Tag Archives: Books

Eirik Johnson: Camps & Cabins Artist Talk

Elwha River Dam, Washington; from Sawdust Mountain, 2009 © Eirik Johnson

Seattle native and 2012 Neddy Award winner Eirik Johnson presents an artist talk at G. Gibson Gallery this Saturday, May 19, 2012 at 2:00 pm where his third solo exhibition Camps & Cabins, large scale photographs of Pacific Northwest mushroom hunters and their makeshift structures, is currently on view (through May 26, 2012).

Johnson, the photographer behind the 2009 monograph Sawdust Mountain, has had a long history documenting the Pacific Northwest, earning himself a role as forerunner of the second generation of topographic photographers. Sawdust Mountain was a four-year exploration of the “tenuous relationship between industries reliant upon natural resources and the communities they support,” throughout Oregon, Washington, and Northern California, he explains in a video interview conducted at Aperture Gallery.

Work from that series has since been made into a limited-edition print, Freshly Felled Trees, as well as a limited-edition portfolio of three archival pigment prints, Adult Books, Firewood, and Truck for Sale, (Port Angeles, Washington), Weyerhaeuser Sorting Yard Along the Chehalis River, (Cosmopolis, Washington), and The Road to Forks, (Washington), all available at Aperture.

Johnson’s portfolio, West Oakland Walk, exploring the beauty of an urban landscape shaped by poverty, was also featured in Aperture issue 185.

Read a brief review of Camps & Cabins in Seattle Weekly or Visual Art Source, and hear what Johnson has to say about the project himself in a Q&A with CityArts magazine.

Artist Talk:
Saturday, May 19, 2012 at 2:00 pm
FREE

Exhibition on view:
April 19 – May 26, 2012

G. Gibson Gallery
300 South Washington Street
Seattle, Washington 98104
(206) 587-5751

artMRKT San Francisco and Richard Misrach

“Showcasing new artists alongside historical material, artMRKT will create an ideal context for the discovery, discussion and placement of artwork.”

The San Francisco iteration of artMRKT marks the start of the brand’s 2012 modern and contemporary fair season. Currently in it’s second year, the San Francisco fair will combine the work of seventy leading galleries with a thoughtful program of art events and exhibitions at the fair venue and throughout the city. Aperture will be on site in 2012 with limited-edition prints, books, and the latest from Aperture magazine in tow, including our latest prints “Model Dining Room,” from the series Occupied Territory by Lynne Cohen, and “Animal (127)” by Elliot Ross.

The 2012 re-issue of Lynne Cohen’s first monograph, Occupied Territory, is also forthcoming from Aperture, “an exploration of domestic and institutional interior spaces—sometimes idealized, sometimes standardized, humorous, and disquieting.” “Model Dining Room” is a piece of this larger puzzle, representing Cohen’s visual exploration of interior space as simulated experience.

We also recommend joining acclaimed artist Richard Misrach, whose lauded Golden Gate is being reissued in a new oversized edition for the iconic bridge’s 75th anniversary, for the weekend’s keynote address plus a book signing on Saturday, May 19th.

Aperture at artMRKT San Francisco
Thursday, May 17, 2012–Sunday, May 20, 2012

Admission Required

Concourse Exhibition Center
Booth 209
San Francisco, California

›› Buy Lynne Cohen’s limited-edition print, “Model Dining Room
›› Buy the limited-edition print “Animal (127)” by Elliot Ross
›› Sign up to be notified when Lynne Cohen’s re-issued monograph, Occupied Territory, is available.

 

Questions Without Answers Launch @ VII Gallery

Image courtesy of VII

Join Phaidon at VII Gallery on Thursday, May 3rd during the exhibition of Questions Without Answers to celebrate the launch of the long-awaited book of the same name, published in conjunction with the 10th Anniversary of the founding of VII agency.

This major work presents a remarkable sequence of photo-stories from pioneering photo agency VII, documenting world history as we have experienced it since the end of the Cold War. The 11 extraordinarily talented photographers who are part of this agency work at the cutting edge of digital photojournalism, committed to recording social and cultural change as it happens around the world. Each brings an individual vision to the agency – some choosing to tackle dramatic events head-on, others pursuing more idiosyncratic, personal projects – but all share a commitment to their individual subjects and to their belief that the act of communication provides hope even in the most extreme situations.

