Tag Archives: Directory Submission


Stephanie Barber, Still from Dogs, 2000, Image courtesy of the artist

Wednesday, September 12, 2012 | 6:00pm | MoCPVideo Playlist is a recurring series of one-night public video screenings guest curated in response to MoCP exhibitions. Jesse Malmed will present a program in conjunction with Peripheral Views that includes a live, participatory performance during the screening.Talk barely, talk breathily, talk American. The works in this screening address the complexity of language and the myriad ways it shapes our experience of reality. Any place as big as America, with as many voices as America, has a multitude of expressions that exist at the periphery. directory submission . This program brings the following to a center: a Sci-Fi CAPTCHA tale, what Microsoft Word found wrong with the Unabomber, how jargon becomes gibberish, a report from the out-of-bodied, a political speech about political speech, and finally, real talk from a pair of paper-mache dogs. link pyramid . Following the screening, Malmed will present selections from The Body Electronic, an ongoing and evolving series of participatory video-based performances. Malmed offers a visual, polyvocal, and interactive experience that engages audience members in dizzying, surprising, and humorous ways.The screening features the work of Joe Sandler, Peter Rose, Peggy Ahwesh, Doug Hall, Gabrielle De Vietri, Stephanie Barber, and Jesse Malmed.This event is free and open to the public.

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Side by Side | Sniper taking aim from within a home by Nachtwey, Bosnia 1993, and Tomasevic, Syria 2012

Goran Tomasevic of Reuters has been doing amazing work in Aleppo, Syria during the past week. One of his photos from yesterday showing a FSA sniper taking a position inside a living room reminded me of a James Nachtwey frame from Bosnia, which has a sniper inside a bedroom.

Left: 1993. article writing submission . Mostar James Nachtwey
Right: 2012. directory submission . Aleppo Goran Tomasevic / Reuters

Tomasevic also shot the above FSA sniper right up close (see for instance, here) and most websites seemed to go with that, but I actually prefer this wide version published in today’s International Herald Tribune (Europe edition).

Defining identity & memory with "deep fried" photo portraits, and more


Deep Fried. 1997, C-print, 50.8cm x 61cm. carrera de fotografia . Chino Otsuka. Image courtesy of Huis Marseille.

At age 10, Japanese-born Chino Otsuka was sent away to a progressive private boarding school in Suffolk, England. For her first two years at the school, she was allowed to do nothing. Directory Submission . Then, following her own interests, she started to pursue education with an unrelenting intensity. A book she wrote, at age 15, about her culture-shock and quest for personal identity, made her an instant hero and celebrity back home in Japan. (Twenty years later, the book is still a “must read” for many young Japanese students.) She went on to pursue photography at the Royal Academy of Art, and began a life-long career exploring ideas of identity, memory, and mental time travel, through photography and video and writing.

A brilliant retrospective of her work fills the entire photography museum at Huis Marseille in Amsterdam. And an equally inspiring photobook has just been published: Photo Album by Chino Otsuka.

See and read more in Lens Culture.

A Mural in Cairo: The Backdrop Of A Revolution

A huge, colorful mural of the men Egyptian youth activists know as feloolregime remnantsadorns a buildings wall on Mohamed Mahmoud Street in downtown Cairo. Branching off of the now iconic Tahrir Square, Mohamed Mahmoud leads to the dreaded Interior Ministry. A number of bloody clashes between protesters and Egyptian security forces have taken place here in the year and a half since a popular uprising ended the 30-year dictatorship of Hosni Mubarak and launched the Arab worlds largest country into a tumultuous transition. Search Engine Optimization . To Egypts budding generation of revolutionary street artists, these walls are prime real estate for political expression.

Omar Fathi, the 26-year-old art student, who painted the mural with a set of cheap plastic paints last February, conceived of the idea after a deadly soccer riot had led to another series of clashes between police and protesters, leaving more than 80 people dead. Like much of his art, it was an image borne of frustration. Many of the youth protesters had blamed the ruling military and the police forces under its command for the deadly soccer riot and the ensuing violence as anger spread to the streets. directory submission . To Fathi, it was further evidence of the states failure to govern and protectsomething he had grown accustomed to under Mubarak, but that he and other youth activists and members of his Revolution Artists Union say has only continued under military rule. Basically it represents the situation we are in, nothing has changed since the fall of the regime, he says. Its the same leadershipthe face has changed, but the rest is still the same.

The mural depicts a split faceon the right, the scowling visage of ousted President Hosni Mubarak; and on the left, the man he once appointed to run his military, Field Marshal Mohamed Hussein Tantawi. As the head of Egypts powerful military council, Tantawi has been Egypts de facto ruler since Mubarak stepped down in February 2011.

Shortly after Fathi painted his masterpiece, someonehe suspects from the military painted over it. To spite them, he painted it again. When it was painted over a second time, he re-painted it a third, this time adding the faces of two presidential candidates, Amr Moussa, and Ahmed Shafik. Both men had served in Mubaraks regime. And the run-off to the presidential election this month pit Ahmed Shafik against a candidate from the once-banned Muslim Brotherhood, in a tense face-off that some activists characterized as a battle between the old order and the new; the military regime versus the revolution. In the end, the Muslim Brotherhood candidate Mohamed Morsy won. But Tantawi and his military council have ensured that Morsy only wields certain presidential powers; the military controls the rest. And Fathi says hell keep painting. Our contribution [to the revolution] is to portray the demands of the revolution through art. This has been our role since the eighteen days [of the uprising], he says. We serve the revolution through art, and we will keep illustrating our demands.

Sharaf al-Hourani is a news assistant for TIME Magazine in Cairo

Video: Mountain-climbing photographers in France

via @pixfan @gPHOTOcommunity

The eyes of Chamonix

Mountain TV and Quechua interview three lovers of high-altitude images. Fotografia . squido lense . Pascal Tournaire, Ren Robert and Monica Dalmasso, mountain photographers, talk about their extraordinary jobs a mix of passion, precision and performance. Directory Submission . (In French with English subtitles).

Montagne TV et Quechua sont partis la rencontre de trois amoureux de l’image en altitude. Pascal Tournaire, Ren Robert et Monica Dalmasso, photographes de montagne, voquent leur mtier hors du commun, entre passion, performance et prcision.

Roger Ballen co-directs new music video!!? Perfect fit!

Blog Commenting . squido lense . directory submission .

Too wild and wonderful and creepy for words! “I FINK U FREEKY” by Die Antwoord.

Here’s our own video interview with Roger about his photography: