Tag Archives: Julia Dean

Julia Dean: Forty Years Behind the Camera

A dozen years ago, photographer Julia Dean changed my life by asking me to teach at her photography school, The Julia Dean Photo Workshops in Los Angeles. Over the past thirteen years, Julia has taught hundreds of classes, thousands of students, and exposed the Los Angeles community to photographic luminaries and educators such as Keith Carter, Duane Michals, Mary Ellen Mark and many others too numerous to count.  Her school has created a photographic community in Los Angeles, a place to share portolios over a glass of wine, a place to hear lectures, experience wonderful exhibitions, and take a broad array of classes (160 offered each year). Julia’s desire to open our eyes, to see one world, and to bring attention to those who have no voice has been remarkable.  Her generous and enthusiastic spirit is infectious and I feel so lucky to be her friend.  So today I celebrate a woman who has spent a lifetime engaged, enthused, and involved in photography.

Julia has spent the last year revisiting negatives and spending month upon month in the darkroom creating beautiful silver prints in preparation for a 40 year retrospective of her work that opens at the Julia Dean Gallery in Los Angeles tomorrow night, December 15th.  I am featuring work from her General Stores project today — she recently rediscovered the negatives and printed the images for the first time for the exhibition.  Julia is also offering photographs from the exhibition for sale online at a special anniversary price on her site.

Forty Years Behind the Camera: A Retrospective

When I worked as an apprentice to Berenice Abbott’s in 1978, I was 23 years old. Berenice was 80. 

She taught me how to print, among many other photographic skills. She taught me about life in Paris in the 20s, about working with Man Ray, about meeting and photographing people like Eugene Atget, James Joyce, and Jean Cocteau. She even taught me how to do the Charleston. 

I remember using an 8×10 camera with 8×10 film and an 8×10 enlarger. The film had to be processed in complete darkness, one sheet at a time, in 8×10 trays that you lined up just right so you knew what to do in the dark. 

images from General Stores

I learned how to bend light with my hands under an enlarger, how to add light, how to subtract light, how to make a print look just like our eyes saw the subject when the picture was taken. I learned that photography renders 10 tones compared to the hundreds of tones that our eyes can differentiate. I learned that it can take hours to get one good print.

I also learned how to flatten the prints, how to retouch the dust spots, and the patience it takes to produce one beautiful black & white fiber base print.

 I was asked recently what the difference is between the traditional role of film and the digital era. It is very simple. It is much easier to be a photographer today than it was in the past. (Photographers before me would say the same thing!) Though today’s cameras are much heavier than my Leica M6 and have more buttons, once you learn your tools, digital photography makes life quicker and easier.

I don’t look down on those who didn’t learn the hard way. I wouldn’t have minded an easier path myself. But I am grateful for knowing what I know about photography that digital shooters will never know: the craft of the black & white print. 

To me, there is no more beautiful craft in photography than the black & white print from a black & white negative. I learned from a master and for that I am eternally grateful. Printing is a dying art that I hope I never give up, even if I, too, have embraced digital. This retrospective exhibit is in honor of the beautiful black & white print.

DOT.COM at the Guate Photo Festival

LENSCRATCH will be participating in the Guate Photo Festival, coming up in November in Guatemala City, Guatemala.  The organizers asked 4 on-line platforms: LENSCRATCH, Fotovisura, 500 Photographers, and Flak Photo to create exhibitions that will be projected throughout the festival at the La Fototeca Gallery, a converted movie theater with 4 large screens running the 4 exhibitions simultaneously. The event is titled [DOT]COM.

For the LENSCRATCH exhibition, I curated 100 portraits by 50 photographers that have been featured on Lenscratch over the years, and the resulting presentation is LOOKING AT OURSELVES: Portraits featured on LENSCRATCH. Cynthia Henebry’s wonderful image is the poster image for the event.

Today, I am sharing one image from each photographer in the presentation: Looking at Ourselves: Photographers Featured On LENSCRATCH



©Susan Barnett

Thank you to Guate Photo for this opportunity and to all the amazing participating photographers.

It’s Personal: 13 Photographic Visions

For the last twelve years, it have had the pleasure to teach at the Julia Dean Photo Workshops in Los Angeles, under the leadership of the amazing Julia Dean. Starting in January at JDPW, I began working with a group of thirteen talented Los Angeles photographers–all established image makers with solo shows, books, and numerous awards under their belts.  For nine months,  we came together for critique, feedback, and mentor ship as the photographers created or continued significant photographic projects.  The result is that each has developed a new portfolio of work, with a printed component to compliment the photographs–from newspapers, to zines, to books, and an exhibition titled, It’s Personal,  that opens this Friday, September 28th, at the Julia Dean Gallery in Hollywood, CA.

