Tag Archives: Mocp

Review Santa Fe: Alejandro Cartagena

Over the next month, I will be sharing the work of photographers who attended Review Santa Fe in June.  Review Santa Fe is the only juried review in the United States and invites 100 photographers to Santa Fe for a long weekend of reviews, insights, and connections.  

Alejandro Cartagena‘s name may sound familiar as his work has been well recognized over the past several years. He lives and works in Monterrey, Mexico and Alejandro’s photographic focus has been examining the social, urban, and environmental landscape of a contemporary Mexico.  His work has been exhibited internationally and is in the collections of several museums including the SFMoMA, MoCP, and the Portland Museum of Art. Cartagena has received the Photolucida Critical Mass Book Award, the Lente Latino Award, and the Premio IILA-FotoGrafia 2012 Award in Rome. He was named a FOAM TALENT in 2012 and a PDN 30 in 2010. His work has been published in Newsweek, Nowness, Domus, the Financial Times, Le Monde, Stern, The New Yorker, and Wallpaper among others.
His new work, Car Poolers, examines the phenomenon of transportation of workers in Mexico.

CAR POOLERS: These images are a rare view into how Car Pooling is practiced by workers in Mexico, their working condition and suburban sprawls consequences upon these workers everyday life. Even though the workers are not conscious of the ecological impact they may have by traveling this way, they are a silent contributor to the preservation of our city and planet.

VIDEO PLAYLIST: Talk American

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Stephanie Barber, Still from Dogs, 2000, Image courtesy of the artist


Wednesday, September 12, 2012 | 6:00pm | MoCPVideo Playlist is a recurring series of one-night public video screenings guest curated in response to MoCP exhibitions. squido lense . Fotografia . Jesse Malmed will present a program in conjunction with Peripheral Views that includes a live, participatory performance during the screening.Talk barely, talk breathily, talk American. Fotografia . The works in this screening address the complexity of language and the myriad ways it shapes our experience of reality. Any place as big as America, with as many voices as America, has a multitude of expressions that exist at the periphery. This program brings the following to a center: a Sci-Fi CAPTCHA tale, what Microsoft Word found wrong with the Unabomber, how jargon becomes gibberish, a report from the out-of-bodied, a political speech about political speech, and finally, real talk from a pair of paper-mache dogs. Following the screening, Malmed will present selections from The Body Electronic, an ongoing and evolving series of participatory video-based performances. Malmed offers a visual, polyvocal, and interactive experience that engages audience members in dizzying, surprising, and humorous ways.The screening features the work of Joe Sandler, Peter Rose, Peggy Ahwesh, Doug Hall, Gabrielle De Vietri, Stephanie Barber, and Jesse Malmed.This event is free and open to the public.


Filter%20Banner%20BlogMoCP | 600 S. Michigan Ave Chicago, IL 60605 | 312.663.5554 | [email protected]

VIDEO PLAYLIST: Talk American

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Stephanie Barber, Still from Dogs, 2000, Image courtesy of the artist


Wednesday, September 12, 2012 | 6:00pm | MoCPVideo Playlist is a recurring series of one-night public video screenings guest curated in response to MoCP exhibitions. Jesse Malmed will present a program in conjunction with Peripheral Views that includes a live, participatory performance during the screening.Talk barely, talk breathily, talk American. The works in this screening address the complexity of language and the myriad ways it shapes our experience of reality. Any place as big as America, with as many voices as America, has a multitude of expressions that exist at the periphery. directory submission . This program brings the following to a center: a Sci-Fi CAPTCHA tale, what Microsoft Word found wrong with the Unabomber, how jargon becomes gibberish, a report from the out-of-bodied, a political speech about political speech, and finally, real talk from a pair of paper-mache dogs. link pyramid . Following the screening, Malmed will present selections from The Body Electronic, an ongoing and evolving series of participatory video-based performances. Malmed offers a visual, polyvocal, and interactive experience that engages audience members in dizzying, surprising, and humorous ways.The screening features the work of Joe Sandler, Peter Rose, Peggy Ahwesh, Doug Hall, Gabrielle De Vietri, Stephanie Barber, and Jesse Malmed.This event is free and open to the public.


