Tag Archives: Aperture Magazine

Aperture Anthology Bluelines Arrive!

Aperture Anthology In-A-Bag


The bluelines for our upcoming Aperture Magazine Anthology: The Minor White Years, 19521976 have just been delivered to editorial, expertly packaged and fully portable!

This long-awaited volumepublished on the occasion of Aperture Magazine’s sixtieth anniversarywill provide a selection of the best critical writing from the first twenty-five years of the magazinethe period spanning the tenure of cofounder and editor Minor White.

The texts and visuals in this anthology were selected by Peter C. Bunnell, Whites protg and an early member of the Aperture staff, who went on to become a major force in photography as an influential writer, curator, and professor. linkwheel creation . Several documents from Apertures founders and individual articles are reproduced in facsimile, and the book is enlivened by other distinctive elements, including a portfolio of each cover, and a selection of epigrams and editorials that appeared at the front of each issue. An extensive index of every contributor to the first twenty-five years of the magazine makes this an indispensible resource. Stay tuned for its Fall 2012 release…

Lucas Foglia, Alex with Gourd

Lucas Foglia, Alex with Gourd

Lucas Foglia

Alex with Gourd,
North Carolina, 2009
From the A Natural Order series
Website – LucasFoglia.com

Lucas Foglia was raised on a small family farm in Long Island and is currently based in San Francisco. A graduate of Brown University and the Yale School of Art, Lucas exhibits and publishes his photographs internationally. His work is in the permanent collections of the Museum of Fine Arts Houston, the Pilara Foundation and the Rhode Island School of Design Museum of Fine Art, and has been published in Aperture Magazine, the New York Times Magazine, the Washington Post Magazine, British Journal of Photography, Contact Sheet, and PDN’s 30. His first book, A Natural Order, is available from Nazraeli Press.

Digital Edition of PBR 002 Now Available!

 

If  you are a Photobook Review Blog subscriber, you’ve already gotten word that The PhotoBook Review 002 is now available on Zinio for $1.99. This time, the PBR team has reformatted the design for better reading via the iPad and on-line. Is this treatment is a better reading experience for you? Let the team know @PhotoBookReview

If you’re still firmly a believer in the printed object and don’t want to miss out on future issues,  they are still on hand at the Aperture gallery (or check the Aperture display at Kowasa Book Store, Barcelona) … and don’t forget that subscribers to Aperture magazine will receive PBR along with their November and May issues! Subscribe now in preparation for PBR 003 — special guest editor to be announced soon!

Can’t wait? Neither can we.

Aperture Announces its Fall 2012 Releases

For Fall 2012 Aperture presents a list of new and re-issued publications, from the startling and fresh, to new editions and long-awaited anthologies. Read more about our upcoming releases, and view a slideshow of Fall 2012 cover art below.

Upcoming titles include:

A New American Picture by Doug Rickard
101 Tragedies of Enrique Metinides
Petrochemical America by Richard Misrach and Kate Orff
The Ballad of Sexual Dependency by Nan Goldin
Life’s a Beach by Martin Parr
Labyrinth: Daido Moriyama
Aperture Magazine Anthology: The Minor White Years, 1952–1976
The Garden at Orgeval by Paul Strand
• Unbuilt: Louis I. Kahn at Roosevelt Island, Photographs by Barney Kulok, Essay by Steven Holl

Rickard_Cover

Metinides_Cover

Petrochemical_America_Cover

Ballad_Cover

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Moriyama_Cover

Anthology_Cover

Strand_Cover

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September 2012

A New American Picture by Doug Rickard


Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. While on first glance the work looks reassuringly familiar and well within the traditional bounds of the genre, his methodology is anything but conventional. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. He rephotographs the machine-made images as they appear on his computer screen, framing and freeing them from their technological origins.

