Tag Archives: Art And Politics

Confounding Expectations: The Forgotten Space: Film Screening and Conversation with Allan Sekula

© Allan Sekula & Noël Burch. Still from ‘The Forgotten Space’, 2010, digital film, color, sound; 112 mins. Produced by DocEye Film, Amsterdam, in co-production with WildArt Film, Vienna. Courtesy DocEye Film, Amsterdam

Aperture Foundation, The Vera List Center for Art and Politics, and The Photography Program at Parsons the New School for Design presents:

A special screening of The Forgotten Space, a film by Allan Sekula & Noël Burch. A conversation with Allan Sekula will follow at the end of the screening.

Monday, December 5, 2011, 8:00 pm

Tishman Auditorium at The New School University
66 West 12th Street
New York, New York 10011

The Aperture Foundation, the Vera List Center for Art and Politics, and The Photography Program at Parsons the New School for Design presents a special screening of The Forgotten Space, a film by Allan Sekula and Noël Burch, followed by a conversation with Sekula.

The Forgotten Space follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.

A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today.The Forgotten Space is based on Sekula’s book Fish Story (1995), seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.

Born in 1951, Allan Sekula’s works with photographic sequences, written texts, slide shows and sound recordings have traveled a path close to cinema, sometimes referring to specific films since the early 1970s. However, with the exception of a few video works from the early 70s and early 80s, he has stayed away from the moving image. This changed in 2001, with the first work that Sekula was willing to call a film, Tsukiji, a “city symphony” set in Tokyo’s giant fish market.

Born in 1932, Noël Burch has been living in France since 1951. While primarily known for his theoretical writings, he has always positioned himself as a filmmaker and has directed over twenty titles, mostly documentaries. From 1967 to 1972, he collaborated with Janine Bazin and Andrè S. Labarthe for the celebrated series,Cinèastes de Notre Temps, and directed seven programs which are considered to have renewed the “film-maker portrait” in the heroic years of French public television. Burch co-founded the Institut de Formation Cinèmatographique, an alternative film school associating theory and practice.


The Photographic Universe: A Conference

photo_universe_blog1The Moon, Lunar Orbiter 1, NASA, 1966.

Wednesday, March 2, 2011 –Thursday, March 3, 2011
9:00 am–6:00 pm

FREE

Theresa Lang Center
The New School

55 W 13th Street
New York, New York


The Photography Program in the School of Art, Media, and Technology at Parsons the New School for Design, The Aperture Foundation, Vera List Center for Art and Politics, and The Shpilman Institute for Photography have joined forces to organize The Photographic Universe: A Conference, a unique two-day symposium that will bring together a range of leading practitioners, scientists, theoreticians, historians, and philosophers, drawing from the faculty at Parsons, professionals in the science and technology fields, as well as prominent experts from external institutions, to consider and reflect on current discussions in photography at a pivotal moment in its history.

The unique format of the conference will consist of one-on-one conversations between two individuals from disparate professional and research backgrounds. Each speaker will present a ten-minute presentation on the subject of photography, followed by twenty-minute dialogue responding to each other’s presentation. Each day will conclude with a Keynote lecture by a prominent expert in the field.

Wednesday, March 2 – Art & Philosophy

9:00 AM-10:00 AM
Coffee & Bagels

10:15 AM-11:15 AM
Charlotte Cotton with David Reinfurt

11:15 AM-12:15 PM
Andrea Geyer with Susie Linfield

1:45 PM-2:45 PM
Walter Benn Michaels with James Welling

2:45 PM-3:45 PM
Penelope Umbrico with Anne Collins Goodyear

3:45 PM-4:45 PM
Susan Meiselas with Chris Boot

Thursday, March 3 – Science & Technology

9:00 AM-10:00 AM
Coffee & Bagels

10:15 AM-10:15 AM
Richard Benson with Frank Cost

11:15 AM-12:15 PM
Simone Douglas with Michael T. Jones

1:45 PM-2:45 PM
Anthony Aziz with Douglas Lanman

2:45 PM-3:45 PM
Wafaa Bilal with Virgina Rutledge

3:45 PM-4:45 PM
Trevor Paglen with Julia Bryan Wilson

5:00PM-6:30PM
Closing reception