Tag Archives: Aperture Gallery

Sarah Palmer, The Bomb (Also) is a Flower

Sarah Palmer, The Bomb (Also) is a Flower

Sarah Palmer

The Bomb (Also) is a Flower,
, 2010
From the As A Real House series
Website – SarahPalmerPhotography.com

Sarah Palmer was born in San Francisco, and lives in Brooklyn. She received her MFA in Photography, Video and Related Media from School of Visual Arts in 2008, where she was awarded an Aaron Siskind Scholarship, and her BA from Vassar College in 1999. Her work has been exhibited in the US and in Europe, at the Center for Photography at Woodstock, in satellite exhibitions at the New York Photo Festival in 2009 and 2011, and at Foam_fotografiemuseum, Amsterdam, among others. Her photographs and writing have been published in print and online journals and exhibition catalogs. She was awarded the 2011 Aperture Portfolio Prize2011 Aperture Portfolio Prize in spring 2012 and has had solo exhibitions at the Wild Project, in 2010, and at Aperture Gallery in fall 2012. She is on the full-time photography faculty at Parsons The New School for Design and the Board of Directors of Rooftop Films.

Remixed, a New Take on Aperture Classics

Throughout its 60-year history Aperture has never turned away from its hallmarks: an abiding respect for photography as an artistic medium and a tireless encouragement of the free exchange of ideas. From its founding in 1952 through the present, the foundation has always attracted the leading image-makers of the day, and it is only fitting this anniversary serve as a time to reflect on the past. In the celebratory exhibitionAperture Remix, this instinct towards nostalgia is focused on a reflection of photographic influence.

Curator Lesley Martin invited ten contemporary photographers to look back on past Aperture publications, choose a personally influential example and pay artistic homage through appropriation and modification. Martin went to great lengths to select artists explaining, I was looking at a range of people who could represent the directions that photography is moving in now, the way documentary is shifting, and the way digital is being incorporated into photographic practice.

The diversity is apparent, and artists selected span both space and time. Japanese artist Rinko Kawauchi drew inspiration from American photographer’s Sally MannsImmediate Family,created more than a continent away. Meanwhile,Alec Soth selected Robert AdamsSummer Nights, which he reinterpreted into a video, Summer Nights at the Dollar Tree, 2012. When explaining his reasoning for working with Robert Adams past publication he says, Over time, you begin to understand influences and the nuances of what makes your own work different.The other artists commissioned to create work include Vik Muniz, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico, James Welling and Doug Rickard, who chose to remix Stephen Shore’s Uncommon Places.

While the initial assignment could be read as encouraging passive appropriation, Rickards approach to Stephen ShoresUncommon Placesis an example of how remixing encouraged unexpected results. Instead of physically intervening with the publication, Rickard decided to analyze the influences that affected it to create his expansive homage. After reading several interviews and text on Shores work, Rickard honed in on postcards as a source of inspiration forUncommon Placesthrough their unique and plain depictions of America. Reminiscent of the great American road trip, Rickard took a digital road trip on eBay to scavenge hundreds of thousands of postcards for his re-imagining. From this wide edit he narrowed down to a smaller set of candidates he felt had the appropriate ingredients that would yield imagery most reminiscent of the original 8 x 10 photographs in Shores publication.

I spent hundreds of hours doing it because his book is so iconic, and I felt homages or anything that is connected to something iconic is always tricky,” Rickard says. “It was important that I did something that was worthyand fitting of this era toowhich is the digital era.

Although the outcomes are decidedly mixed, the assignment uniformly challenged each artist to wrestle through the issue of influence. In an age of image abundance, it may seem easier to ignore icons for fear of looming too close to previous conceptsbut to process and pay tribute is equally demanding. The moral of the story could be dont try anything ever, but figuring out how strong each contributing artists voice is within all their layers of consideration is what makesAperture Remixsuch an engaging exhibition.

Aperture Remix is on view at Aperture Gallery in New York from Oct. 17Nov. blog comment . 17. See more informationhere.

Jessica Todd Harper, Self Portrait With Marshall (Lion)

Jessica Todd Harper, Self Portrait With Marshall (Lion)

Jessica Todd Harper

Self Portrait With Marshall (Lion),
Philadelphia, 2009
From the New Work series
Website – JessicaToddHarper.com

Jessica Todd Harper’s work has been internationally exhibited and discussed in publications ranging from The New Yorker to the Frankfurter Allgemeine Zeitung. Her first monograph, Interior Exposure, was selected by O, The Oprah Magazine as well as PDN as a top book recommendation, was shortlisted at the NY Photo Festival for Best Book and won a first place Lucie Award. She was a project winner at Center, Santa Fe and one of “PDN’s 30”. Editorial clients include New York Magazine, O, The Oprah Magazine, Real Simple, Die Zeit Literatur and Newsweek. Jessica has been invited to talk about her work at The International Center for Photography, NYC; Google Headquarters, Palo Alto, CA and Aperture Gallery, NYC. Harper has taught at both The ICP and Swarthmore College. Her next book is due out in Spring 2014 and will include writings by Alain de Botton and Alison Nordstrom. She lives and works in Philadelphia.
 