12 1/2 x 9 3/4 in. (31.8 x 24.8 cm); 
144 pages, 90 four-color images; 
Hardcover with jacket; 
ISBN 978-1-59711-219-2
; $60.00; 
September 2012; 
Rights: North America


101 Tragedies of Enrique
 Metinides


101 Tragedies of Enrique Metinides is Enrique Metinides’ choice of the 101 key images from his life photographing crime scenes and accidents in Mexico for local newspapers and the nota roja (or “red pages,” for their bloody content) crime press. Accompanying each image, extended captions give his account of the situation depicted, describing the characters and life of the streets, the sadness of families, the criminals, and the heroism of emergency workers—revealing much about himself in the process. Having received his first camera at the age of ten, Metinides became a capable street photographer by the time he was twelve, already working with police and firefighters to get his best shots. Now also found in museum collections around the world, his images are compelling, immediate, sometimes shocking, and always authentic. Selected photographs are also paired with their original newsprint tearsheets, collected by Metinides, the typography of which have inspired the design of this book. The photographs have been compiled by Trisha Ziff, a filmmaker and curator who knows Metinides well, and who also contributes an essay about his life, work, and personality.

8 1/2 x 10 3/8 in. (21.6 x 26.4 cm); 
192 pages, 
150 four-color images; 
Hardcover with jacket; 
ISBN 978-1-59711-211-6
; $50.00/£35.00
; September 2012; 
Rights: World


Petrochemical America
by Richard Misrach and Kate Orff


Petrochemical America features Richard Misrach’s haunting photographic record of Louisiana’s Chemical Corridor, accompanied by landscape architect Kate Orff’s Ecological Atlas—a series of “speculative drawings” developed through research and mapping of data from the region. Their joint effort depicts and unpacks the complex cultural, physical, and economic ecologies along 150 miles of the Mississippi River, from Baton Rouge to New Orleans, an area of intense chemical production that first garnered public attention as “Cancer Alley” when unusual occurrences of cancer were discovered in the region.

This collaboration has resulted in an unprecedented, multilayered document presenting a unique narrative of visual information. Petrochemical America offers in-depth analysis of the causes of decades of environmental abuse along the largest river system in North America. Even more critically, the project offers an extensively researched guidebook to the way in which the petrochemical industry has permeated every facet of contemporary life.

 An exhibition coinciding with the release of the book will take place at Aperture Gallery in fall 2012.

13 1/2 x 10 1/2 in. (34.3 x 26.7 cm); 216 pages (plus 24-page insert), 
150 four-color images; Hardcover; ISBN 978-1-59711-191-1; $80.00/£50.00; September 2012; 
Rights: World


The Ballad of Sexual 
Dependency
by Nan Goldin


The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers—collectively described by Nan Goldin as her “tribe.” Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin’s cutting-edge photography.

Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin’s story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect.

This new edition of The Ballad of Sexual Dependency has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin’s original slides and transparencies, rendering them with unparalleled sumptuousness and impact.

10 x 9 in. (25.4 x 22.9 cm); 
148 pages, 
126 four-color images; 
Clothbound with jacket
; ISBN 978-1-59711-208-6; 
$50.00/£35.00; 
September 2012; 
Rights: World (excluding France)


Life’s a Beach
by Martin Parr


In the United Kingdom, one is never more than seventy-five miles away from the coast. With this much shoreline, it’s not surprising that there is a strong British tradition of photography by the seaside. American photographers may have given birth to street photography, but according to photographer Martin Parr, “in the UK, we have the beach!” Here, he asserts, people can relax, be themselves, and show off all those traces of mildly eccentric British behavior.

First released in a signed and numbered limited-edition run, Life’s a Beach shows Parr at its best, startling us with the moments of captured absurdity and immersing us in the rituals and traditions associated with beach life all over the world. A trade edition will follow in spring 2013.

11 x 9 in. (27.9 x 22.9 cm); 
98 four-color images;
 Slipcased hardcover; 
Signed and numbered limited-edition;
 ISBN 978-1-59711-224-6; 
$150.00/£95.00;
 September 2012;
 Rights: World (excluding France)


October 2012

Labyrinth: Daido Moriyama


Throughout Daido Moriyama’s extensive career, he has continually sought new ways of presenting and recontextualizing his work, frequently recasting his images through the use of different printing techniques, installation, or re-editing and re-formatting. In each iteration, images both old and new take on changed and newly charged significance. This volume, created during preparations for several international survey exhibitions, offers both the photographer and the viewer the opportunity to consider the photographer’s life work in a fresh light.