Needless to say I am incredibly proud of their efforts, their breakthroughs, and their ability to articulate the world around them through imagery and thought. The exhibition, It’s Personal, reflects personal explorations of subjects that are meaningful to the artists. A big congratulations to all.

Here are the featured 13:

Nancy Baron’s Walking in LA is a series of photographs, which document hiking culture in Bronson
Canyon in Los Angeles. Baron’s lush gold-and-green-toned images capture the natural beauty that lies
minutes from urban streets. Titles reflect overheard conversation at the site.

 Can I Get Closer to The Hollywood Sign? © Nancy Baron

 She Dumped Me as Soon as We Signed the Lease ©Nancy Baron

Marjorie Salvaterra’s Her is an examination of the psychology of age and gender. Marjorie’s self reflection on her many roles and expectations as a woman are redirected through surreal interpretations and exaggerated gestures, in portraits that are evocative of Italian cinema. Marjorie has created photographs that reflect the universal idea of womanhood and assure HER that she is not on this path alone.
Eve Unraveled, 2012 ©Marjorie Salvaterra

The Weight of Water, 2012 © Marjorie Salvaterra

Marian Crostic’s Ethereal Paris is a continuation from her popularTimeless Paris projects and books. Shot
in early winter to early spring at the break of dawn, Marian captures a sense of stillness within the
hustle bustle of the City of Lights. Ethereal Paris focuses on the grandeur and geometrical shapes of
gardens, particularly Le Jardin Des Tuileries and Le Jardin Du Luxemberg.

 Big Wheel, Paris ©Marian Crostic

 Windows, Jardin Des Tuileries ©Marian Crostic

Noelle Swan Gilbert’s Wide Awake and Breathing is a series of landscapes and scenes in muted colors
and tones that captures the feeling of waking up and learning to breathe again after living through a
grieving period.

 Taking a Break  ©Noelle Swan Gilbert

Wide Awake © Noelle Swan Gilbert

Bootsy Holler’s The Visitor reinterprets intimate family snapshots while exploring time and blurring boundaries and as a way to comprehend her heritage by placing herself into each photograph. She has begun to have an understanding of how she was created over generations.
©Bootsy Holler

©Bootsy Holler

Cathy Immordino’s Another World is a reflection on Cathy’s feelings as an outsider in the world she lives in. Transforming landscapes found here on earth into other worldly realms. She challenges the viewer to think outside the truth of their reality. A second project, Fuck Hollywood, looks at the double edged sword of life in Hollywood.
Other World ©Cathy Immordino

Meta Hollywood ©Cathy Immordino

Jamie Johnson’s One World combines her two worlds of photography into one. On one side she is
a family and child portraitist, on the other she is a world traveler exploring other cultures through a
lens. Within her vast inventory of images Jamie has discovered a universality of human nature and
experience. One World features two photographs captured years apart and without connection but
showing similarities that speak a powerful truth about who we are. None of the photographs were staged to reflect another image.

Nomad Mom/Soccer Mom ©Jamie Johnson

Teenage Girl, Cambodia/Teenage Girl, California  ©Jamie Johnson

Gray Malin’s A La Plague, A La Piscine captures the essence of the world of pools and beaches.
Shooting from door-less helicopters, Gray has used the dynamic vacation destinations of the United
States, Brazil and Australia as his canvas, creating a visual celebration of color, light, shape – and
summer bliss.

©Gray Malin
©Gray Malin

Claire Mallett’s Drawn By Color is a love letter to the European Masters using the female figure.
Using window light in much the same way as the painters did centuries before. Each portrait uses a
predominant color to evoke a particular mood and atmosphere of self reflection.

 Dune ©Claire Mallett
Ochre© Claire Mallett

Bob Bright’s Big Sur has transformed his recent trips to Big Sur into breath taking landscapes that impart the sense of wonder that greets him each time he finds a spectacular view. Bob encourages everyone to visit the Carmel, Monterey area and to see Point Lobos.
 ©Bob Bright

©Bob Bright

Lisa McCord’s A Southern Family is a reflection of her growing up in the south. Which she remarks,
is very different than growing up anywhere else. The unique social norms of the south colored our life
with richness that made us who we are.

