Tag Archives: Amsterdam

In Amsterdam, a Photo Festival ‘Unseen’

This fall, Amsterdam—known for its innovative photo community— will welcome a new photography festival to its Dutch district. Called Unseen, the festival hopes to be a festival that, well, viewers have never seen before, with a focus on new and emerging talent as well as an aim to showcase never-before-seen work from established favorites including Richard Avedon, Steven Klein, Helmut Newton and Edward Steichen, among others.

Taking place from Sept. 19-23 at Amsterdam’s Westergasfabriek, the fair comprises more than 50 galleries hailing from around the world. With photography from places as diverse as Japan and New York, Dubai and Finland, the scope of the work will range from documentary to conceptual to experimental. Highlights include Miles Aldridge’s Immaculee #3 (Red Madonna), 2012, which reaffirms the long standing relationship between photography and iconographic painting, but pushes the boundary of what we expect as a viewer by asking the virgin figure to maintain eye contact and acknowledge the image maker. Also of interest is Zanzibar, 2010, by Chloe Sells. The American photographer explores the idea of land and nostalgia through her experimental darkroom C-prints. Colorful and graphic with bold colors and strong shapes, yet abstract and ambiguous, her images inspire thoughts of place and placelessness.

While there are many photography fairs around the world, Unseen works to offer a few additions to the typical fair. There will be a collection of affordable photographs, all priced under 1,000 euro (approximately $1280), to both help young photographers reach a new audience, as well as allow the young collector, or photography appreciator to invest in affordable work. And for the book connoisseur, Offprint Amsterdam will be at the fair, curating a new collection of self published and limited edition books.

You can learn more about the galleries featured and the day-to-day events here. Unseen is a project initiated by Foam, Platform A and Vandejong.

Rémi Ochlik’s Revolutions

“War is worse than drugs. One moment it’s a bad trip, a nightmare. But the next moment, as soon as the immediate danger has passed, there is an overpowering desire to go back for more. To risk one’s life in order to get more pictures in return for not very much. It is an incomprehensible force that pushes us to keep going back in.”

Rmi Ochlik, 2004

This spring, after French war photographer Rmi Ochlik was killed during fighting in Homs, Syria, a group of close friends and colleagues felt their obligations to the photographer weren’t complete. Meeting aboard a TGV train on their way to Paris from the World Press awards ceremony in Amsterdam in late April, the group took stock of everything that had happened since Rmi’s death. find personal injury attorney . His photographs had spoken for themselves when exhibited in tribute in Amsterdam. The large circle of friends gathered in his name was a testament to his character; he was always the guy who would make friends sharing a cigarette. But one duty remained unfinishednot a tribute, nor a memorial, but a commitment to continue what was and what should have been in Rmi’s life.

Now, five months later, Revolutions is finisheda book of 144 pages, across which Rmi’s photographs of the Arab Spring spread forth. The tome depicts hope, anger, celebration and fearsome of humanity’s most powerful emotions recorded in photographsand feelings the photographer undoubtedly felt during a career cut short by the harsh realities often facing those documenting armed conflict.

Scattered through this visual record of Rmi’s witness are the words of friends, which encompass close confidants, long-time coworkers and fellow photographers. Their testimonies are short, speaking to the memories of a man killed at a time and place in the world many photographers hesitated to cover.

Ochlikbegan his photography of the Arab Spring in Tunisiaand so the book does the same. “It is impressive to see the ease with which he moves through the street as the rocks fly everywhere,” writes Julien De Rosa of his shared time with Rmi outside Tahrir Square in Cairo. “This is clearly his natural environment.”

Rmi, considered by colleagues an old-school photographer despite his youngage (29), moved with confidence and resolve through the borders of conflict in the Middle East. This is what makes his death that much more painful, for at his age and with his skill, his potential had seemed limitless.

“Be safe, okay?” were the last words that Gert Van Langendonck told Rmi before his final trip to the besieged city of Homs. “You’ve already won your World Press Photo.” And indeed Rmi’s work was deserving of high honorhis story from Libya earned him first prize in the 2012 World Press Photo competition’s General News category. His photographic eye was strongstrengthening, evenas he entered Syria. A vision deserving of high honor, cut short by a barrage of shelling that also killed American correspondent Marie Colvin.

Rmi was often aware that he didn’t have a personal project in the works, Van Langendonck told TIME. Personal projects provide an outlet for photographers to explore their interests outside of commissioned editorial work, allowing for an inner-consistency even as a photographer’s surroundings are rapidly changing. So caught up in his work, Remi didn’t need it “I’ve never had so many of my pictures published in my life,” he told Van Langendonck.

After paying the ultimate price for his work, Rmi’s personal project became clear. Although the future promise of the French photographer will never be fully realized, the publishing of Revolutions has brought a modicum of closure.

Revolutions is nowavailable through Emphas.is. The book project, funded by contributors, raised $24,250 as of Sept. 4, exceeding its original fundraising target of $15,000 by almost 40%.

Video: "Peeping" profile of photographer Michael Wolf

This wonderful 15-minute video profile of photographer Michael Wolf is part of a new series produced by FOAM in Amsterdam. article writing submission . Lens Culture has featured (and interviewed) Michael Wolf since our beginning in 2004. article writing submission . FOAM’s production is a big-budget treat, and an insider’s view to the working methods and thinking of one of today’s more provocative photographers. squido lense . Enjoy!

