Tag Archives: Monograph

Douglas Ljungkvist, Untitled

Douglas Ljungkvist, Untitled

Douglas Ljungkvist

Ocean Beach, New Jersey, 2011
From the Ocean Beach series
Website – DouglasLjungkvist.com

Douglas Ljungkvist is originally from Goteborg Sweden. He is a self-taught photographer whose work examines places and environments, both public and private. After a long career in sales & marketing Douglas started photographing about eight years ago and full time for the past four. His work has been exhibited at the New York Photo Festival, Hereford Festival, London Street Photography Festival, Bridge Art Fair, and more. In 2011 he was awarded the gold prize at the Px3 Fine Art Book proposal category and participated at Review Santa Fe in 2010. His first monograph, Ocean Beach, will be published in the fall of 2013. He lives and works in Brooklyn, NY.

Best photobooks of 2012: Chris McCaw’s "Sunburn" (one of 10)


From the book, Sunburn, by Chris McCaw.
Sunburned GSP#576 (Annular Eclipse, Nevada), 2012.
Unique gelatin silver paper negative. 20 x 24 inches.

Chris McCaws new (and first) monograph, Sunburn, is perhaps my favorite photobook of 2012. It is generous in size, elegantly designed, beautifully printed and the images are truly awe-inspiring. squido lense .

See and read more.

Lee Grant, Nathan and Mac, BMX bros

Lee Grant, Nathan and Mac, BMX bros

Lee Grant

Nathan and Mac, BMX bros,
Canberra, ACT, Australia, 2009
From the Belco Pride series
Website – LeeGrant.net

Lee Grant is a documentary and portrait photographer who lives and works in Canberra. She is the founder and co-curator of Light Journeys as well as a founding editor of Timemachine Magazine. In 2010, Lee recently received a Master of Philosophy in Visual Arts from the Australian National University. That same year she was the recipient of the prestigious Bowness Photography prize. Lee has exhibited at the Australian Centre for Photography (Sydney), the Monash Gallery of Art (Melbourne) and the National Portrait Gallery (Canberra) amongst others. A selection of her work was recently published in the Big City Press monograph Hijacked Volume 2: Australia and Germany. Lee’s work is held in the National Library, the Canberra Museum and Art Gallery as well as numerous private collections and she has received grants from ArtsACT, CAPO/Singapore Airlines and the Australia Council.

The Bechers on Display at Paris Photo

The work of the photographic duo Bernd and Hilla Becher is indisputably some of the most important in modern photography. This week, a two-part exhibit at Paris Photo highlights the historical significance of the Bechers, most well known for their “typologies”—uniform, photographic studies of industrial structures such as water towers and blast furnaces.

The first part of the show, Bernd and Hilla Becher—Printed materials 1964-2012, features an extensive collection of rare ephemera related to the Bechers’ work. These objects, including posters, invitations and museum catalogues, were amassed by curator and book dealer Antoine de Beaupré for more than ten years.

“You get an historical overview,” said Beaupré. “and also an evolution of how their work developed over the years, especially in the beginning.”

One highlight of the collection is the magazine Anonyme Skulpturen which was printed in 1969 to accompany an exhibition of the Bechers’ work in Düsseldorf. This work would become a monograph of the same name, published in 1970, which is also featured in the Paris show.

The printed objects collected by Beupré represent the Bechers’ work from 1964 to 1977, while a presentation of their monographs, mounted under plexiglass and affixed to the gallery walls, span from 1970 to the present day.

The second section of the Paris show features a selection of 117 photographs chosen by Hilla Becher (Bernd Becher passed away in 2007) from the 1977 book Zeche Zollern II – Photographs of Bernd & Hilla Becher. Together, these prints, objects and publications are a comprehensive tribute to the Bechers’ long and prolific photographic career.

Antoine de Beaupré is a curator and the founder of the Librairie 213 in Paris.

Bernd and Hilla Becher—Printed materials 1964-2012 is on display at Paris Photo from Nov. 15 to 18.