Moriyama has always sought meaning in the raw accumulation and gestalt of sequences of images. Labyrinth makes public an exercise in reconsideration that the photographer has assigned to himself. In opening up this private process of re-examination to a wider public, Moriyama continues to challenge the viewer and his own practice, as well as the larger mechanisms by which photography functions and creates meaning.

11 3/4 x 13 3/4 in. (30 x 35 cm); 
304 pages, 
300 duotone images; 
Paperback with flaps; 
ISBN 978-1-59711-217-8
; $80.00/£50.00; 
October 2012
 Rights: World (excluding Japan)


Aperture Magazine
 Anthology: The Minor White Years, 1952–1976


Published on the occasion of Aperture magazine’s sixtieth anniversary, this is the first anthology of Aperture magazine ever published. This long-awaited volume will provide a selection of the best critical writing from the first twenty-five years of the magazine—the period spanning the tenure of cofounder and editor Minor White.

The texts and visuals in this anthology were selected by Peter C. Bunnell, White’s protégé and an early member of the Aperture staff, who went on to become a major force in photography as an influential writer, curator, and professor. Several documents from Aperture’s founders and individual articles are reproduced in facsimile, and the book is enlivened by other distinctive elements, including a portfolio of each cover, and a selection of epigrams and editorials that appeared at the front of each issue. An extensive index of every contributor to the first twenty-five years of the magazine makes this an indispensible resource.

6 1/2 x 9 3/8 in. (16.5 x 23.8 cm); 
448 pages
, 150 four-color images;
 Hardcover with jacket; 
ISBN 978-1-59711-196-6;
$39.95/£25.00;
 October 2012
 Rights: World


The Garden at Orgeval
by Paul Strand


After a lifetime of working on a series of “collective portraits” in far-flung places such as Mexico; Ghana; Italy; Tir a’Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature—of tiny button-shaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a growing metaphorical turn.

Renowned photographer Joel Meyerowitz—whose own affinity toward Strand’s Orgeval series stems from a lifetime of photographing in different genres and ultimately returning to nature as an enduring subject—has selected the photographs in the book, and he responds to them in an accompanying personal essay, reflecting on issues, including the contemplation of one’s garden, and growing old. Beautifully produced in a modest size, in the manner of a volume of poems, this book’s task is to do credit to Strand’s final work, both as an individual and as a key figure in Modernist photography.

8 x 10 3/8 in. (20.3 x 26.4 cm); 
96 pages, 
42 duotone images 
Clothbound; 
ISBN 978-1-59711-124-9; 
$45.00/£30.00; 
October 2012, Rights: World


Unbuilt: Louis I. Kahn at Roosevelt Island
(Photographs by Barney Kulok, Essay by Steven Holl)


In October 2012, Four Freedoms Park—the last design Louis I. Kahn completed before his untimely death in 1974—will open on Roosevelt Island in New York City, over forty years after its commission as a memorial to Franklin D. Roosevelt.

Barney Kulok’s black-and-white photographs of the building site function as a meditation on the materiality and formal underpinnings of Kahn’s architectural thinking. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of texture—elements of fundamental importance to Kahn’s philosophies. As architect Steven Holl writes, “Kulok’s photographs free the subject matter from a literal interpretation of the site. They stand as ‘Equivalents’ to the words about material, light, and shadow that Louis Kahn often spoke.”

11 x 14 in. (27.9 x 35.5 cm); 80 pages, 40 duotone images; Hardcover with jacket; Signed and numbered limited edition of 1,000 copies; 987-1-59711-TKT-K; $TK.TK/£TK.TK; October 2012, Rights: World

For all press inquiries please contact:

Barbara Escobar
Publicity and Events Manager
212.946.7123
bescobar(at)aperture.org
publicity(at)aperture.org

 

Photo Prize Round-Up — 05.31.12


PhoozL (With Joel Meyerowitz) (deadline: June 4, 2012, 11:59 pm EST)

History> The inauguration of a recurring “super-judged” photo contest run by the photography education and entertainment site PhoozL, which features assignments, critiques, competitions and more, created by Harald Johnson.

Concept> Legendary photographer Joel Meyerowitz, author of the monograph Legacy, will judge images pertaining to the theme “Seeing the Light.” In this video, he explains that he’s looking for “something surprising, something unexpected, some ordinary event that becomes extraordinary because the light changes it in just such a way.”

