial expressions and gestures in relation to each other and their environment. In other situations, the characters display an obvious self-awareness and, at times, sense of entitlement. Much emphasis is placed on aesthetics, whether it be one’s own personal appearance or with external surroundings, such as home decorating. There exists a desire to not only fit in, but to impress and fulfill the high expectations set by prior generations. As the photographer and occasional subject of these images, I too embody these characteristics.

Whippets, Palm Beach

I ultimately consider this body of work to be both a self-portrait and critical view of my life, one that intends to both please and disgust the audience.

Liz and Mardee, Palm Beach

Half-Bath, Cambridge

Andy, Joy, and Jeff, Palm Beach

Sugar Having her Breakfast, Savannah

Mardee at Mooo, Boston

Jeff at his Desk, Newton

TV-Room Bar, Cambridge

Liz and Andy Before Dinner, The Silver Spirit

Dan and Liz in the Rolls, Palm Beach

Benedict Flying Home

After the Barney’s Sale, New York City

Mardee’s Shoes, Palm Beach

Clock and Chair, Milton

Liz Getting her Hair Done, New York City

Jack Kennedy and Mardee After the Service, Savannah

Jeff, The Libert-y

Dan at Brunch, Palm Beach

Whippets, Palm Beach