Tag Archives: Mitt Romney

‘Americans’: Christopher Morris Captures a Nation Divided

My latest book, Americans, is the second in a series about America, even though I had no idea it would become a series when my first book, My America, was released in April 2006. That book examined Republican nationalism in the country during George W. Bush’s two terms as president. But in Americans, I’ve taken real pains to make sure there’s no political photography. There aren’t any portraits of Barack Obama or Mitt Romney, and no pictures of rally signs. Instead, I sought to make an anthropological study of America—not for this week, or for this past election cycle—but a body of work that future generations could look back on to get a sense of the country’s mood.

What I found, in the eight-year period during which these photographs were made, is an America severely divided. With two long-running wars and an economy slow to recover, there is a real sense that the country is in a depressed state. Traveling across America in several road trips, I found that the mood among citizens wasn’t upbeat or lively; people are really polarized in their political positions, yet everyone is concerned about the economy and what that means for the welfare of their families.

The book contains only a handful of formal portraits. The rest is reportage—pictures taken when people were alone, pensive in thought. I looked for these moments to convey this feeling of loss and depression that I felt across the nation.

Americans recently headed to the polls to elect their next president, and on Election Day eve, there wasn’t a clear frontrunner. In fact, many polls showed voters divided near evenly between Obama and Romney—a poignant indicator that despite the winner, Americans may very well continue to be divided.

Christopher Morris is a contract photographer for TIME and represented by VII

Americans, published by Steidl, will be available in early December.

Pictures of the Week: November 2 – November 9

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From President Obama’s reelection and Superstorm Sandy’s aftermath to a deadly earthquake in Guatemala and a train cemetery in Bolivia, TIME presents the best photographs of the week.

A History of the Campaign in 100 Objects

From Herman Cains cowboy hattoStephen Colberts super-PAC fun pack to binders, Big Bird and bayonets, objects became the visual sound bites of the 2012 election. Perhaps because there was a dearth of ideas, politics watchers and Internet mememakers seemed to focus more on things than in any previous campaign. So we thought it only appropriate to create our version of the BBCBritish Museum series A History of the World in 100 Objects to tell the story of the election. The pages that follow show the real thing: actual pieces of history, often given to us by the candidates themselves. Rick Perry lent us his Stars-and-Stripes cowboy boots, Jon Huntsman his beat-up briefcase, Rick Santorum his dog-eared pocket Constitution. SEO Experts search engine marketing . Michele Bachmann sent the suit she wore on the day she won the Iowa straw poll. Saturday Night Live lent us the dentures Jason Sudeikis wears to flash Joe Bidens smile. dog clothes . The president of an Ohio charity sent us a soup pot that Paul Ryan cleanedor recleanedduring an impromptu drop-by. Congressman Darrell Issa lent us the gavel he used during the congressional hearing about security in Libya. And the Republican National Committee let us photograph the empty chair that famously shared the stage with Clint Eastwood.

Richard Stengel is the managing editor of TIME.

TIME’s Class of 2016: The Political Leaders to Watch

As Barack Obama and Mitt Romney fought for the presidency this fall, TIME contract photographer Marco Grob was crisscrossing the country to meet the men and women who may be doing the same four years from now.

From September to October, Grob, a Swiss photographer based in New York, traveled to 10 states and Washington, D.C., to shoot the 13 political leaders who comprise TIME’s Class of 2016 (Hillary Clinton and Andrew Cuomo were photographed earlier this year). “This series was very exciting because the fact that one of these politicians could be the next president was always on my mind,” says Grob, who took a variety of different kinds of shots and snapped extra rolls of photos to memorialize the moment.

Some of the subjects in Grob’s essay are American political royalty. Among the luminaries on TIME’s list are a First Lady (and now Secretary of State), a First Brother, six current and former governors and the current vice-president. Others, like San Antonio mayor Julián Castro and Florida Senator Marco Rubio, are rising stars – members of the fastest-growing demographic group in the U.S., men marked for higher office within their parties.

In the space of a single 48-hour stretch, the whirlwind assignment whisked Grob from Palo Alto, Calif., to Columbus, Ohio, to Baton Rouge. None of the subjects hinted at their political aspirations, and Grob preferred not to ask. “I don’t talk to them about their plans. I actually think it’s better if they don’t think I know much about their political careers,” he says. “They feel they can open up more.”

Breaking through that veneer of formality was one of the tasks confronting Grob, whose portfolio of portraits for TIME includes comedians and actors, world leaders and Ground Zero first responders. Politicians are trained are trained to stay on script. Grob’s challenge was to get them to veer from it. “Politicians, of all my subjects, are the most self-aware. They’re careful not to lose any voters, so they don’t get into anything controversial,” he says. His trick? “I always let them smile for a couple frames, but then I aim to make a more thoughtful portrait,” he says. “When you smile, you cover up your true face—that’s just what humans do.”

Alex Altman is a Washington correspondent for TIME. Follow him on Twitter @aaltman82.

Marco Grob is a contract photographer for TIME. View more of his work for TIME here or on his website.

The 2012 Presidential Election Year in Pictures

For years, TIME has created some of the most memorable campaign photography, from veteran political photographer Diana Walker’s coverage of five administrations to Christopher Morris’s eight years with President G.W. Bush and Vice President Dick Cheney. In 2008, the tradition continued with Callie Shell’s intimate documentation of Barack Obama’s campaign and eventual presidency.

