Tag Archives: Monographs

The Bechers on Display at Paris Photo

The work of the photographic duo Bernd and Hilla Becher is indisputably some of the most important in modern photography. This week, a two-part exhibit at Paris Photo highlights the historical significance of the Bechers, most well known for their “typologies”—uniform, photographic studies of industrial structures such as water towers and blast furnaces.

The first part of the show, Bernd and Hilla Becher—Printed materials 1964-2012, features an extensive collection of rare ephemera related to the Bechers’ work. These objects, including posters, invitations and museum catalogues, were amassed by curator and book dealer Antoine de Beaupré for more than ten years.

“You get an historical overview,” said Beaupré. “and also an evolution of how their work developed over the years, especially in the beginning.”

One highlight of the collection is the magazine Anonyme Skulpturen which was printed in 1969 to accompany an exhibition of the Bechers’ work in Düsseldorf. This work would become a monograph of the same name, published in 1970, which is also featured in the Paris show.

The printed objects collected by Beupré represent the Bechers’ work from 1964 to 1977, while a presentation of their monographs, mounted under plexiglass and affixed to the gallery walls, span from 1970 to the present day.

The second section of the Paris show features a selection of 117 photographs chosen by Hilla Becher (Bernd Becher passed away in 2007) from the 1977 book Zeche Zollern II – Photographs of Bernd & Hilla Becher. Together, these prints, objects and publications are a comprehensive tribute to the Bechers’ long and prolific photographic career.

Antoine de Beaupré is a curator and the founder of the Librairie 213 in Paris.

Bernd and Hilla Becher—Printed materials 1964-2012 is on display at Paris Photo from Nov. 15 to 18.

Frank Armstrong

There is something remarkable about a photographer who has been looking through the lens for almost 60 years.  Frank Armstrong has a heightened way of seeing – capturing the nuances of found tableaus and exploring objects that have patina and remain to tell a story. He looks at the ordinary and sees beyond it and brings a beauty and poignancy to a landscape that many would overlook. At 77, he is truly a treasure in our photographic community.

His portraits reveal a sensitivity to humanity and the quiet dignity of simple moments of being.

Frank spent much of his life in Texas, but found himself on a small island near Alaska while serving in the Navy.  It was there that he picked up a camera in order to share his experiences with his family.  Frank has had a long career, in and out of academia (currently “in”, teaching at Clark University in Massachusetts), and rubbing shoulders with photographers who inspired and encouraged him along the way, including Russel Lee, Garry Winogrand, Oliver Gagliani, and most recently, Stephen Di Rado.  He was awarded a double Paisano Fellowship, has created three monographs, and has work in significant museum collections across the county. Though Frank lives and teaches in Massachusetts, he still prefers to make work in familiar territory: the southwest and Texas.  He currently has work in the exhibition, Trains, Planes, and Automobiles, at the Panopticon Gallery in Boston.
I am featuring select images of Frank’s color work from his series, Color.

My perfect day, week, month, or more, is to load the cameras into the truck and head out.  I’m in search of images that speaks of man’s influence on the landscape, and the effects of time.  My subjects are at times whimsical, obscure, and transitory.  They are not hidden, but they are seldom noticed by the passer-by.  I seek that which has been abandoned and allowed to decay with the passage of time.  

Through these symbols of man interacting with the ever-changing symbols of nature, I find a rather enigmatic representation of life, a study of our culture past and present; what Walker Evens called modern cultural artifacts.  I am incurably curious, and many of my images come from things that make me do a double-take. 

I question what I’m seeing and feeling, and try to answer those question by making an image.  I want the viewer to have some measure of my feelings and thoughts when I first viewed the scenes represented by my images.

The Dutch Photobook with Frits Gierstberg at Aperture









Good photobooks require having good photographs. But good photobooks need more than that. Photobooks, when done well, are not merely collections of photographs. They are pieces of art in their own right, which means that the contributions of the non-photographers are crucial.

–Joerg Colberg, in his review of The Dutch Photobook (Aperture 2012)

This Wednesday, June 13, 2012, Frits Gierstberg, curator of the Netherlands Photomuseum, comes to Aperture Gallery to speak on the important collaborations between graphic designers, printers, and Dutch photographers that have earned Dutch photobooks so much praise.

Gierstberg, who co-authored Aperture’s latest “book on books,” The Dutch Photobook: A Thematic Selection from 1945 Onwards along with Rik Suermondt, will be explaining some methodology behind his selection in the text, and discussing not only those  books included, but omitted as well.

We’re most excited for the hands-on reception after the presentation during which audience members will be offered a special viewing of a selection of contemporary Dutch photobooks. Joining Gierstberg will be special guest Dutch photographers featured in the book, Jacqueline Hassink, author of the 2009 Aperture monograph Car Girls, and Dana Lixenberg, whose monographs Jeffersonville Indiana and Last Days of Sishmaref won Best Dutch Book Design in 2005 and 2008, respectively.

Attendees will also receive complementary copies of Aperture’s The Photobook Review Issue 002, edited by publisher Markus Schaden, which features extensive coverage of photobook studies and photobook dummy-making.

