I’m stepping away from Lenscratch this week to work on a new personal website and prepare for upcoming photo activities…wanted to reintroduce you to some wonderful photographers featured several years ago, today with Kevin Thrasher.
Kevin Thrasher’s images have a wonderful combination of unsettling charm. He has a knack of finding moments and locations that while normal and natural, also leave room for alternate interpretations. Born in Birmingham, Alabama and now living in Richmond, Virginia, Kevin received his BFA from East Tennessee State University and his MFA from Massachusetts College of Art in Boston. He had a long list of exhibitions in 2010 including the forthcoming Collectors Guide to Emerging Art Photography published by the Humble Arts Foundation in NYC.
Photography seemed like the only option that I wanted to pursue in school. I wish there were a more glamorous way to talk about the choices that led me to photography, but photography was the only thing that I ever thought I really wanted to do over a lifetime. Photography made sense. Making photographs is a way for me to go out into familiar or unfamiliar places and discover things. I like going out and getting lost in a new place and making pictures there. The world is an awfully interesting place and you can make work where ever you are.
His series, Common Ground, looks at how we interact with the natural world, and the series Brown’s Island is a work in with similar themes but focusing on a specific place.
There is no pristine landscape. There is only the land that we have. We got to nature or other more socially controlled spaces to enjoy ourselves. Recreation takes us from our own backyards, to other places where we can connect with nature or experience moments of leisure.
The photographs exist in between accepted ideas of landscape and these newer more controlled spaces. People are making the best of the spaces that they have access to. Many of the locales often sustain the idea of community where people are drawn together for mutual purpose. We have come to accept these interstitial spaces as our nature.