Granny playing [email protected] Lisa McCord

Granddaddy in [email protected] Lisa McCord

Ashly Stohl’s History Will Absolve Me, challenges the perception that Cuba has been frozen in time
since the embargo. She seeks to capture the decline of a once flourishing culture and convey the
human cost of the tensions between the United States and Cuba.

© Ashly Stohl

© Ashly Stohl

Alison Turner’s Bingo Culture is series of portraits taken in Bingo halls all across America. Alison
doesn’t photograph strangers she photographs new friends, she takes time to connect with her
subjects, “I truly care about each person I meet and I enjoy listening to their stories”. She realized she
was looking at a cultural phenomenon that will be lost in order to make way for new technologies in
gaming and social interaction. Once these dedicated players pass on, so will the bingo halls as we see
them today.

Christmas Bingo in Colorado 2011©Alison Turner

Woman with a Bingo Card Stack, 2010  ©Alison Turner

2012 LENSCRATCH Hometown Exhibition

This is a 4 part post, after the first two posts, click on “Older Post” to see the last two…

My Home is in my Head by Susan Barnett
Thank you for your wonderful submissions that show us where you came from or where you live now…these insights and interpretations connect us in a meaningful way and truly reflect our international community.  Enjoy the last days of summer and thank you so much for reading LENSCRATCH.
Hollis Call, Foggy Morning, Santa Barbara, CA
Kristy CarpenterMeth Watch, Bronson, MI 
Loretta AyeroffFairfax Ave and Third Street, Dedicated to Raymond Chandler, Los Angeles, CA
Bootsy HollerTumbleweeds, Richland, WA 
Renate Aller, Elbe, Hamburg / Germany
Nancy BaronHollywood, #1, Los Angeles, CA
Laura Valenti JelenJonathan, near Crater Lake, OR
I’ve moved around a lot in my life and have never felt that I’ve had a home town. But, this image was taken near my current home in Oregon. The wild spaces in this beautiful state are some of the places I feel most at home.
Garin Horner2012.2, Oakwood Cemetary, Adrian, MI

Francisco Arcaute, Loop AM, Chicago, IL
Lori BellFall Vineyard, Santa Maria, CA
Patricia BenderThe House, Somerset, NJ
Robert WelshJimmie and Robbie
Fanuel Public Housing Projects, Boston MA
Julia DeanDiner, Broken Bow, NE

Cristian Bassa, 149, Bucharest – Romania
Ellen Jantzen, Gateway to the West, St. Louis, MO
Sally DeFordGrand Junction Steel, Grand Junction, CO
Valerie Patterson, Ted’s Donuts, Hawthorne, CA
Jamie HouseStranger, Plymouth, UK

Michael Bach. Looking West, Mt. Ida, Troy, NY September 2011

Mariana BartolomeoMam Ethel Tysky, Mission, KS

Kristina SmithMt. Carmel Babydoll Dance, Youngstown, OH 

Lori Pond, Alice in Wonderland, Inside the Alice in Wonderland ride at Disneyland, Anaheim, CA

Rusty J. JoerinReady to Start, Qualicum Beach, British Columbia

Stan RaucherSevenscore Years Later, Pioneer Square, Seattle, WA

                     Laidric StevensonBANG! – Grassy Knoll, Dallas, Tx

Daniel RozmiarekMedic, Bel Air, MD

Bruce Martin, Rip Van Winkle watches over Catskill, Catskill, New York
Mark PetermanIntersections, Lansing, MI  

Diana ZlatanovskiWicker Park at Night, Chicago, IL 

Mary Economidy, Lonesome Whistle, Wichita Falls, TX

Carol S. Dass, It’s Nice Here!, Aunt Lucy’s Doll House, Columbia, MO

George E. Holroyd III, No. 2 from the series 33 Meters Squared, Paris, France 

Maja PilipovicTransAmerica Building, San Francisco, CA

Yvette Meltzer, The Heart of Chicago, Lake Michigan, Chicago, Illinois 
Born and raised in Chicago, I returned after 21 years of living in other locales. In 45 years of living in the city I have always been within an easy walk of the lakefront.  Lake Michigan and the lakefront parks are for me the heart of the city.