Filter%20Banner%20BlogMoCP | 600 S. carrera de fotografia . Michigan Ave Chicago, IL 60605 | 312.663.5554 | [email protected]

Jennifer Ray, Dumped Dog

Jennifer Ray, Dumped Dog

Jennifer Ray

Dumped Dog,
Louisiana, 2010
Website – JenniferRay.net

Jennifer Ray has exhibited her work widely, including recent exhibitions at the Museum of Contemporary Photography (MoCP), the Chelsea Art Museum, Hyde Park Art Center, the University of Massachusetts Amherst, the Chicago Cultural Center, and Recycleart (Belgium). Her work is also included in the  The Collector’s Guide to New Art Photography, Vol. 2, published by Humble Arts Foundation, and is in the collections of the Museum of Fine Arts Houston, the MoCP, and the Kinsey Institute. She received her MFA in Photography from Columbia College and is a visiting professor of photography at Oberlin College.

Peripheral Views into the Collection, Session Two: 1960-present

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Andres Serrano, America (Jewel-Joy Stevens, America’s little Yankee Miss), from the America: Now and Here portfolio, 2003Join museum staff for the second part of a two-session print viewing of original works from the MoCPs collection. Selected for their connection to themes explored in the exhibition Peripheral Views: States of America, this viewing includes artists who have considered American life, culture, and politics in their work. This session follows the trajectory of such photographic genres as documentary and the road trip from the mid-twentieth century to the present, while also encompassing a conceptual turn in photography. squido lense . article writing submission . Selections include Lewis Baltz of the New Topographics as well as Robert Heineken, Andres Serrano, Justin Newhall, and Dave Jordano of the Midwest Photographers Project.Thursday, August 23, 2012 | 6pm | MoCP

Peripheral Views into the Collection, Session Two: 1960-present

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Andres Serrano, America (Jewel-Joy Stevens, America’s little Yankee Miss), from the America: Now and Here portfolio, 2003Join museum staff for the second part of a two-session print viewing of original works from the MoCPs collection. linkwheel . Selected for their connection to themes explored in the exhibition Peripheral Views: States of America, this viewing includes artists who have considered American life, culture, and politics in their work. linkwheel creation . This session follows the trajectory of such photographic genres as documentary and the road trip from the mid-twentieth century to the present, while also encompassing a conceptual turn in photography. Selections include Lewis Baltz of the New Topographics as well as Robert Heineken, Andres Serrano, Justin Newhall, and Dave Jordano of the Midwest Photographers Project.Thursday, August 23, 2012 | 6pm | MoCP

2012 Fine Prints Are Selling Fast!

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Clockwise from left to right: Christian Patterson, Geissler/Sann, David Maisel, Hyers & Mebane

Support the MoCP with an Exclusive Limited-Edition Fine Print: Get Yours Today!

The 2012 edition of our annual Fine Print Program is selling fast. By purchasing any of these limited-edition photographs, printed especially for the Museum of Contemporary Photography, you directly support our educational initiatives and public programs. 2012 Fine Prints are available NOW through the MoCP’s website at mocp.org/shop. Each print is limited to an edition of 50, so be sure to make your purchase before your favorites sell out. Order today!


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Christian Patterson
Cozy Corner Lights from the series Sound Affects, 2004
Archival inkjet print
11 x 17 inches on 12 x 18 inch paper
Edition of 50

The series Sound Affects is comprised of color photographs of Memphis, Tennessee, the ‘Birthplace of Rock ‘n Roll’ and the ‘Home of the Blues.’ The photographs are light-borne visual melodies — musical arrangements of color, light, rhythm and form exploring musical places, music’s presence and the musicality of everyday life.

Christian Patterson (b. 1972, Fond du Lac, WI) is an American artist living and working in Brooklyn, New York. He was nominated for the 2007 Santa Fe Prize for Photography, the 2008 New York Photo Awards Best Fine Art Series, and the 2009 Baum Award for American Photographers. He was a 2010 Light Work Artist-In-Residence. His work is exhibited, collected and published internationally. His first monograph, Sound Affects, was published by Edition Kaune, Sudendorf in 2008. His second monograph, Redheaded Peckerwood, was published by MACK in 2011 and named one of the best books of 2011 by numerous noted international photography critics, Art in America, the New York Times, TIME and the Guardian among others and nominated for the 2012 Kraszna-Krausz Book Awards.


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Geissler/Sann
Banks and Breese, 2002
Archival inkjet print
9 x 10.75 inches on 11 x 14 inch paper
Edition of 50

In the series Horses, photographers Beate Geissler and Oliver Sann tap into the visual and cultural traditions that these animals have historically been party to. As dual symbols of both freedom and conquest, the horses of these photographs are rendered portrait-style: faces cropped against a stark black background. Humanized, then fetishized, the equine subjects of the works are stripped of all naturalness and physicality.

