“The Denver Magazine” and has also been a Photo Editor at National
Geographic Adventure, Men’s Journal, Best Life, and SKI magazines.
LaVigne holds an MFA in Photography from Pratt Institute in Brooklyn,
New York, where she began her career in picture making and editing. Her
photo editing work has been recognized by the American Photography
Association and the Society of Publication Designers. Sarah also
curates photography shows locally and does portfolio reviews across the
What is your background?
I began photographing at a young age, it was the
first art form that I ever used and also had a passion for magazine making. My
first publication was called Pens & Pencils where I sold subscriptions for $1 for a
series of stories and poems that I wrote. I was six years old. After performing
music in high school and college and a short career as an environmental
activist I began study at the Pratt Institute where I received an MFA in
Photography. My career started as a photography intern at National Geographic
Adventure Magazine in New York City. My first edit was a shoot from South Africa
from the late Bobby Model. I was hooked. Sabine Meyer, the Director of
Photography at NGA was been a mentor ever since. I continued on to picture edit
for Men’s Journal, Best Life, SKI and now 5280: Denver Magazine. Continuing
my link with fine art world and felt a need in Denver for a photography exhibit of
contemporary narrative work and so I curate a show titled Things As They Are at
Space Gallery in 2007.
How did Picture Society come about?
At the time of my curatorial debut I
wanted to focus heavily on the personal work of editorial photographers. I knew
that the photographers I was working with at the magazine had personal work
that should be seen. I knew that there were financial and some logistical limits to
putting up a show every few months so I thought of a way that would be less
expensive and different for photographers and viewers. I have a background in
music and some performance and respond to soundtracks in film and wanted to
have an event that incorporated photography and music. I was doing portfolio
reviews at the Telluride Photo Festival and got inspiration after reviewing to do
another show in Denver but something that was different than anything that was
being done. Not only did I continue with this venture to bring award winning
photography three years ago working with Laura Pressley.
What are you goals for the organization?
My hope is to continue to curate and
put on shows throwout the state and strat doing shows in LA, and other cities. I
want to continue to show work to audiences where I know there is a need.
Education is a large component which is touch upon with the audio interviews.
My goal is to continue to grow and be a part of school curriculums in Fine art
How do you find the photographers?
Some photographers are people that I
have assigned for magazines I’ve work for and other I meet at portfolio reviews,
Review Santa Fe most recently. Julia Vandenoever who co curates has similar
editorial experience and an eye for great work.
What has been the reaction from audiences from this approach to
presenting photography? People love it. I get many comments about the audio
portion, hearing from the photographers. It is different and people really enjoy
hearing the artists speak. They love the work we’ve shown so far and I get
compliments on my music picks.
Who is your audience?
Collectors, photographers, and some people that are
not familiar at all with photography.