Tag Archives: Enigmatic Images

Review Santa Fe: Daniel W. Coburn

Over the next month, I will be sharing the work of photographers who attended Review Santa Fe in June.  Review Santa Fe is the only juried review in the United States and invites 100 photographers to Santa Fe for a long weekend of reviews, insights, and connections.  
When I first started writing about the genre of Photographing Family some years back, there were only a handful of image makers capturing the pathos of domestic interactions in a significant way.  Phillip Toledano, Doug DuBois, and Elizabeth Flemming, to name a few, brought a sensibility to telling stories that were at once personal, yet universal.  Photographer Daniel W. Coburn is following in those footsteps with his beautifully executed project, Next of Kin.  Daniel gives us a sense of place and of people. His proximity allows for an ability to be a participant observer where he is able to capture the intangible essence of family, interpreting those he loves with a lens that honors, explores, and understands.

Daniel received his BFA from Washburn University and is currently an instructor and graduate student at the University of New Mexico.  His work his held in public and private collections, and he has published and exhibited widely.
In Next of Kin I use craftsmanship and beauty to engage my viewer in
a dark family narrative.  After a
yearlong hiatus from my hometown, I returned to reexamine my relationship with
immediate family. I use the camera to describe the powerful personalities of my
parents, and the complexities of their relationship. I photograph the children
in my family to revisit my own childhood, which exists only as a set of
fleeting, enigmatic images in my aging memory.

 Next of Kin records the interaction of a working-class family living in Middle America, and the anxiety that occurs within the confines of suburban dystopia. The viewer is encouraged to contemplate the complexities of these relationships in dialogue with their own family experience. How the imagery functions in conversation with the viewers personal family narrative becomes paramount and its value is ultimately determined by its transformative potential.

Sarah Moon: Film Screenings

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“Moon’s voice, above all, is an intensely personal one, whispering, rather than shouting, about an imagined world where preternaturally lovely, romanesque heroines inhabit isolated and, more often than not, fictional landscapes.” — “Frocks and Fantasy: The Photographs of Sarah Moon

It wasn’t until sometime around 1970 that Sarah Moon, the award-winning artist, photographer and filmmaker, first picked up a camera. Her first photographs were portraits of friends – who also happened to be models. She at the time was working as a model as well, (in London and Paris, 1960-1966) working among some of fashion photography’s most legendary names, Helmut Newton, Irving Penn and Guy Bourdin included. “Somebody lent me a camera,” she says, “and while we waited between shots, I took pictures.”

More than forty years later, her ethereal and enigmatic images are those of a living legend, whose uniquely individual vision informed publications like Nova and the Sunday Times Magazine, later that of the fashion house Maison Cacharel. Her work has appeared everywhere from French Elle to British Vogue, in collaboration with designer names from Chanel to Comme des Garcons. Moon’s body of work, which includes commercial photography, as well as celebrated works in video and film, has exhibited worldwide since 1982. These films—many based upon fairy tales—are a testament to her grande dame status, the years-earned luxury of creative autonomy.

All images © copyright Sara Moon, Little Red Riding Hood

Aperture, in conjunction with Howard Greenberg Gallery, is pleased to present an evening of film and videos by the award-winning artist. Sarah Moon will be present at Aperture Gallery to screen The Red Thread, Black Riding Hood, and Le Montreur D’Images (The Go-Between), a documentary on her husband, the celebrated publisher Robert Delpire, whose own legacy is the subject of the concurrent multi-venue exhibition, Delpire & Co.


Sarah Moon: Film Screenings
Friday, May 11, 2012

6:00 pm


Aperture Gallery and Bookstore
New York, New York

6:00The Red Thread and Black Riding Hood
6:30: Intermission
7:00Le Montreur D’Images (The Go-Between)

›› Le Montreur D’Images will also be continuously screened as part of the exhibition Delpire & Co. at Aperture Gallery and Bookstore, on view May 10–July 19, 2012.

›› Sarah Moon: Now and Then will be on view at Howard Greenberg Gallery,  May 11–June 16, 2012.