Deena FeinbergLost in Her Own World, Hudson, NY

CONTINUE to next post

Submit and Upcoming Workshops and Events

The next LENSCRATCH exhibition is on your HOME TOWN.  Please send one image of your home town (72dpi, 1000px on the long side, in jpg format) and include:

Name, title, location, link  (Aline Smithson, Lego Hollywood, Los Angeles, CA, http://www.alinesmithson.com)

Send to: [email protected] BEFORE August 20th
Aline Smithson, Lego Hollywood, Los Angeles, CA

2012 FotoWeek DC International Awards Competition

Challenge the Way We Look at the World
FotoWeekDC’s 5th Annual International Awards Competition is looking for extraordinary images – we’re looking for yours! The 2012 competition will honor professional and emerging photographers from our region and from around the world.
  • Cash prizes totaling $20,000
  • Winning images will be exhibited and/or projected during FotoWeekDC, November 9-18 as well as online.
  • Winners will be selected by a distinguished panel of world-renowned judges
  • Winners will be notified on or about October 5, 2012


I have a really full fall, teaching in Los Angeles at the Julia Dean Photo Workshops, but also teaching and reviewing at a variety of photo events around the country, so thought I’d share my schedule in case you happen to be in the area! The expansion of photography festivals only reflects our growing community and lucky for us that we can benefit from the exposure, the education, the ability to share work and make new connections.

Fall classes at the Julia Dean Photo Workshops can be found here.

I will also be at the Santa Fe Workshops next spring (I believe the 3rd week of March), again teaching, The Big Picture. Details to follow.

In San Diego, from September 6-8th, the inaugural launch of the Medium Festival Of Photography will kick off with a keynote lecture by Alec Soth, speaking on Sept 6th.  The festival includes workshops, lectures, artist lectures, portfolio reviews, and exhibitions.

I will be reviewing and be teaching the workshop, Preparing for Portfolio Reviews on September 7th.

Filter Photo Festival takes place in Chicago and is a week long festival with lectures, workshops, portfolio reviews, exhibitions, and connections. The keynote speaker will be the compelling, Brian Ulrich, on Thursday, October 18th.

Filter is an organization dedicated
to producing the Midwest’s premier photography event, the annual Filter
Photo Festival.  The Festival’s ongoing mission is to connect em
mid-level, and professional photographers from across the country with
gallerists, educators, curators, editors, and other elite photo
professionals, focusing
particularly on those of the Midwest.”

I will be reviewing at the event and teaching The Art of Presentation: Showing your work to the fine art market (presented by the Santa Fe workshops) on Wednesday, October 16th, from 9am-1pm.  This workshop will get you ready for reviews and help you contextualize your work in the fine art world.  There are also terrific workshops in addition to mine, lectures, portfolio reviews, and lots of connecting and celebrating of photography.

This year The Center for Fine Art Photography in Fort Collins, CO will be hosting the SPE Southwest regional conference. Running from November 1st-5th, It will be 4-5 days filled with lectures, artist presentations, exhibitions, and networking.  More specific programing to follow.

I will be giving an artist’s lecture, will have a solo exhibition at the Center for Fine Art Photography, will be giving a workshop, and participating as a reviewer for SPE.  SPE events are open to ALL photographers, and they are incredibly informative and interesting.

The keynote speak of this year’s event is the amazing Phillip Toledano.

Foto DC is a week long event from November 9-18th that is filled with exhibitions, workshops, lectures, and portfolio reviews.

On Sunday, November 11th, I will be teaching a workshop for emerging photographers on how to create a fine art portfolio.

PhotoNOLA is an annual festival of photography in New Orleans, coordinated by the New Orleans Photo Alliance in partnership with galleries, museums and photographers citywide.
The 2012 festival will take place from November 29 – December 2
with broad ranging photography exhibitions on display throughout the
month. The lineup includes portfolio reviews, workshops, lectures,
demonstrations and a kick-off gala at the Musée Conti Historical Wax
Museum. Many events are free and open to the public.
Portfolio Review registration will open on September 5, and the reviewers list will be announced in August.

I will be teaching a workshop and reviewing at PhotoNOLA this year.  Dates and details to follow.

Hope to see you somewhere!

Perceptions 2012

Opening tomorrow night at the Julia Dean Photography Center, is a wonderful exhibition, Perceptions 2012, that features a group of terrific emerging photographers making work in Los Angeles.

The exhibition will feature a wide range of approaches and each reflect larger series of what is shown.

Sandra Klein’s Body and Soul is a series of digital images enhanced by hand-embroidered poetry sewn into the photograph.

Sandra Klein’s Body and Soul

Susan Swihart’s Eat on the Street explores the current street food revolution of food trucks in and around Los Angeles.

Susan Swihart, Eat on the Street

Jane Lena Schulman’s Family Inheritances seeks to explore the psychological, emotional, and interpersonal influences of family relationships and experiences.

Jane Lena Schulman, Family Inheritances

Kizzy O’Neal’s My American Dream is a collection of photographs documenting a small glimpse into the world of action sports.

Kizzy O’Neal, My American Dream

Patty Lemke’s Baraboo and Beyond, is an emblem for the quiet beauty of lonely farmlands, all centric characters and quirky roadside attractions across the American Midwest with time spent in Baraboo, Wisconsin.

Patty Lemke, Baraboo and Beyond

Mike Spitz’s For The Record takes us on a nostalgic trip through used record stores of Los Angeles and beyond.

Mike Spitz, For the Record

Rina Shapira’s Illuminated captures light painting on the black canvas of night, reassuringly letting us know that the world is still there.

Rina Shapira, Illuminated

Hannah Kozak’s Pain and Loneliness is a series of nude portraits reflecting an extremely private person who never allowed herself to be vulnerable.

Hannah Kozak, Pain and Loneliness

Valerie Patterson’s Shoes & Chandeliers is a series of vignette-style snapshots inspired by the life of Marie Antoinette.

Val Patterson, Shoes and Chandeliers

 and unnoticed moments along Rodeo Drive, the most famous street in Beverly Hills.

Frank Harrell, The Digital Indifference of the Bourgeousie

Christopher Capozziello

Looking at few of the portfolios that received Honorable Mentions for the Santa Fe Prize offered by Center and jurored by Maggie Blanchard of Twin Palms Publishing….

I had the great pleasure of getting to know Christopher Capozziello when he attended his opening at the Julia Dean Photo Workshops in Los Angeles last year. He had won the Berenice Abbott Prize for his series, For God, Race, and Country. From our conversation, and from exploring his many meaningful and compelling projects, it is obvious that Christopher is a very special person and photographer. He is founding member of AEVUM, a collective that looks at photography as a privilege, and seeks to give voice to others. Christopher’s work is well celebrated and for good reason. His philosophy is this:

“His work focuses on documenting both life around him, and stories that are outside of his own experiences. He believes that there is a redemptive quality to photography; that it can take the unpleasant or repulsive and make it beautiful, not by misleading anyone, but by allowing the viewer to stop and take a deeper look at the subject. As a photojournalist, his method of making pictures is not something new or incredibly deep – it is, simply, to tell the truth.”

The project that garnered Christopher the Honorable Mention for the Santa Fe Prize, The Distance Between Us, is a deeply personal series about his twin brother who navigates the world with Cerebral Palsy. His compassionate lens takes us on a life journey full of struggle and suffering, but ultimately is life affirming. Chris writes a monthly column on AEVUM about this project. There is also a terrific interview with Chris in Daylight Magazine.

The Distance Between Us from Christopher Capozziello on Vimeo.

The Distance Between Us: Over the last ten years I have been making pictures of someone very close to me, but it wasn’t until recently that I disclosed the photographs I have been making of the young man with cerebral palsy are of my twin brother Nick. By sharing who he is, I have seen first hand what suffering can do. It unites people in ways that other aspects of life cannot. When I meet someone who has a sibling that is sick or down on their luck, a friend or close relative who is ill, I hear the ache in their voice as they tell me their stories and express the guilt they feel as they watch the ones they love suffer. Then, almost always, they ask how Nick is doing. Sharing stories of suffering creates solidarity, and it makes us care more deeply for others.

Nick’s brain surgery was completed in early 2010 and for the first time our family holds out hope that things might change for him. We now wait to see how his condition changes as the doctors continue to treat him over the coming year.

©All images by Christopher Capozziello

My brother Nick, sitting on a fire hydrant in New York City, trying to relax from a cramp.

Nick has been getting bad cramps again. Earlier tonight he came out of his bedroom with his knee turned in, barely able to walk. It was hard to look because it appeared broken at the knee. Mom and Dad helped him into bed, straightened his leg against the end of his bed, and gave him medicine to relax his muscles.

After 30 years of struggling through life, the doctors decide to allow Nick to undergo Deep Brain Stimulation Surgery. They hope that the surgery will help curb the muscle spasms from the CP. Should this work, Nick’s life will change in a drastic and beautiful way. He may be able to get a job and function better in society.