Questions Without Answers is an ambitious book featuring a strikingly broad selection of photo stories. Photos documenting Barack Obama giving a speech on Afghanistan to American troops sit alongside a collection of portraits featuring famous cultural figures such as David Bowie and Bernardo Bertolucci. We move from an exploration of the spread and impact of AIDS in Asia to dispatches from the current economic crisis and its effect on those working in finance. The crucial work done by VII in documenting conflict – environmental, social and political, both violent and non-violent – is also represented, including stories from the war in Iraq, the crisis in Darfur and the terrible events of 9/11.

With an introduction by the eminent David Friend, the former director of photography at Life magazine, this book is an important, moving and compelling record of the world we live in.

The book includes work by Stephanie Sinclair, and Lynsey Addario, both of whom have been featured in Aperture Magazine and The New York Times Magazine Photographs (Aperture 2011).

Questions Without Answers
Book Launch and Reception

Thursday, May 3, 2012, 7-9pm

VII Gallery
Brooklyn, New York

›› Buy The New York Times Magazine Photographs for 30% off.

Delpire & Co., New York City


 

As part of our sixtieth anniversary celebration, Aperture Foundation, in collaboration with our partners, presents the exhibition Delpire & Co. featuring a half century of achievement in the life and career of visionary French publisher, editor, and curator Robert Delpire.

Over the past sixty years, the eyes and instincts of Robert Delpire have shaped much of the world’s understanding of photography. A prolific publisher and exhibition organizer, with a razor-sharp comprehension of the graphic arts, Delpire has had a defining hand in the careers of many of the master photographers of recent history.

“Nous avons une autre conception du lecteur”, André François, 1972; “Qui êtes-vous Polly Maggoo”, poster for film directed by William Klein, produced by Robert Delpire, 1965; Henri Matisse, France, 1944, photograph by Henri Cartier- Bresson.

Delpire & Co. (Delpire et Cie in the original French) was one of the highlights of the Rencontres d’Arles in summer 2009, and was subsequently given a major presentation at la Maison Européenne de la Photographie (related video) in Paris from October 2009 to January 2010—to which Vingt Paris Magazine said, “Savor it”—with the continued support of the Fondation d’entreprise Hermès.

The exhibition showcases Delpire’s rise to prominence in the world of photography through his pioneering and seminal work in magazine (see: Neuf, Le Nouvel Observateur, Photo Poche) and book publishing—titles including Gypsies (Aperture 2011) and Koudelka (Aperture 2007)— films, curatorship, and advertising for the past fifty years.

Delpire & Co. will be divided among four different venues, creating altogether a comprehensive exhibition on Delpire’s many initiatives. Howard Greenberg Gallery and Pace/MacGill Gallery will also have exhibitions concurrently on view in celebration of Robert Delpire’s life and work.

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Delpire & Co. Exhibition
Wednesday, May 9, 2012
6:00–8:00 pm
Exhibition on view: Thursday, May 10, 2012–Thursday, July 19, 2012

FREE

Aperture Gallery
New York, New York

›› Click here for details on all the exhibitions and events.
›› Join the conversation on Instagram and Twitter using #Delpire
›› Buy Gypsies, Photographs by Josef Koudelka w/ essay by Will Guy for 30% off.

Burke + Norfolk

2011 © Simon Norfolk

The Crawford Art Gallery presents Photographs from the War in Afghanistan by John Burke and Simon Norfolk. Burke was the first photographer to make pictures in Afghanistan while accompanying British forces in the late 1880’s. Fast forward to present day, Norfolk’s work follows the footsteps of Burke. His images are a contemporary response to Burke’s war scenes, presented alongside one another, modern parallels and similar vantage points included.

Accompanying the exhibition is a short film by Simon Norfolk, which discusses John Burke’s photography and both of their relationships with Afghanistan.

Simon Norfolk has appeared in Aperture issue 188 and is featured in The New York Times Magazine Photographs (Aperture 2011).