Read Joerg Colberg’s full review of The Dutch Photobook on Concientious. The work has also been reviewed on Photo-Eye Blog, where you can flip through a few spreads as well.

The Dutch Photobook: Presentation and reception with Frits Gierstberg
Wednesday, June 13, 2012
6:30 p.m.


Aperture Gallery
547 West 27th Street, 4th floor
New York, New York
(212) 505-5555

Photographer #445: Michael von Graffenried

Michael von Graffenried, 1957, Switzerland, started his career as a photojournalist in 1978. Today he lives in Paris and works on long term projects often dealing with themes of ethnology. He uses a panoramic analog camera using 35mm film yet creating impressive large-scale photographs. For Michael content comes before technology and his choice for the panoramic format came somewhat by accident. He was in Algeria during the 1990’s when tension was high documenting the daily life during and after the civil war. The panoramic camera proved usefull as one can keep it on the chest while taking images. People can see the camera yet do not know that an image has been taken. Once Michael saw the results he realised the aesthetic part of this format and decided to use it. His socially engaged stories and narrative images are strong, daring and sometimes provocative. He has been in numerous exhibitions and released an enormous amount of monographs between 1980 and today. The following images come from the series Eye on Africa, Cocainelove and War without Images.

Website: www.mvgphoto.com

Photographer #444: Laurence Demaison

Laurence Demaison, 1965, France, studied at the School of Architecture of Strasbourg before she started making self-portraits in 1993. Her vast body of work is almost exclusively constituted of photographs of herself. She does not digitally manipulate the images nor does she manipulate the photographs after they have been shot with the exception of chemical inversion for some series. All the techniques she uses are analog and done by herself. The various series have a large array of emotions. They can be poetic, fragile and classical, yet sometimes they are quirky, haunting or even freaky. She is a photographer who seeks the bounderies of what can be done within analog photography and successfully crosses them with grace. Laurence has exhibited her work on numerous occasions, mainly in Western Europe and New York. The photographs have also been released in several monographs. The following images come from the series La Chambre Noire, La Poseuse and Les Bulles.

Website: www.laurencedemaison.com

Photographer #430: Rinko Kawauchi

Rinko Kawauchi, 1972, Japan, is a fine art photographer based in Tokyo. She studied at the Seian University of Art and Design and graduated in 1993. She started as a photographer on a freelance basis from 1997. In 2001 she launched herself into the photographic world with the simultaneous release of 3 books, UTATANE, HANABI and HANAKO. Since then she has released a large number of monographs of which the latest addition is Illuminance. Her images seem simple, but they evoke primal emotions within the viewer. By paying attention to tiny gestures and incidental details within her environment she finds the extraordinary within the mundane. The editing within her books is crucial to her work and the stories she wishes to tell. The photographs show a large range of emotions and fundamentally adresses life itself, from the good all the way to the bad. Her work has been exhibited extensively in solo and group shows around the world and is in several public collections as the Tokyo Metropolitan Museum of Phtography and Huis Marseille in Amsterdam. The following images come from the books Illuminance, AILA and Cui Cui.

Website: www.foiltokyo.com & www.rinkokawauchi.com

Photographer #429: Christoph Bangert

Christoph Bangert, 1978, Germany, is a photojournalist based in Switzerland who studied photography at the Fachhochschule in Dortmund and at the International Center of Photography in New York. He has traveled extensively to countries as Japan, Chad, Lebanon, Nigeria and Palestine for his photography. In Pakistan he covered the story of the cold winter after the earthquake hit in 2005. In 2007 he released two monographs. Travel Notes contains images from a 22,000 mile car trip he made from Argentina to New York in 2002. IRAQ: The Space Between shows the work he did in 2005 and 2006 in Iraq on assignment for the New York Times. In the same year he was also chosen for the Joop Swart Masterclass. His images have appeared in numerous publications as Stern, Time, Newsweek and GEO. Currently Christoph is working on a book that will show the images of a 14 month trip in 2007 and 2008 through 36 African countries with a Land Rover. He was exhausted from all the things he in the years before and needed a break to become “a human being again.” The following images come from journeys to Iraq, Pakistan and Afghanistan.

Website: www.christophbangert.com

Photographer #425: Bohnchang Koo

Bohnchang Koo, 1953, South-Korea, is a fine-art and conceptual photographer based in Seoul. He first studied Business Administration at Yonsei University before studying photography in Hamburg. His work is often about impermanence, the passing of time, the disappearance and heritage. For his series Vessel he photographed rare porcelain ceramics of the Korean Joseon dynasty. He traveled to museums around the world to find and document the white objects against a white backdrop in soft light. As an “old family album” he tries to bring the objects together and retrieve the lost Korean heritage. Koo has been called “one of Korea’s most influential photographers.” Not only due to his photographic art, but also as an educator and exhibition planner he helped shape and promote Korean photography to a wider audience. He released a large number of monographs and his work has been exhibited extensively throughout the world and is found in public collections as the San Francisco Museum of Modern Art and the Houston Museum of Fine Arts. The following images come from the series Interiors, Vessel and In the Beginning.

Website: www.bckoo.com