From violent protests in Egypt and smugglers tunnels in Gaza to The Duchess of Cambridge’s pregnancy and the “Black Marble” Earth photographed at night from space, TIME presents the best images of the week.
From the devastation brought by Hurricane Sandy and Eid al-Adha celebrations around the world to the final week of campaigning for the 2012 U.S. presidential election and a suspected smuggler’s jeep perched atop the U.S.-Mexico border fence, TIME presents the best images of the week.
On Wednesday night, Magnum photographer Peter van Agtmael received the $30,000 W. Eugene Smith Grant in Humanistic Photography at the School of Visual Arts in New York City, joining a legion of photojournalists that includes James Nachtwey, Paolo Pellegrin and Brenda Ann Kenneally. Established in 1978, the W. Eugene Smith Grant is one of the most esteemed in the industry, named after the legendary photographer whose harrowing pictures of World War II gave an unparalleled and poignant view of the human toll of the conflict. In a fitting tribute, the annual grant aims to recognize a photographerwho has demonstrated an exemplary commitment to documenting the human condition in the spirit of Smiths concerned photography and dedicated compassion.
Van Agtmael has done that with his long-term project, Disco Night September 11, which focuses on the recent wars in Afghanistan and Iraq and their consequences within the United States. But it was his existing work along with his proposalto show the side of the ongoing wars through Iraqi and Afghan perspectivesthat earned him this years honor. An additional $5,000 fellowship was awarded to photographer Massimo Berruti for The Dusty Path, a combination of works examining victims of drone strikes, missing persons and the fight against militancy in Pakistani classrooms.
At 24the same age as many of the soldiers he would go on to documentvan Agtmael began the project during an embed with Americantroops engaged in heavy fighting around Mosul, Iraq.As an American of the generation shouldering these wars, I feel a strong responsibility to document their cost,” says the photographer, whose lens captured everythingfrom violent firefights and days-long foot patrols to the rehabilitation of those maimed by war.”Over the course of my lifetime, I intend to keep returning to [these conflicts] to create a comprehensive document.
To that end, van Agtmael, now 31, plans to use his grant to capture the other side of the conflictto give face to our ‘enemies’ in the fight. “Im ready to shift my focus to the other side of the war,” he says. “The Iraqis and Afghans that have been most affected remain depersonalized and shadowy in our collective consciousness. We live in a self-absorbed cultureone largely unburdened by memory.
Van Agtmael plans to return to Iraq and Afghanistan to follow these stories, but will also travel to the Middle East and Europe in hopes of documenting their diaspora. He’s timed the conclusion of his project to the American withdrawal from Afghanistan in 2014another reminder of the human sacrifice and cost of the war. Heplans to use photographs, video, audio and text to share the entire range of what hes witnessed over the last seven years; still, van Agtmael maintains it’s a small shred of the whole. “Most stories will remain forever anonymous, and I’m very grateful to the W. Eugene Smith Grant for the opportunity to document the stories that would otherwise go unseen,” he says. Ive seen a nasty and primal side of mankind, but its been balanced by enough displays of extraordinary humanity to give me hope.”
The $30,000W. Eugene Smith Grant in Humanistic Photography is given once per year along with an additional$5000fellowship to a second recipient. blog comment . LightBox previously featured the work of 2011 Smith Grant Award winner Krisanne Johnson.