Tag Archives: Brian Ulrich

Submit and Upcoming Workshops and Events

The next LENSCRATCH exhibition is on your HOME TOWN.  Please send one image of your home town (72dpi, 1000px on the long side, in jpg format) and include:


Name, title, location, link  (Aline Smithson, Lego Hollywood, Los Angeles, CA, http://www.alinesmithson.com)

Send to: [email protected] BEFORE August 20th
Aline Smithson, Lego Hollywood, Los Angeles, CA



2012 FotoWeek DC International Awards Competition

Challenge the Way We Look at the World
FotoWeekDC’s 5th Annual International Awards Competition is looking for extraordinary images – we’re looking for yours! The 2012 competition will honor professional and emerging photographers from our region and from around the world.
  • Cash prizes totaling $20,000
  • Winning images will be exhibited and/or projected during FotoWeekDC, November 9-18 as well as online.
  • Winners will be selected by a distinguished panel of world-renowned judges
  • Winners will be notified on or about October 5, 2012

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I have a really full fall, teaching in Los Angeles at the Julia Dean Photo Workshops, but also teaching and reviewing at a variety of photo events around the country, so thought I’d share my schedule in case you happen to be in the area! The expansion of photography festivals only reflects our growing community and lucky for us that we can benefit from the exposure, the education, the ability to share work and make new connections.

Fall classes at the Julia Dean Photo Workshops can be found here.


I will also be at the Santa Fe Workshops next spring (I believe the 3rd week of March), again teaching, The Big Picture. Details to follow.

In San Diego, from September 6-8th, the inaugural launch of the Medium Festival Of Photography will kick off with a keynote lecture by Alec Soth, speaking on Sept 6th.  The festival includes workshops, lectures, artist lectures, portfolio reviews, and exhibitions.

I will be reviewing and be teaching the workshop, Preparing for Portfolio Reviews on September 7th.

Filter Photo Festival takes place in Chicago and is a week long festival with lectures, workshops, portfolio reviews, exhibitions, and connections. The keynote speaker will be the compelling, Brian Ulrich, on Thursday, October 18th.

Filter is an organization dedicated
to producing the Midwest’s premier photography event, the annual Filter
Photo Festival.  The Festival’s ongoing mission is to connect em
erging,
mid-level, and professional photographers from across the country with
gallerists, educators, curators, editors, and other elite photo
professionals, focusing
particularly on those of the Midwest.”

I will be reviewing at the event and teaching The Art of Presentation: Showing your work to the fine art market (presented by the Santa Fe workshops) on Wednesday, October 16th, from 9am-1pm.  This workshop will get you ready for reviews and help you contextualize your work in the fine art world.  There are also terrific workshops in addition to mine, lectures, portfolio reviews, and lots of connecting and celebrating of photography.

This year The Center for Fine Art Photography in Fort Collins, CO will be hosting the SPE Southwest regional conference. Running from November 1st-5th, It will be 4-5 days filled with lectures, artist presentations, exhibitions, and networking.  More specific programing to follow.

I will be giving an artist’s lecture, will have a solo exhibition at the Center for Fine Art Photography, will be giving a workshop, and participating as a reviewer for SPE.  SPE events are open to ALL photographers, and they are incredibly informative and interesting.

The keynote speak of this year’s event is the amazing Phillip Toledano.

Foto DC is a week long event from November 9-18th that is filled with exhibitions, workshops, lectures, and portfolio reviews.


On Sunday, November 11th, I will be teaching a workshop for emerging photographers on how to create a fine art portfolio.




PhotoNOLA is an annual festival of photography in New Orleans, coordinated by the New Orleans Photo Alliance in partnership with galleries, museums and photographers citywide.
The 2012 festival will take place from November 29 – December 2
with broad ranging photography exhibitions on display throughout the
month. The lineup includes portfolio reviews, workshops, lectures,
demonstrations and a kick-off gala at the Musée Conti Historical Wax
Museum. Many events are free and open to the public.
Portfolio Review registration will open on September 5, and the reviewers list will be announced in August.

I will be teaching a workshop and reviewing at PhotoNOLA this year.  Dates and details to follow.




Hope to see you somewhere!




Support for The Alice Austen House & Documents from the American Housing Crisis

Foreclosure Alley by Guillaume Zuili – Vu

The Alice Austen House, a fantastic and under-acknowledged resource for photography in New York City, is an exhibition space and museum dedicated to the ground-breaking, absolutely independent and unique photographer Alice Austen (1866-1952). One of America’s earliest and most prolific female photographers, Alice Austen broke away from the constraints of the Victorian era to create her own independent life.

Help the Alice Austen House take some much needed steps toward its own preservation and restoration via the 2012 New York initiative Partners in Preservation.  All you need to do is go to http://www.PartnersinPreservation.com and VOTE – a vote for this site will help direct national funding to keep the Alice Austen House vital and able to continue its programming of exhibitions and education in a beautiful, unique historic space. Voting ends tonight, 11:59PM EST on Monday, May 21.