Photographs from the War in Afghanistan by John Burke and Simon Norfolk
April 20–June 30, 2012

Crawford Art Gallery

Emmet Place
Cork City, Ireland
+353 (0)21 480 5042

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›› Buy The New York Times Magazine Photographs ($52.50, available here)
›› Order Aperture 188 ($14.80, available here)

Invasion 68: Prague

Warsaw Pact troops invade Prague. In front of the Radio Headquarters. Prague, Czechoslovakia, August 1968; from Invasion 68: Prague (c) Josef Koudelka

August 21, 1968. Hours after 30-year-old Josef Koudelka–then nascent career photographer–returned to Prague, having spent the past several years documenting the lives of Romanian gypsies, Soviet tanks suddenly cross the Czechoslovakian border. 200,000 Warsaw Pact troops and 2000 tanks head to Prague and occupy the capitol.

“Our city is experiencing perhaps the most trying moment in our recent history,” the Municipal Committee of the Czechoslovak Communist party of Prague announces. The country, then under the sphere of Soviet influence, had been occupied by foreign armies several times before, but never by troops from allied, supposedly friendly countries.

According to the a statement issued by TASS, the Soviet Press Agency earlier that day, the USSR made an appeal to Warsaw pact countries for immediate assistance, including armed forces, “to the fraternal Czechoslovak people.” They said the request was made “because of the emergent threat to the socialist system and statehood provided for by the constitution of Czechoslovakia.”

The “threat” comes as news to the Communist Party of Czechoslovakia, which broadcasts a statement calling upon “all citizens of the republic to remain calm and not to put up a resistance to the advancing troops because defense of the frontiers is now impossible.”

As tensions mount, ‘Prague’, the Free Legal Radio Transmitter, surrounded by Soviet infantrymen broadcasts a reiteration: “Friends… any resistance to the superior force is utterly futile. This is not defeatism; our only chance is in our preventing bloodshed, because bloodshed makes no sense at all in the present circumstances. Please remain calm, as calm as possible.”

Despite a largely passive and civil resistance, 72 Czechs and Slovaks loose their lives, hundreds others are wounded.

Warsaw Pact tanks invade Prague. Prague, Czechoslovakia, August 1968; from Invasion 68: Prague (c) Josef Koudelka

Koudelka had never covered a news event at that point. He spent the first seven days of the invasion making a series of stunning, emotionally charged images in central Prague. The photographs he managed to have smuggled out of the country and a year later distributed anonymously by Magnum Photos. They earned him the Robert Capa Award, though he could not claim authorship until 16 years later when threats to his family had ceased.

Nearly 250 of these images were published, many for the first time, 40 years after the event in the monograph Invasion 68: Prague (Aperture 2008). Select photographs paired with related texts, including radio transcripts and eyewitness testimonies, are now part of a traveling exhibition opening in Porto Alegre, Brazil this Sunday, April 29, 2012 (at FestFotoFoA through May 27, 2012).

Protesting the Warsaw Pact troops invasion. Prague. Wenceslas Square, August 1968; from Invasion 68: Prague (c) Josef Koudelka

“The invasion of Czechoslovakia was meant ‘to restore order,’ to return a country that had broken off its chain to the position of an obedient vassal,” write Jiri Hoppe, Jiri Suk, and Jaroslav Cuhra in their introduction to the monograph. But, “urgent appeals were made to avoid violence,” and the tanks and assault rifles were “met by a wave of words and gestures.”

One mode of resistance was called the ‘anonymous town,’ in which “the names of streets, institutions, government offices and road signs were painted over with the aim of making it difficult or impossible for the soldiers to get their bearings in an unknown environment.” Substituted instead were wall scribblings with messages like, “Moscow – 1,800 km.”

Koudelka’s series, “is not a chronological record,” he writes, “although the historical sequence of events during the first week of the occupation is take into account. Rather, the intent is to evoke the atmosphere of those days.”

Exhibition on view:
Sunday, April 29, 2012–Sunday, May 27, 2012

FestFotoPoA
Rua Sete de Setembro, 1028
Porto Alegre, Brazil

Francesca Woodman, The Roman years: between flesh and film

woodman_1.jpg

Francesca Woodman, from The Eel series, 1977-78, Rome. linkwheel .
Image courtesy George and Betty Woodman, and Contrasto Books.

A new book Francesca Woodman, The Roman years: between flesh and film intimately (and academically) explores two particularly creative years during Francesca Woodman’s tragically short life. See more images, and read the book review in Lens Culture. carrera de fotografia .

