From Space Shuttle Endeavour’s Los Angeles street journey and the second presidential debate to the world’s highest freefall and a pair of painted camels in Pakistan, TIME presents the best photographs of the week.
In a world made small and accessible by technology, it is easy to forget the magnitude of nature’s infinite complexity. But sometimes technology reminds us, such as when trawling planet Earth on Google’s Satellite View, zooming across landscapes partitioned by natural and unnatural boundaries.
While searching Google Earth, Paul Bourke, a research associate professor at the University of Western Australia, discovered an amazing sightthe patterns of the Earth seemed to form a delicate geometric pattern when viewed from the sky. Not only delicate, but almost perfect. Bourke was captivated by the geographylacy tracks of rivers and mountain ranges stretching across the Earth in unison as if digitally cloned.
Fractals are recognized as patterns of self-similarity over varying degrees of scale. seo marketing . There are both mathematical fractals as well as natural fractalsthe former are idealized and found across a range of scales, while the latter generally only exist across a smaller scale range.
Bourke explains that fractals are found in all parts of life, from the brain sciences and astrophysics to geographic formations and riverbeds. “Fractal and chaotic processes are the norm, not the exception.”
“I always knew these amazing natural patterns would be there,” he said. “They are literally everywhereit’s just a matter of finding them.”
And find them he did. Bourke, an authority on fractals and visualizations, showcases more than 40 different fractals he’s uncovered while zooming through the satellite views of 25 countries. Through his website, he encourages users to submit examples they’ve found in their own browsing, and provides KMZ coordinate files for each image, allowing users to visit the exact views of the fractal features. Bourke’s collection realizes the power enabled by the open-ended tools of modern technology and applies them to a practical and popular aesthetic end.
To see more natural fractal patterns, visit Bourke’s website.
Claire Martin, 1980, Australia, is a documentary photographer with a focus on marginalised communities. In 2007 and 2008 she concentrated on Vancouver’s Downtown East Side. Even though Vancouver is a city that was twice voted “the worlds most liveable”, the residents of this part live below the poverty line. The suburb has an estimated AIDS rate of 30% and the leading cause of death is overdose. In 2009 she visited Slab City where she focused on the permanent residents of this community in the Colorado desert. It “is a place for the broken and desperate and for the fierce defenders of freedom from tyranny.” In 2010 and 2011 she went to Haiti to document the aftermath of the earthquake. “Every spare piece of land has turned into a tent city and whole suburbs and major infrastructure lay demolished, essentially turning and entire city into a slum.” Claire has exhibited her work in solo shows in Australia and has been in various group exhibitions around the world. In 2010 she won the Magnum Foundation Inge Morath award for female photographers under the age of 30. She is a member of the prestigious Australian photo collective Oculi. The following images come from the series Petionville – Life in Haiti’s Tent Cities, Slab City and Downtown East Side.
With just 12 days to go till the Colombo Art Biennale (CAB) opens – from 15-19 February – the Roaming Eye (tRE) caught up with CAB festival founder and director Annoushka Hempel to find out more ahead of the opening.
Annoushka kindly spared 30 mins to talk to Hotshoe Blog about how the festival started in post-conflict Sri Lanka, its aims, the type of works on show, funding, the theme ‘Becoming’, and future developments and hopes. The festival takes place across three sites Park Street Mews, JDA Perera Gallery and the National Art Gallery.
The audio is just under 30 mins long and it’s really worth listening to every second. So, why not tune in while you cook, clean or just sit back and listen.
Click on the link below – it goes lime green – then follow it the podcast named CAB Annoushka Hempel_Audio1 and click again for it to load. Enjoy.
For those who like visuals, watch this video I am (1m 59s) – a multimedia exploration of identity through the lives of Sri Lankan elders. It reflects on the question: Was there a time when Sri Lankans didn’t describe themselves as Sinhalese, Tamil, Muslim or Burgher? and is a journey seeking a generation who identified themselves based on kith and kin, livelihoods and hometowns as they did in times of lore and in so doing it sheds light on questions about identity and experiences of conflict.
Kannan Arunasalam’s journey took him to Jaffna, Kandy and Galle, where he visited churches, kovils, temples and mosques and was welcomed into people’s homes and workplaces. He met and photographed elders; many wise men and women who trusted him with their life stories.
Also here’s another video snippet (1m 13s) with Nigel Sense (Australia) – one of the featured artists at the Colombo Art Biennale 2012.