Details> No processing/editing or capture date restrictions. Grand Prize Winner receives a priceless one-on-one review of their photography by Joel Meyerowitz himself. Second-Place Prize is a Course Technology PRT Free Book Certificate or voucher redeemable here. Third-Place Prize is a one-year gift subscription to Aperture magazine. 

How To Apply> Entry is FREE to members (18+) registered with the website. Submit up to five (5) photos relating to the theme online by June 4, 2012, 12:59 pm EST.


Brighton Photo Fringe OPEN 2012 (deadline: June 4, 2012, 5:00 pm BST)

History> Every two years, Brighton Photo Fringe co-ordinates a city-wide festival of exhibitions and events in partnership with Brighton Photo Biennial, supporting photographers and lens-based artists and showcasing the best of current photographic practice.

Concept> Emerging-to-midcareer artists, currently living or working in the UK are invited to submit any lens-based work that has not yet been exhibited anywhere in the UK for a solo exhibition opportunity at Brighton Photo Fringe.

Details> Clare Grafik, Adam Broomberg, Oliver Chanarin, and Susanna Brown are judging the work. In addition to a high profile solo exhibition, winners receive a £500 artist’s fee, a production budget and travel expenses within the UK. 

How To Apply> Entry fee is £15 per submission. Email a link to up to 20 images in JPEG format at 72 dpi, along with details of the production of submitted work, a statement of up to 500 words about the work, a statement of up to  250 words about how the work will be presented, and an artist’s CV by June 4, 2012, 5:00 pm BST.


Photo Levallois 2012 (deadline: June 9, 2012, 11:59 pm GMT +2)

History> As part of the Photo Levallois Festival, which will take place in October and November 2012, the city of Levallois will be awarding a photography prize to support young international contemporary creation, and discover and promote new talents.

Concept> Photographers under 35 years of age are invited to submit new work of any contemporary photographic process which has not been previously exhibited or published.

Details> The panel of judges consisting of five personalities from the art world including one representative of the city of Levallois, meet in June 2012 and announce the winner the same day. First prize winners are awarded a sum of €10,000 and the opportunity to exhibit their work during the Photo Levallois Festival at L’Escale Gallery.

How To Apply> To submit, download the full rules and regulations, and mail in at least 15 photographs consistent in content and form of presentation, along with a supporting letter up to 1000 words, a letter of recommendation, and a signed copy of the regulations by June 9, 2012, 12:59 pm GMT +2.


Center Forward: International Call For Entries (deadline: June 20, 2012, 11:59 pm MDT)

History> Founded in 2004, The Center for Fine Art Photography in Fort Collins, CO is a nonprofit organization supported by donations, grants, and memberships. With offices, classrooms, and two galleries, the Center provides ongoing juried exhibitions of fine art photography by artists from around the world.

Concept> Photography’s “ability to capture our cultural changes, the environments we inhabit, and the thoughts we keep play[s] a vital role in giving us greater insights into our world and ourselves. In the 2012 Center Forward exhibit we are interested in exploring this unique quality of photography, therefore the theme is open and all subject matter is welcome.”

Details> Fine art photography gallery Directors Ann M. Jastrab and Hamidah Glasgow select work to be exhibited in the Center’s Main Gallery exhibition, Online Gallery exhibition, and Print Catalog. Two artists selected by the jurors will also receive $425 each along with a LiveBooks Website award valued at $399.

How To Apply> Entry is $20 for the first three images for members, $35 for non-members. Each additional image (unlimited) may be submitted for $10 a piece.  Download the upload guidelines and submit online by June 20, 2012, 11:59 pm MDT.

artMRKT San Francisco and Richard Misrach

“Showcasing new artists alongside historical material, artMRKT will create an ideal context for the discovery, discussion and placement of artwork.”

The San Francisco iteration of artMRKT marks the start of the brand’s 2012 modern and contemporary fair season. Currently in it’s second year, the San Francisco fair will combine the work of seventy leading galleries with a thoughtful program of art events and exhibitions at the fair venue and throughout the city. Aperture will be on site in 2012 with limited-edition prints, books, and the latest from Aperture magazine in tow, including our latest prints “Model Dining Room,” from the series Occupied Territory by Lynne Cohen, and “Animal (127)” by Elliot Ross.

