Tag Archives: 1990s

‘Larry Sultan and Mike Mandel’: Collaborative Semantics

Years ago, the photographers Larry Sultan and Mike Mandel decided to put together a book about the work on which they had collaborated, decades worth of significant art made between the 1970s and 1990s. Each had been working on his own solo projects and Mandel had left California, where the two grew up and met and studied together, so the book was always meant to be a look back, a visitation from a place of finality. But then Larry Sultan got sick. Sultan succumbed to cancer in December of 2009 at the age of 63.

We thought it would be great to take some of the work that people hadnt seen a lot of or hadnt seen anything about and bring that to light, and we just thought now would be a great opportunity to do that, now that we were kind of moving into a different part of our lives, Mandel says. We didnt realize Larry was moving into leaving this place.

The book project was dormant for a while after Sultans death, but his wife, assistant and galleristwho continued to be involved throughout the projecthelped Mandel get the idea going again. Because the book had always been about a collaboration that had ended, the form and structure imagined by Mandel and Sultan could still be implemented. linkwheel . The resulting book, Larry Sultan & Mike Mandel, will be released by Distributed Art Publishers in September.

The artists, who met as graduate students at the San Francisco Art Institute, shared an openness to conceptual and experimental photography. We were lucky to be young and freshly in that world when so much was changing, says Mandel. The medium was expandingalthough Sultan later became known as a photographer, the work the two did together is photography mainly in a conceptual senseand the community was small enough that the two had access to influential teachers and artists even outside their school environment.

Courtesy Mike Mandel

Larry Sultan (R) and Mike Mandel, circa 1997

Their collaboration began in 1973 with public art displayed on billboards, work that both interrogated the tropes of advertising and challenged art by placing it in a commercial context. They continued to make billboards for many years. They also worked together on books, including How to Read Music in One Evening, which re-appropriated advertising imagery, and the seminal Evidence, their best known work, which took documentary and archival photos out of their contexts. Later, the two turned their attention to the news media, applying their signature critical mindfulness to the subject. Alongside photographic highlights of their art career together, Larry Sultan & Mike Mandel features analytical essays and a metaphorical commentary by author Jonathan Lethem.

Mandel says that this new book was an opportunity to revisit some of their projects that had not been previously examined. As time went on I think we recognized that a lot of the work we had decided at the time we didnt need to talk about really ought to be talked about, for different reasons, he says. We did re-frame what we chose to put in the book based on this idea of looking back and being a little bit more generous toward ourselves.

But even though the photographers had discussed the content of the book prior to Sultans illness, Mandel was left to make many decisions alone. He says that there were moments when he knew that there would have been a disagreement if Sultan had been there; the weight of sole responsibility was a heavy one. And they hadnt yet decided how to end the book. Mandel chose the project Newsroom, a 1983 exhibit in which they used news tickers to edit their own versions of the days events, as the book’s stopping place. He says he felt that to stop there was to present the most coherent set of ideas, and it was also a chance to step back and look at a project that the artists had been such part of that they never got to see it from a distance. If Larry had been with me it would have been really great to have done that together, Mandel says.

In an essay that accompanied Evidence, Robert F. Forth, the dean of the California College of Arts and Crafts, examined the meanings of evidence, surprise and context. He wrote about the yin/yang balance between the circumstantial and the evident, the way that the two compliment each other to make one whole thought. If one has any defect, its relationship to the other can fill that whole. Likewise, says Mandel, his own introverted working process and Sultans gregarious quick thinking co-existed without one drowning out the other.

We just had a very different way of being but we both trusted each other a lot and we both gave each other as much room to argue and promote our ideas as much as we could. Thats what the Socratic attitude was about. It was about testing these ideas, says Mandel. We collaborated as equals all the way through our relationship.

Larry Sultan & Mike Mandel, will be released in September byDistributed Art Publishers.

White Shadow (positive/negative) photo series by Tono Stano

All old-school photographers know that black-and-white film typically registers a negative image of the subject of a photograph, which can then be printed as a positive image on paper for final viewing. What looks dark on a negative becomes light on a print. But what happens when an artist decides to play with this paradigm by aiming to make the final image a negative image that looks like a positive image?

Slovakian photographer Tono Stano has been artfully exploring this idea since the 1990s, and the results are wonderful, delightful, surreal, and hard to deconstruct. Wedding Cakes Atlanta . Lens Culture is pleased to present a dozen of our favorite images from Stano’s series titled White Shadow.

The video at the bottom of this blog entry offers an inspiring behind-the-scenes look at the artist at work in his studio. laser spine institute . Cheers!


From the series White Shadow Tono Stano


From the series White Shadow Tono Stano


From the series White Shadow Tono Stano

Some time with renowned photographer Sally Mann

Thursday on All Things Considered, Melissa Block spends some time with renowned photographer Sally Mann. foudation repair . Find the whole interview here.

Mann works exclusively with a large-format view camera and typically focuses on the people and family around her †controversial images of her children in the 1990s and lately, the focus has been her husband.

In this video, Mann discusses a recently curated collection of her work that focuses on images of the body. It includes her series Proud Flesh, an examination of her husband’s struggle with muscular dystrophy.