Martin Roemers, Karachi, Pakistan

Martin Roemers, Karachi, Pakistan

Martin Roemers

Karachi, Pakistan,
, 2011
From the Metropolis series
Website – MartinRoemers.com

Martin Roemers (b.1962) studied photography at the Academy of Arts in Enschede, The Netherlands. His photos have appeared in numerous publications including The New York Times, The New Yorker, and Newsweek. Roemers’ photographs are held in public, private and corporate collections including the Rijksmuseum in Amsterdam and The Ford Foundation in New York. He has been working on two long-term projects: Metropolis, about life in Megacities, and The Eyes of War, about people who were blinded as a result of World War II. In 2009 his book Relics of the Cold War was published by Hatje Cantz. He is a member of Panos Pictures and lives in The Netherlands. A selection of work from Metropolis is on view at Anastasia Photo Gallery in New York through April 8, 2012. 

Portable Monuments: Adam Broomberg and Oliver Chanarin

Plate 23, Poor Monuments, Aircraft, at right, is seen as it is about to fly into the World Trade Center in New York on Tuesday. The aircraft was the second to fly into the tower Tuesday morning, http://www.forrestmarketing.com/ worldtradecenters/attack.html, 2011, © Broomberg and Chanarin

Exhibition on view:
January 14–February 18, 2012

Galerie Gabriel Rolt
Elandsgracht 34
1016 TW Amsterdam
+31 (0) 20 78 55 146

Galerie Gabriel Rolt presents Poor Monuments, a series of 85 works on paper reappropriated from Bertolt Brecht’s book, War Primer. The UK-based team, Adam Broomberg and Oliver Chanarin, identify images comparable to our present day from Brecht’s book. Instead of correlating them to World War II as Brecht did, they are revised to embody the “War on Terror.”

The contemporary representation is exemplified through a red box over Brecht’s original image. Here the titles of the source photograph and web address are stated rather than the image itself. In this vein, Broomberg and Chanarin question what has remained similar and what has changed in terms of the fabrication, utilization, and delivery of war photography.

Exhibited for the first time alongside Poor Monuments is Portable Monuments, a further analyzation of Brecht’s poems, where seemingly unsophisticated colored blocks are used to develop a code for investigating and dissecting the photographic image.

Broomberg and Chanarin have been featured in Aperture issues 185 and 204.

Photographer #430: Rinko Kawauchi

Rinko Kawauchi, 1972, Japan, is a fine art photographer based in Tokyo. She studied at the Seian University of Art and Design and graduated in 1993. She started as a photographer on a freelance basis from 1997. In 2001 she launched herself into the photographic world with the simultaneous release of 3 books, UTATANE, HANABI and HANAKO. Since then she has released a large number of monographs of which the latest addition is Illuminance. Her images seem simple, but they evoke primal emotions within the viewer. By paying attention to tiny gestures and incidental details within her environment she finds the extraordinary within the mundane. The editing within her books is crucial to her work and the stories she wishes to tell. The photographs show a large range of emotions and fundamentally adresses life itself, from the good all the way to the bad. Her work has been exhibited extensively in solo and group shows around the world and is in several public collections as the Tokyo Metropolitan Museum of Phtography and Huis Marseille in Amsterdam. The following images come from the books Illuminance, AILA and Cui Cui.

Website: www.foiltokyo.com & www.rinkokawauchi.com

Photographer #388: Kim Boske

Kim Boske, 1978, The Netherlands, is an experimental photographer based in Amsterdam. She studied at the Royal Academy of Art in The Hague. Her photography deals with time, perspectives and space. It is a research in which time and space run together. She focuses on the mutability of things. In her series Mapping she merged different moments in time, investigating how physical movement in time and space change our perspectives. She photographed trees from different angles and when all the images are combined we actually see the tree in its entirety. She created images of flowers that combine several shots of the same object. The changing of light during the day was an important factor. Kim’s photographs reveal phenomena that are impossible to see or witness with the naked eye. Her work has been exhibited at several venues in the world and a large number of Dutch exhibition spaces. The following images come from the series Mapping, Collection of Sleepings and Awakanings and I Go Walking In Your Landscape.

Website: www.kimboske.com

Photographer #380: Marcel van der Vlugt

Marcel van der Vlugt, 1957, The Netherlands, is a fine-art, fashion and commercial photographer based in Amsterdam. Once he was finished with his studies at the School for Photography in The Hague he went to Düsseldorf, Germany to assist an advertising photographer. Although his school was largely focused on the technical aspects of photography, Marcel managed to create bodies of work that, although technically perfectly executed, are multi-layered in context. He works on a large-format camera, shooting polaroids to keep control on his final image and to engage the models in the process. The images, autonomous or commercial, are often sensual, poetic and carefully composed. Between 2007 and 2010 he released four monographs. The book A New Day, released in 2008, simulates an imaginary cosmetic clinic where instead of liposuction and nosejobs, the patients get implants of flowers. The blossom is a metaphor for youth, new life and fertility. His work has been exhibited mostly in the Netherlands, but also in other European cities and in the USA. The following images come from the series A New Day, I Like… and Der Kommisar.

Website: www.marcelvandervlugt.com