Call For Entries | The Paris Photo – Aperture Foundation PhotoBook Awards

Paris Photo and Aperture Foundation have joined forces to launch two new photobook awards in 2012, celebrating the book’s contribution to the evolving narrative of photography. Entries will be accepted from July 15 through September 10, 2012. A pre-selected shortlist of thirty titles will be profiled in The PhotoBook Review; exhibited at Paris Photo at the Grand Palais and at Aperture Gallery in New York; and tour to other venues, to be determined. Winners will be revealed on November 14, 2012, Paris Photo opening day.

FEATURING TWO PRIZE CATEGORIES


First PhotoBook
A $10,000 prize will be awarded to the photographer/artist whose first photobook is deemed by an independent jury to be best of the year.

PhotoBook of the Year
PhotoBook of the Year will be awarded to the photographer/artist, and publisher responsible, whose book is deemed by an independent jury to be the best of the year.


THE JURY


The awards will be judged in two stages. An initial jury will meet in New York to select the shortlisted entries in both categories. Jurors will include Phillip BlockJulien FrydmanChris BootLesley A. Martin, and James Wellford. The final winners will be decided by a separate jury that will meet in Paris before Paris Photo begins, including Els BarentsRoxana MarcociEdward Robinson, and Thomas Seelig.

The preselection of thirty books will be announced mid-September and showcased on both the Paris Photo and Aperture Foundation websites.

THE AWARDS CEREMONY AT PARIS PHOTO: NOVEMBER 14, 2012

The top award-winners in each category will be selected in Paris by a jury at the beginning of the fair. The winners will be announced during the opening day, on November 14, 2012. The winning photographer for the First PhotoBook category will receive a $10,000 prize.

THE PHOTOBOOK REVIEW

The third issue of The PhotoBook Review, published by Aperture, will be launched at Paris Photo, and will present the thirty preselected books.

EXHIBITION OF THE PHOTOBOOKS

The thirty shortlisted books will be displayed during Paris Photo at the Grand Palais in the publishers’ dedicated space. After Paris Photo, the exhibition will travel to Aperture Gallery in New York, and to other venues to be determined.

ENTER HERE

Digital Edition of PBR 002 Now Available!

 

If  you are a Photobook Review Blog subscriber, you’ve already gotten word that The PhotoBook Review 002 is now available on Zinio for $1.99. This time, the PBR team has reformatted the design for better reading via the iPad and on-line. Is this treatment is a better reading experience for you? Let the team know @PhotoBookReview

If you’re still firmly a believer in the printed object and don’t want to miss out on future issues,  they are still on hand at the Aperture gallery (or check the Aperture display at Kowasa Book Store, Barcelona) … and don’t forget that subscribers to Aperture magazine will receive PBR along with their November and May issues! Subscribe now in preparation for PBR 003 — special guest editor to be announced soon!

Can’t wait? Neither can we.

Koudelka’s Gypsies on view @ FORMA, Milan

Gypsies is without a doubt one of the most important works of photography of the 20th century.

Last Thursday, Fondazione FORMA per la fotografia opened the much-anticipated “Gypsies by Josef Koudelka”, a world premier exhibition of the work of Josef Koudelka based on his seminal 20th century monograph, Gypsies, the artist’s 9-year photographic survey of the gypsy communities of Eastern Europe. The exhibition revisits the artist’s original intention for the work, based on the original sequencing and maquette prepared in 1968 by Koudelka and graphic designer Milan Kopriva. Koudelka intended to publish the work in Prague, but was forced to flee Czechoslovakia, landing eventually in Paris and leaving the book long unpublished. In 1975, Robert Delpire, Aperture, and Koudelka collaborated to publish Gitans, la fin du voyage (Gypsies, in the English-language edition), a selection of sixty photographs taken in various Roma settlements around East Slovakia. Robert Delpire is currently the subject of  a multi-venue career retrospective exhibition in New York City.

FORMA‘s exhibition of this work calls upon Aperture’s expanded edition, featuring 109 photographs of Roma society taken between 1962 and 1971. Printed under close supervision of the artist, expressly for Forma, the images on view recount the everyday life of gypsy communities in the sixties in Bohemia, Moravia, Slovakia, Romania, Hungary, and occasionally France and Spain.

This exhibit is presented in collaboration with Magnum Photos.


Gypsies by Josef Koudelka
On view through September 16, 2012

Fondazione Forma per la Fotografia
Milan, Italy
39 02.5811.8067

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›› Buy Gypsies by Josef Koudelka (Aperture 2011) for 30% off
›› From the 2011 archive, TIME Lightbox reviews Josef Koudelka’s Gypsies, Revisited

Sophia Wallace, Untitled (Girls Like Us)

Sophia Wallace, Untitled (Girls Like Us)

Sophia Wallace

Untitled (Girls Like Us),
Brooklyn, 2012
Website – SophiaWallace.com

Sophia Wallace (b. 1978) is an artist working in conceptual photography and video. She received a BA from Smith College in 2000 and an MA from New York University and the International Center of Photography in 2005. Her work has been exhibited at Kunsthalle Wien Contemporary Museum in Vienna, Colgate University’s Clifford Gallery, Milk Gallery, Aperture Gallery, and Carnegie Art Museum among others. Her solo exhibition showed at Leslie-Lohman in 2010. Wallace is a 2012 Van Lier Fellow with awards including PDN’s Curator Award and Critic's Pick by the Griffin Museum. Notable publications include Identities Now, a book of contemporary portraiture by Peter Hay Halpert Fine Art and No Fashion Please! a hardcover catalog. She lives and works in Brooklyn, New York.