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Through June 14, 2012 the Alice Austen House Museum is pleased to present Foreclosed: Documents from the American Housing Crisis. The exhibition includes works by: Bruce Gilden, Lauren Greenfield, Todd Hido, Imara Moore, John Moore, John Francis Peters, T.J. Proechel, Brian Shumway, Brian Ulrich and Guillaume Zuili, examining how artists are using photography to record the aftermath of the housing bubble; from its’ beginning in 2006 to the dramatic effects it still has on the American Landscape today. The artists and photographers in the exhibition depict the ruins of rich and poor neighborhoods, as well as the families affected by the economic downturn. As a result, the exhibition aims to explore the disintegration of the American dream and how it effects a culture where home ownership is no longer a reality.

Foreclosed: Documents from the American Housing Crisis
On view through June 14, 2012

The Alice Austen House Museum
2 Hylan Boulevard
Staten Island, NY 10305

apertureWEEK: Online Photography Reading Shortlist

Aperture aggregates the best posts from this past week in the photography blogosphere.

 

Penelope Umbrico and Brian Ulrich in Conversation

Penelope Umbrico on her piece For Sale/TVs From Craigslist at Aperture (May, 2009).

Consumer culture can be an ugly reality to face. Despite what might seem to be an oxymoronic concept, the contemporary sense of self is increasingly predicated on possessive individualism, a self-definition by way of consumption, or more simply put, the thought: ‘I am what I buy.’ Not only has shopping long become a pastime, so too has the proclamation of these purchases across social media.

This consumer culture is what we the audience are confronted with in the work of Penelope Umbrico and Brian Ulrich. On Tuesday, April 17, 2012, two of the most exciting photographers working today, come together for a conversation about how their use of images address this facet of our society. The event will take place at Julie Saul Gallery, where Ulrich currently has his exhibition Is This Place Great or What: Artifacts and Photographs on view through May 5, 2012.

Umbrico’s work over the past few decades offers a radical doubletake on the consumer and vernacular images with which we are bombarded. She aggregates photographs that follow a kind of “script,” compiling thousands of somehow related images found on social media websites like Craigslist and Flickr. Some are selling used products, others are sharing personal but generic vacation moments. All, however, have hints of privacy or intimacy in them. As she explains in the clip above, the used TVs people sell on Craigslist often bear reflections of themselves or their apartments. Her most recognized work Suns From Flickr, which made the cover of her conceptual first monograph from Aperture in Fall, 2011 Penelope Umbrico (photographs), is made up of thousands of found snapshots, generic vacation photos tagged with term “sunset,” cropped down to sun alone, sometimes 5% of the original photograph, and installed on a mural-sized grid.  The monumental result is meant to explore ”what [these images] can tell us about our relationship to photography, technology and each other.”

Ulrich’s work on view at Julie Saul is part of a decade-long exploration of the American consumer landscape for a series called Copia. The project, he explains for Time’s Lightbox, is something he embarked on as a response to the president’s call for the nation to bolster the economy in the wake of the 9/11 attacks by way of shopping. The series, comprised in three parts tracking the degradation of this consumer cycle–”Retail,” “Thrift,” and “Dark Stores,”–was also published by Aperture in Fall, 2011 as Ulrich’s first monograph, Is This Place Great or What.

Gurnee, IL (2003); from the series Retail (c) Brian Ulrich/Aperture Foundation

Retail” features often vibrant candy-colored, mostly medium-format images taken in big box stores. He captured candid moments with the help of a waist-high viewfinder. The nameless shoppers within his frame carry hollow expressions that convey a kind of alienated stupor during the precise moment, Ulrich says, “the Germans call Konsumieren Rausch or Consumer Intoxication.” “Thrift” features more cluttered images of consignment stores and second-hand shops where the original goods are discarded, while “Dark Stores,” features images of derelict, hollowed out, abandoned malls and shopping centers across the country that have shut their doors.

Belz Factory Outlets (2009), from the series Dark Stores (c) Brian Ulrich/Aperture Foundation

Penelope Umbrico and Brian Ulrich In Conversation
Tuesday, April 17, 2012 at 6:30 pm
FREE

Julie Saul Gallery
535 West 22nd Street, #6F
New York, New York
(212) 627-2410

Artifacts, Photographs and Ulrich @ Julie Saul Gallery

Fast Food, 2009 by Brian Ulrich

Brian Ulrich’s photographic investigation of the American consumer psyche has for the past decade examined the complex relationships consumers form with the industries that seek their consumption (Copia, 2002-2006), the trickle-down movement of consumer goods (Thrift, 2005-2007), and the end remains of dead malls and big box stores, stripped of product and identity (Dark Stores, 2008-2011).

Ulrich’s upcoming exhibition at Julie Saul Gallery looks at this decade-spanning body of work, juxtaposing photographs with artifacts from the past (a vintage sign in florescent italics announcing Fast Food), objects culled from an expansive archive, amassed by the photographer in simultaneity with the development of his images.

Is This Place Great Or What: Artifacts and Photographs opens Thursday, March 22nd at Julie Saul Gallery, New York City.

This exhibition coincides with Ulrich’s first published monograph, Is This Place Great or What, published by Aperture Foundation, with an essay by Juliet B. Schorr and 95 plates ($35, available here).