During the first surgery Nick stopped breathing, and the doctors had to pull him quickly out of the anesthesia before they were finished. They told him that he didn’t have to go back for the other half of the surgery, but I pulled for him to do it. “Why only fix half the problem,” I questioned. He was afraid of having the metal frame screwed into his head again. They did that while he was awake and he was only given topical Novocain. But, two months later, we were back in the hospital, and it was finally over. Now we wait to see what the surgery will do for him.

Nick smokes. He has been unable to hold down a job because of the muscle spasms, and when he is around other smokers, it’s a way for him to connect with them. But, Nick is diabetic and at tremendous risk of stroke and heart disease. He has tried quitting.

When I visit home, I can almost always find Nick in his room on the computer, playing Farmville or listening to music.

When I photographed Nick at the Ale House, a woman asked if I was making fun of him. I told her I was his twin brother. She yelled over Nick’s singing, ” ‘Cause if you’re making fun of him, there are a lot of guys here who wouldn’t like that!”

2011 Looking Back and Looking Forward

In memoriam, Riley Smithson Steinway 1998-2011

Looking Back
I think it’s important to take stock at the end of each year–to celebrate and be grateful for successes, to understand failures, and to set goals for the future. I feel particularly grateful this year. I was offered wonderful opportunities, got to travel to a variety of photo related events around the US and in China, and most importantly, am very appreciative that I can create work in a community that is incredibly supportive and communicative.

First, I want to thank the galleries and photographers that supported my curatorial efforts with the exhibitions Redefining Hollywood at the Factory Gallery and later at the Analog Salon in Los Angeles, and Summertime Exhibition at the Duncan Miller Projects in Santa Monica.

I am also appreciative for the opportunites to juror exhibitions and competitions: the Center for Fine Art Photography’s Dreams Exhibition, the Downtown: Incomplete LA exhibition at the Terrell Moore Gallery, Critical Mass 2011, and the upcoming Imagination exhibition at the A Smith Gallery in Texas and the I Spy:Camera Phone Photography at the Kiernan Gallery in Virginia. I am also thrilled to have attended Photolucida as an artist this year, and Review LA and Filter Photo Festival as a reviewer.

Thank you to the gallerists, directors, and editors for giving me the opportunity to share my work: Crista Dix from Wall Space Gallery, Valerie and Vicenc Boned from Galeria Tagomago, Jennifer Schwartz from the Jennifer Schwartz Gallery, Elizabeth Barragan and Kathleen Mahoney-Cobb from Finch & Ada, Dan Miller from the Duncan Miller Gallery, Jason Landry from The Panoptican Gallery, Daniel Cooney from the Emerging Artist’s Auction, The Darkroom Gallery, The Soho Photo Gallery, Ann Jastrab the Rayko Photo Gallery, the Honor Fraser Gallery, Melanie and Michelle Craven from the Tilt Gallery, Elizabeth Houston from Hous Projects, Liz Gordon from The Loft at Liz’s, Julia Dean from the Julia Dean Gallery, Amber Terranova from PDN, and more.

Teaching is a big part of my life and I want to extend a huge thank you to my AMAZING students in Los Angeles that I have worked with at the Julia Dean Photo Workshops over the years, and to my students in the virtual world–they continue to enrich my life and I am so proud of their accomplishments. It was a pleasure teaching workshops in Chicago and Colorado this year, and I look forward to my first experience at the Santa Fe Workshops in March, where I am teaching The Big Picture.

And lastly, thank YOU, the wonderful Lenscratch readers who remain curious and excited about looking at all kinds of photography. There are some changes afoot with the blogzine, so keep an eye out.

Some highlights?

It was an amazing year, one of those years where wonderful things happened when I was least expecting them. And I thought I’d have time lots of time to make new work…hmmm!

The cover of PDN and recognition for my workshop teaching…

Having my image on the cover, tickets, posters of the Photo Off Festival in Paris…this image was featured on the sides of buses and on posters around the city…

Traveling to China…

Looking Forward

My continuing goal is to make more time to create work. In order to do that, it means less time down the rabbit hole of Facebook and Twitter and social media outlets.

I want to get a book or two out into the world.

I want to explore more conceptual work and push traditional boundaries a bit.

To close,
I would love to hear from you–things you would like to see on Lenscratch, subjects you would like to see explored, or any ideas you want to pass my way.

I wish you all a very very happy, healthly, prosperous, and productive 2012! Be sure to visit the Favorite Photographs of 2011 Lenscratch Exhibition tomorrow!