Tag Archives: Jorg

Conquering composition with Roger Ballen

© Michael Grieve/1000 Words

Since 1000 Words started organising workshops in Morocco, every photographer and creative who has led them has pushed their own particular strengths in a steadfast manner. Antoine d’Agata constantly asked “what do you want”, Anders Petersen insisted to ‘shoot from the gut’ and Erik Kessels conceptualised the found image. Roger Ballen’s mantra was to emphasise the formal qualities of the picture. Sufficient attention to what makes a picture work is often overlooked and taken for granted. Photographers wonder why their images are weak and more often than not it is because they have overlooked the most basic yet complex issue of composition.

Roger Ballen is very precise and tireless in his deconstruction of the photograph to understand and achieve the perfect pictorial balance. He understands that photography is hard work in a snappy happy world. Ultimately, the success of a photograph relies on the arrangement of the content within the frame devoid of ‘negative space’.

1000 Words Workshops in Fez are challenging in different ways. The medina, with all is chaos and contradictions, provides the perfect capsule to transport your creative concerns into unknown territories. The photographers participating in the workshop were prepared to undo their preconceptions and raised the stakes in order to unlock new chambers into an imaginary world. Thanks to the following for joining us on the creative odyssey:

Jorg Sundermann (Germany)
Marlene de Lazaro (Cuba)
Mark Lanning (South Africa)
Sjoukje van Gool (The Netherlands)
Roger Mavity (UK)
Rob Houkes (The Netherlands)
Aurora Molina (Cuba)
Pier Filippo d’Acquarone (Italy)
Silvia Castro Yapur (Argentina)

1000 Words would like to thank Roger Ballen, a true gentleman, and his fabulous assistant Margeurite Rossouw. As always many thanks to photographer and good friend Omar Chennafi for his local knowledge and beautiful spirit. And Sean Stoker, 1000 Words Editorial/Programme Assistant, for his hard work, dependability and positive attitude. Finally, to Vanessa Bonnin for her hand in helping to deliver another successful workshop. A photo album of the workshop can be viewed on our Facebook page here.

Jorg Bruggemann – Ushuaia

Jorg Bruggemann is a German photographer who has several projects shot in South America. I was particularly interested in his work, Mas Austral, which shows working class youth and landscapes in Ushuaia on Tierra Del Fuego, Argentina’s [and the World’s] southernmost city.

Jorg Bruggemann – Mas Austral

As Bruggemann notes in his text accompanying the series:

A free trade zone was established which led to fast urban development. Whereas in 1975 there were 7000 people living in Ushuaia, today it hosts nearly 60 000. Most of them were young families  coming North of Argentina looking for work with their children. They are also the reason why I went to the world’s most Southern city. I wanted to know what it was like being young while living at the end of the world.

Jorg Bruggemann

What I find interesting about the series is that, take away the pine trees and sloped landscape and this could be any working class suburb of Buenos Aires. Indeed, while Northern Argentina has distinct regional cultures dating back to the colonial era, most of Patagonia has been settled fairly recently and, culturally, is something of an annex to Buenos Aires province. Rather than being some exotic, uttermost place as imagined by Bruce Chatwin, Ushuaia is really just like a bunch of pibes from Lanús.

Jorg Bruggemann – Mas Austral

Jorg Bruggemann – Mas Austral

Jorg Bruggemann – Mas Austral

Bruggemann also has a great series, The Same but Different, documenting backpacker culture around the world. At some point I’ll write a post about the idea of gringos in contemporary photography, for which this series will be key.