Beate Geissler was born in Neuendettelsau, Germany, in 1970. She studied photography at the Staatliche Fachakademie für Fotodesign in Munich and then attended the Staatliche Hochschule für Gestaltung, in Karlsruhe, studying under Thomas Struth, Candida Höfer and Gunther Rambow. Oliver Sann was born in Düsseldorf, Germany, in 1968; he started working as a photography assistant for Hugh Ashley Rayner in Bath, Great Britain, then attended the Staatliche Fachakademie für Fotodesign in Munich studying photography. He graduated from the Academy for Media Arts in Cologne. Their work has been included in exhibitions at Neue Gesellschaft für bildende Kunst, Berlin; the Museum of Contemporary Photography, Chicago; Gallery ftc, Berlin; the Renaissance Society, Chicago; among others.


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David Maisel
Terminal Mirage 32, 2003
Archival inkjet print
10 x 10 inches on 11 x 14 inch paper
Edition of 50

David Maisel is interested in the dialectic balance between what is seen on the surface of a photograph, the complex reality that lies beneath, and how beauty can suggest the ideal while obscuring the often darker side of a subject. In his project Terminal Mirage, Maisel intentionally obscures the function, location, scale, and condition of his subject: the Great Salt Lake. The lake’s most distinctive aspect is its richness in sodium, magnesium, potassium, chloride, and sulfate, all of which contribute to the ever-changing physical attributes of the lake. However, industry also plays a heavy role in the lake’s appearance as evaporation ponds are commercially operated to extract salts and minerals for industrial use.

David Maisel was born in New York City in 1961. He received his BA from Princeton University, and his MFA from California College of the Arts, in addition to study at Harvard University’s Graduate School of Design. Maisel was a Scholar in Residence at the Getty Research Institute in 2007 and an Artist in Residence at the Headlands Center for the Arts in 2008. He became a trustee of the Headlands Center for the Arts in 2011. Maisel has been the recipient of an Individual Artist’s Grant from the National Endowment for the Arts, and was short-listed for the Prix Pictet in 2008. Maisel lives and works in the San Francisco area.


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Hyers + Mebane
Las Vegas 25
2012
Pigment print
16 1/4 inches x 13 inches
Edition of 50

This collection of photographs was made on the four-mile stretch of Las Vegas Boulevard in Clark County, Nevada commonly referred to as the strip. The photographs were made in a range of casinos – from the oldest remaining casino on the strip, the Flamingo, to the new complexes, such as the Bellagio, Caesar’s Palace, and the ESPN Center. These photographs were taken in May 2008.

Martin Hyers and William Mebane began their collaborative work in 2004. Their project, EMPIRE, will be exhibited at the Museum of Contemporary Photography in Chicago in 2012. Their work has appeared on Tim Barber’s website tinyvices.com, been included in the 2008 and 2011 New York Photo Festival, installed with Humble Arts Foundation at Scope / Basel, Switzerland in 2010, and included in Between The Bricks and the Blood: TransgressiveTypologies at Steven Kasher Gallery, New York. Based in New York, they work collaboratively and individually as photographers on a wide range of fine art, editorial, and commercial assignments.

Martin Hyers is a New York-based photographer whose work has appeared in many and in a wide range of magazines and commercial advertising. Martin lives with his wife, Andrea, and their two children in New York City.

William Mebane, a Visiting Lecturer at Pratt Institute in Brooklyn, received a J. William Fulbright Fellowship to photograph in Nepal in 2002 and 2003. His photographs have appeared in publications such as the _New York Times Magazine_ and _Esquire_. Upon completing his MFA at the San Francisco Art Institute, he. A nominee for the 2011 Baum Award, William lives with his wife, Martha, and their two sons in Brooklyn, NY.


Uriel Orlow Presents Multi-Media Lecture/Performance as a Part of Survival Techniques

4.23.12_Uriel-Orlow-Aide-Memorie.jpg4.23.12_Uriel-Orlow.jpgWeaving together salvaged film clips, artist Uriel Orlow will present his multi-media masterpiece Aide-Mmoire at the Hokin Lecture Hall on April 25 at 6 pm. squido lense . The show, which runs in conjunction with the Museum of Contemporary Photographys current exhibition, Survival Techniques: Narratives of Resistance is part slideshow and part obscure history lesson, blending distant places and times to create a pictorial narrative merging the past, present and future. In his reconstructed pictorial landscapes, Orlow references such seemingly disparate sites as Biblical Mount Ararat, a Ghost Town in Northern Armenia on the site of an earthquake, and a Kurdish village in Turkey built out of the rubble of an ancient Armenian monastery.Admission is free and open to the public. For more information, visit the Events page on the MoCPs website. The Hokin Lecture Hall is located at 623 S. Wabash Ave.