‘Passengers’ Wins the Fifth International Fotobook Festival Dummy Awards

For the past five years, Kassel Germany has been home to the most important annual forum on the world of photography books, the International Fotobook Festival. This year, with the Documenta exhibition taking over the city of Kassel, the Le Bal photography museum in Paris hosted the Fifth International Fotobook Festival from April 20 – 22.

The festival is a weekend full of artist lectures, book exhibitions, booksellers and publishers showcasing their most recent offerings, portfolio reviews and awards for the “best” photobooks from the previous year. For photographers hoping to find interest in their yet-to-be-discovered book projects, the main attraction of the Kassel Festival is its “photobook dummy” competition for the best unpublished photobook mock-up. The first place winner receives a publishing contract with the German publisher Seltmann und Sohne. The second and third place winners receive several hundred euros worth of credit from the print-on-demand service Blurb.

This year, the dummy competition was between fifty-eight books culled from over five hundred entries, ranging from very roughly hand-made objects to the most finely polished in editing sequencing, design and printing. All books selected are tethered to tables and prominently displayed, encouraging visitors to leaf through them and discover new talents. On Saturday, a small panel of experts in the field convened in the closed galleries to passionately argue their opinion and decide on the three winners. This year’s panel included; Gerry Badger (Critic, Photographer, London), Todd Hido (Photographer, USA), Dieter Neubert (International Photobook Festival, Kassel), Laurence Vecten (Lozen Up, Paris), Oliver Seltmann (Publisher, Berlin), Diane Dufour (Director Le Bal, Paris), Andreas Müller-Pohle, European Photography, Berlin), Markus Schaden (Bookseller, Publisher, Cologne) and Sebastian Hau (Le Bal Books, Paris).

And the envelopes please…

Courtesy of Andrea Botto

From Andrea Botto’s book, 19.06_26.08.1945

Third place went to Andrea Botto and his book 19.06_26.08.1945. Created in the memory of his grandfather Primo Benedetti, the book traces his journey through Northern Germany to his home in Tuscany after being released from a Nazi prisoner of war camp on June 19, 1945. Botto’s approach was to compile images from the internet by searching dates in tandem with the names of cities through which her grandfather passed. Pages of historical images are combined with 1:1 scale personal documents and letters sent to his family during his imprisonment. The resulting book feels as if the reader has discovered an encyclopedia of war filled with tender personal documents slipped between its pages.

Courtesy of Carmen Catuti

From Carmen Catuti’s book MICHELLE (Best Wishes from 18,500m High. MICHELLE).

The second place winner is much harder to pin down in a few words. Liebe Grüße aus 18500m Höhe, MICHELLE (Best Wishes from 18,500m High. Michelle) from the Italian photographer Carmen Catuti is about a man who calls himself Michelle and says he’s a professional model. Catuti photographed her subject as he wished to be photographed according to his own conceptions “as a modern man” posing among arrangements of trees and shrubbery, cleanly drawn from darkness by flash. Mixed in are very brief texts, possibly letters from Michelle challenging the collaboration; “Plain backgrounds are often too boring. A picture must immediately be elegant, exciting and original.” This book is a U.F.O. (Unique Foto Object?) and the world of photobooks needs more sightings like this.

The top honors for the 2012 Photobook Dummy Award went to a remarkable body of work from Dagmar Keller and Martin Wittwer and their collaborative book Passengers. During a residency in Poland in the winter of 2011-2012, Keller and Wittwer were initially looking to start a project photographing Socialist architecture but discovered instead a tangential subject: a bus station in Kielce and its passengers awaiting departure within dozens of regional buses. Framing their subjects from outside, looking in through the frost and mist of the bus windows, the couple photographed individually but combined the results into a sequence of images that seem to have a completely unified voice. Calling upon the long traditions of portraiture and documentary style work, the images are stunningly intimate and beautiful but without the trap of sentimentality.

Congratulations to the winners! I find it refreshing that a majority of the winners from the past two years have been women. The history of the photobook, as written, is remarkably male-heavy. These contest results point toward a new horizon that may very well restore some balance.

Jeffrey Ladd is a photographer, writer, editor and founder of Errata Editions. Visit his photo book blog 5B4 here.