The 2012 re-issue of Lynne Cohen’s first monograph, Occupied Territory, is also forthcoming from Aperture, “an exploration of domestic and institutional interior spaces—sometimes idealized, sometimes standardized, humorous, and disquieting.” “Model Dining Room” is a piece of this larger puzzle, representing Cohen’s visual exploration of interior space as simulated experience.

We also recommend joining acclaimed artist Richard Misrach, whose lauded Golden Gate is being reissued in a new oversized edition for the iconic bridge’s 75th anniversary, for the weekend’s keynote address plus a book signing on Saturday, May 19th.

Aperture at artMRKT San Francisco
Thursday, May 17, 2012–Sunday, May 20, 2012

Admission Required

Concourse Exhibition Center
Booth 209
San Francisco, California

›› Buy Lynne Cohen’s limited-edition print, “Model Dining Room
›› Buy the limited-edition print “Animal (127)” by Elliot Ross
›› Sign up to be notified when Lynne Cohen’s re-issued monograph, Occupied Territory, is available.

 

Questions Without Answers Launch @ VII Gallery

Image courtesy of VII

Join Phaidon at VII Gallery on Thursday, May 3rd during the exhibition of Questions Without Answers to celebrate the launch of the long-awaited book of the same name, published in conjunction with the 10th Anniversary of the founding of VII agency.

This major work presents a remarkable sequence of photo-stories from pioneering photo agency VII, documenting world history as we have experienced it since the end of the Cold War. The 11 extraordinarily talented photographers who are part of this agency work at the cutting edge of digital photojournalism, committed to recording social and cultural change as it happens around the world. Each brings an individual vision to the agency – some choosing to tackle dramatic events head-on, others pursuing more idiosyncratic, personal projects – but all share a commitment to their individual subjects and to their belief that the act of communication provides hope even in the most extreme situations.

Questions Without Answers is an ambitious book featuring a strikingly broad selection of photo stories. Photos documenting Barack Obama giving a speech on Afghanistan to American troops sit alongside a collection of portraits featuring famous cultural figures such as David Bowie and Bernardo Bertolucci. We move from an exploration of the spread and impact of AIDS in Asia to dispatches from the current economic crisis and its effect on those working in finance. The crucial work done by VII in documenting conflict – environmental, social and political, both violent and non-violent – is also represented, including stories from the war in Iraq, the crisis in Darfur and the terrible events of 9/11.

With an introduction by the eminent David Friend, the former director of photography at Life magazine, this book is an important, moving and compelling record of the world we live in.

The book includes work by Stephanie Sinclair, and Lynsey Addario, both of whom have been featured in Aperture Magazine and The New York Times Magazine Photographs (Aperture 2011).

Questions Without Answers
Book Launch and Reception

Thursday, May 3, 2012, 7-9pm

VII Gallery
Brooklyn, New York

›› Buy The New York Times Magazine Photographs for 30% off.

Thibault Brunet: First Person Shooter

(c) Thibault Brunet

Exhibition on view:
April 19 – May 19, 2012

4RT Contemporary
Chaussée de Waterloo, 1038
1180 Brussels

French photographer Thibault Brunet takes a photojournalist’s approach to his seemingly studio-lit portraits of soldiers, following troops through their daily missions passing through war zones and rubble waiting for those moments when “something seems to go wrong and a state of disorder sets in.” These photographs from the series First Person Shooter, along with some work from his latest series Paris: In the Aftermath of War, will be on view as part of his solo show at 4RT Contemporary in Brussels (through May 19, 2012).

“An undefined gaze or the glassy eye of a soldier; the disorientation at a Paris Métro station,” the gallery writes in their press release, “clearly familiar to us but now emptied of its usual crowds and devastated by an unknown conflict: these visuals challenge the spectator and require another look, a second reading.”

His work was profiled by Time‘s LightBox last year, which also explored his use of video game screenshots in the series, accompanied by a gallery of images from the show now in Brussels.

Brunet was also selected as runner up for Aperture’s 2011 Portfolio Prize for his work in First Person Shooter. More information on the 2012 Portfolio Prize call for entries will be available soon, but only Aperture magazine subscribers are qualified for entry, so have a look at some of work of the past recipients and runners up, and sign up today.