This season, we looked for ways to continue the legacy of TIME’s political coverage during the 2012 elections — to jump start the traditional approaches to covering campaigns that are moving further and faster from the familiar political cycles of the past decade. We looked to commission photographers with fresh perspectives who could re-envision the spectrum of American politics.

The candidates kicked off their campaigns in Iowa, so we sent Swedish photographer Lars Tunbjork, known for his work photographing the ironic and often-absurd landscapes of suburbia, to document the caucuses. His first time covering American politics, Tunbjork photographed the strangeness of these early events in the frozen Iowa landscape.

We continued by commissioning work by Ricardo Cases, Lauren Fleishman, Justin Maxon, Brendan Hoffman, Lauren Lancaster and Peter van Agtmael — selecting each of them for their different visions as photographers. And each returned with photographs that reflected a diverse visual vocabulary looking beyond the political staging.

We also encouraged veteran political photographers like Christopher Morris, Brooks Kraft, Callie Shell, Andrew Cutraro and Danny Wilcox Frazier to experiment with their coverage. While on assignment, all noted how different the political landscape felt visually since the last election. After Obama’s first 100 days in office, the White House dramatically cut down on photographers’ access to the President, instead releasing images by Pete Souza on their own Flickr page.

The Romney campaign also carefully controlled photographers’ access this election, allowing very little intimacy with the candidate until the final weeks of the campaign, and then only rotating the traveling pool behind the scenes.

In the same way an undecided voter tries to see behind the political facade to judge the true character of the candidate they’ll vote for, our photographers too worked relentlessly to break down the constructed photo-ops and reveal to our readers a sliver of their personality.

The media dissected the Republican candidates one by one before a frontrunner finally emerged. As Mitt Romney became the GOP  frontrunner, we turned to photographers who could capture the candidate’s personal side. Lauren Fleishman documented him (along with running-mate Paul Ryan) for weeks on end, through ten different states. Fleishman’s photographs reflect the nuances of the conservative values shared by he and his wife, Ann.

As Obama started to step up his campaigning, we assigned Callie Shell to follow the President. Documenting his travels the week before the DNC, Shell showed readers a side to the President that had felt absent for a long time. A warm photo of Obama leaning against a high-school gymnasium’s wall before a rally made the cover of our magazine at the DNC the following week.

We’ve attempted to present readers with photographs that document a very specific time in our country’s history—a time where we face numerous worries and frustrations about America’s political future. Although this election may reveal how radically divided we are as a nation, the future will be the ultimate judge of how important this time of recovery continues to be. We hope to provide the lasting record.

Paul Moakley is the Deputy Photo Editor at TIME. 

Notes From the Campaign Trail with Paul Ryan

Photographer Peter Bohler reflects on his first time out on the campaign trail with Republican Vice Presidential Candidate Paul Ryan.

Photographing a candidate is a constant struggle for access, between the Secret Service and the Campaign Press Office, there were a myriad of unspoken rules that I was constantly trying to understand and follow. article writing submission . Often, I would set up for a great shot, only to be pulled away just as Congressman Ryan got close enough to photograph. Rarely would I be given a straight answer, or told what to expect.

Once I was ‘in the bubble’ as part of the traveling press, life on the road was seamless. We were shepherded swiftly from bus to tarmac to airplane and back again, with meals provided at every juncture. The photography would have been straightforward, had I been content to settle for the situations and angles that the press office arranged for us. Ryan’s speeches became routine, and his words would echo in my ears just before he said them. I learned to anticipate the resolute pursing of his lips and the humble look downward that would precede an impassioned defense of his American ideals.

On the last day of the shoot, the Campaign Press Contact grabbed me by the arm and pulled me away from the media pack and onto the Campaign bus. I hadn’t been told when I might get access to the bus, but I knew that if it happened it would happen suddenly, and I was ready. On the bus I was in a different world it was the calm in the eye of the storm.Though we were in the center of the motorcade, it was easy to forget about the scores of police cars, the Secret Service, and the swarm of media that surrounded us.

The Ryan’s were surrounded by their family and friends, and laughed and talked easily. 7-year-old Sam crawled up and down the aisle of the bus his favorite pass time. Soon Paul Ryan and I were talking about climbing mountains in Colorado. He was friendly, warm, curious and accommodating.No matter what you think of his politics, he possesses a compelling magnetism.

Peter Bohler is a Los Angeles-based documentary photographer and a recent contributor to TIME.

A Young Mitt Romney’s Other Mission: Romance

Before there was Romney the presidential candidate, there was Romney the romantic. In this week’s cover story, Jon Meacham looks at how Romney’s identity was shaped by his Mormon roots. To illustrate this formative time in the presidential candidate’s life, we turned to a surprising photo found in the archives that shows the rarely-seen personal side of the candidate.

On a recent cover shoot I asked Romney about the image and found out that around 1968, while serving as a Mormon missionary in France, a young Mitt made several photographs with the help of his LDS friends.He described how the photo was taken, explaining that it was playfully staged for his high school girlfriend and soon-to-be wife, Ann Davies. Romney revealed that the photo is actually one of a series made during his time abroad.

The pictoral gesture worked. carrera de fotografia . Davies joined the Church of Jesus Christ of Latter-day Saints prior to marrying Romney in 1969, only months after Romney returned to the U.S. The pair later attended Brigham Young University before settling in Massachusetts, where they raised five sons together.

Paul Moakley is the Deputy photo editor of TIME.

Pictures of the Week: September 7 – September 14

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From ceremonies commemorating September 11th and attacks on U.S. linkwheel . Embassies around the world to the Pencil Nebula in space and playtime weightlifting in North Korea, TIME presents the best images of the week.