Also consider Ulrich’s limited-edition, “Chicago, Illinois, 2005,” from the series Thrift ($600, available here).

Armory Arts Week New York

Clockwise from the top: Hank Willis Thomas’ “After Identity, What?, 2011,” Richard Mosse’s “Débris, North Kivu, Eastern Congo, 2011,” and Lars Tunbjork’s “42nd Street and Eighth Avenue, from the Times Square portfolio published May 18, 1997.”

Armory Week is almost here. Join us on Saturday, March 10 for our annual all-day Armory Collectors Brunch to mix and mingle with friends and colleagues in the heart of Chelsea’s art district. The event will include a special walk through of the current exhibition Shared Vision, with Marcelle Polednik, Director MOCA Jacksonville and collectors Sondra Gilman and Celso Gonzalez-Falla at 11:00 am, followed by book signings with Aperture artists including Bruce Davidson, Richard Mosse, Brian Ulrich, Penelope Umbrico, collector Bill Hunt.

Saturday, March 10, 10:00 am–1:00 pm
FREE

Aperture Gallery and Bookstore
547 West 27th Street, 4th Floor
New York, New York
(212) 505-5555

During Armory Arts Week, you can also visit Aperture at the eleventh annual SCOPE New York Art Fair. You can see some of our newest limited-edition prints from artists Hank Willis Thomas’ “After Identity, What?, 2011,” Lars Tunbjork’s “42nd Street and Eighth Avenue, from the Times Square portfolio published May 18, 1997” and Richard Mosse’s “Débris, North Kivu, Eastern Congo, 2011.”

This year, SCOPE’s VIP first view will take place on Wednesday, March 7 at an exciting, high profile location across from The Armory Show. The 35,000 square foot pavilion and its dramatic glass box entrance on 57th Street and 12th Ave will host 50 international galleries and museum-quality programming highlighting groundbreaking, emerging work in contemporary art and beyond.

First View:
Wednesday, March 7, 2012
3:00 pm–9:00 pm

Fair Continues:
Thursday, March 8, 2012-Sunday, March 11, 2012

Admission required.

SCOPE Pavilion
57th St & 12th Avenue
New York, NY 10019
212-268-1522

TIME’s Best Photojournalism of 2011

Sometimes words just aren’t enough. We realize that’s a bold statement for a news magazine to make. After all, words are our currency. Yet we know that there are times when, to fully tell the stories that need to be shared, we need more than words.

This year it was as evident as ever. From the tsunami in Japan, to the war in Afghanistan, to the Arab Spring, our reporters, columnists and correspondents worked tirelessly to bring you the stories that matter. But beyond the words and interviews that filled our pages, our photojournalists sought out the pictures that told a deeper story. Whether they were behind the political scene like Diana Walker as she photographed Hillary Clinton aboard a military plane or risking life and limb like Yuri Kozyrev as he captured the conflict of Libya’s revolution, TIME’s dedicated photographers brought the stories to life.

In March, acclaimed TIME contract photographer James Nachtwey traveled to Japan to capture images in the wake of the earthquake and tsunami. A veteran photojournalist, even he found himself at a loss for words when trying to describe the country’s devastation. Yet in his hauntingly bleak images of ravaged towns and wounded families, we glimpsed what language failed to convey — and it was heart breaking.

TIME‘s words offer the important facts, clear-eyed insights and sharp analysis needed to understand the story. Our photojournalism offers the chance to not only see, but also feel the story. —Megan Gibson

Aperture at SCOPE Miami

Colonel Soleil’s Boys, North Kivu, Eastern Congo (2010) © Richard Mosse

SCOPE Pavilion
Wynwood Arts District
NE 1st Avenue (Midtown Blvd), at NE 30th Street
Miami, Florida
(212) 268-1522

Join Aperture Foundation at SCOPE Miami! Now in its eleventh year, the art fair will present the best of cutting edge contemporary art in Miami’s Wynwood Arts District. Aperture will be joining 80 international galleries to show our very best books and limited editions, including work by artists Penelope Umbrico and Richard Mosse.

Aperture recently published Penelope Umbrico’s book Penelope Umbrico (photographs), which offers a radical re-interpretation of everyday consumer and vernacular images. Richard Mosse was featured in Aperture magazine #203, Summer 2011. His work will also be showcased in the upcoming book Infra and the very special collector’s edition of the publication. His limited-edition print Débris, North Kivu, Eastern Congo, 2011 will also be featured. Look for these artists and much more fantastic work at Aperture’s booth.

The fair will take place from Tuesday, November 29, 2011–Sunday, December 4, 2011. Tickets are required.

Tuesday, 4:00 pm–8:00 pm (VIP and press)
Wednesday–Saturday,
11:00 am–7:00 pm
Sunday,
11:00 am–6:00 pm

Saturday, December 3, 4:00 – 5:00 pm
In Conversation: Penelope Umbrico and Brian Ulrich
Soho Beach House
[email protected]

Sunday, December 4, 2:00 pm
Infra: Richard Mosse Book Signing
SCOPE Pavilion, booth B31