Europe Week: Alain Laboile

Guest editor, Jacqueline Roberts shares a week of European photographers, today with Alain Laboile. A huge thank you to Jacqueline for her insight and efforts.
Alain Laboile was born in Bordeaux (France) in 1969. In 1990 he meets his wife, Anne, an Art student and his passion for art snowballs. After cumulating jobs here and there, Alain becomes a sculptor, fascinated by insects he sculpts in plaster, in stone, in rusty iron. They live in Bordeaux, on top of the hill. Their children are born. The house now bursting at the seams, they leave the hill for the “stream on the edge of the world”. Alain starts taking pictures of his sculptures, then his children, every day… a diary of everyday life.

Alain has won numerous awards and has exhibited his work across France. His first monograph, En attendant le facteur, (Waiting for the postman) is out now. 

What does your French
cultural heritage bring to your work?
From my point of view, I would say that what makes the
singularity of my work is more the fact that I live in the countryside than the
fact that I am french.
My work resonates beyond the borders, it evokes the lost
childhood in which even an Argentinian or a Japanese can find himself. The
opposition to a urban lifestyle is to my mind stronger than the belonging to a
What difference do you
see between work created in Europe and in the States?
I don’t ask myself questions regarding the nakedness of my
children when I take my pictures. Nudity is part of my work, but it is not its
main subject. This relation towards nudity is not the same in the US, it is
seemingly less natural.
What is the state of
photography in your country?

Living off in the
countryside, I realized that most of the activity and opportunities for a
photographer are in the capital: 
Paris is the
place to be.

I’m a father of six. My children are my subject… an endless
I just have to look at them, children are creative, you just
need to be there waiting for things to happen in the frame and “click”.

Today, photographing my children moving and playing in their
own environment, with their spontaneous behaviour is my favourite subject. My
photography is like a daily diary. 
If there is emotion in the
picture, that’s good, even if it is a bit blurred or poorly framed. For me, it
is not a problem.

Emotion may arise from ordinary situations, from little
things referring to ourselves. That is why family pictures are constantly
renewing themselves. Someone commented about my images that they are like
“street family” photography. I love “street” photography.
It is not something I can practice because I live in the countryside, but I
find my work quite close to that spirit there. There are similarities in the
raw side and spontaneous situations photographed. These are pieces of life that
transcribe a certain reality. 

Jacqueline Roberts

It is with great pleasure and excitement that I introduce Jacqueline Roberts as next week’s guest curator and writer.  She will be sharing the work of six contemporary European photographers over the course of the week, exposing us to image makers an ocean away. Today I will be celebrating her wonderful work that beautifully explores children and childhood.

Jacqueline is a Spanish photographer born in Paris and now lives and works in Wincheringen, Germany, with her husband Gareth and their children Madoc, Malen and Emrys–making her a perfect European ambassador of photography. Her work has been shown in France, Spain, Germany and Luxembourg and has won various international awards, including the International Photography Awards in New York and the Prix de la Photographie in Paris. Jacqueline works with different photographic mediums, both digital and analogue, as well as with photographic techniques from the 19th century. She has published two books with editor Galerie Vevais, within the collector’s series Werkdruck and she is currently preparing her third monograph Kindred Spirits, which will be published next year.
 Kindred Spirits is a celebration of childhood and by extension life, tinged with nostalgia; a constructed memory for the future… a family album, simply. At a time in my life where my children are growing up and my parents are ageing… a reminder of the trace of time and fleeting nature of life.
 images from Kindred Spirits

Triptychs is primarily a tribute to my children, all born on the same day, which consists of three triple triptychs. With this series of portraits I wanted to emphasise the connection between them, the fraternal bond, the communion almost, that exists between them. Three distinct individuals yet connected. It was relevant therefore to present the work as triptychs, for the religious connotations it confers to the images but also to embrace the symbolism of the number three in a wider cultural realm. Three represents the triad of family: male, female, and child; the triad of the cycle of life: birth, life, and death; the triad of time: past, present and future; the triad of human nature: mind, body and soul and the Holy Trinity: The Father, The Son and the Holy Spirit… like an allusion to the sacred status of the child in our contemporary western societies.

images from Triptychs

Jessica Todd Harper, Self Portrait With Marshall (Lion)

Jessica Todd Harper, Self Portrait With Marshall (Lion)

Jessica Todd Harper

Self Portrait With Marshall (Lion),
Philadelphia, 2009
From the New Work series
Website – JessicaToddHarper.com

Jessica Todd Harper’s work has been internationally exhibited and discussed in publications ranging from The New Yorker to the Frankfurter Allgemeine Zeitung. Her first monograph, Interior Exposure, was selected by O, The Oprah Magazine as well as PDN as a top book recommendation, was shortlisted at the NY Photo Festival for Best Book and won a first place Lucie Award. She was a project winner at Center, Santa Fe and one of “PDN’s 30”. Editorial clients include New York Magazine, O, The Oprah Magazine, Real Simple, Die Zeit Literatur and Newsweek. Jessica has been invited to talk about her work at The International Center for Photography, NYC; Google Headquarters, Palo Alto, CA and Aperture Gallery, NYC. Harper has taught at both The ICP and Swarthmore College. Her next book is due out in Spring 2014 and will include writings by Alain de Botton and Alison Nordstrom. She lives and works in Philadelphia.

Damion Berger: In The Deep End

I first met Damion Berger a number of years ago at Review LA, hosted by Center.  He was sharing his wonderful underwater images from his project, The Deep End.  I was happy to learn that he now has a monograph of the work, published by Schilt Publishing and ready for purchase.

Damion was born in London and his interest in photography was nurtured while an assistant to the late Helmut Newton before earning his B.F.A. in photography from Parsons, The New School For Design in New York. He has exhibited with galleries in Europe, the U.S. and Canada. Damion was one of ten artists chosen for the ‘Discoveries’ exhibition at this year’s Fotofest 2012 Biennial in Houston. His work is held in many private collections and he is well published. Damion lives and works in New York and Southern France.

Deep EndThis series of photographs makes use of the water’s capacity to at once de-contextualize the familiar and evoke a fusion of dreamlike memories and sense of childhood regression. The clear, warm water of the swimming pool represents an intersection between the cultural and social pursuit of leisure, the natural element of water and manmade space. The pool provides a place of temporary detachment from life’s everyday routine.  

 Katya, Monaco 

People seem liberated and at once removed from any social reference as they float, dive, sink or swim through the water. Not unlike some production from Cirque du Soleil, these unwitting cast members set the stage for a sort of contemporary choreography; the human body submerged underwater and illuminated by an ever-changing quality of light, provide all the elements for a playful ballet seemingly detached from gravity.   
 Diving Lesson, Le Roccabella, Monaco 

Smuggling an underwater camera into public swimming pools where photography is generally prohibited, for the most part I worked without the knowledge or complicity of my subjects. Whilst surreptitiously maneuvering underwater, I’d often hold my breath until near bursting-point, swimming for position and trying to hide my camera until the moment presented itself. 

 Homage to Lartigue (after Kertesz), Sardinia

Seeking out public swimming pools predominantly on the Côte D’Azur and elsewhere around the Mediterranean, I was drawn to scenes of the unusual, frequently populated with energetic children less content to wallow on the surface than their more temperate elders. These photographs pay homage to the water’s almost magical qualities and re-establish a link to happy vignettes from my own memory – the blissful abandon of youth and the warm embrace of summertime’s past.

 Fall, Asser Levy Pool, New York 

 Charlie, Monaco 

 Hula Hoops, Monaco 

 Changing Lanes, Stade Nautique Ranier III, Monaco 

 Jacuzzi, Monte Carlo Country Club, Monaco 

 Young Amphitrite, Club Med Gregolimano, Greece 

 Balancing Act, Monaco 

Bookworm, Le Roccabella, Monaco 

 The Swimmer, Monaco 

 Jaws, Capo Nero, San Remo, Italy 

 Lightbox, Stade Nautique Ranier III, Monaco

Float, Le Roccabella, Monaco