All old-school photographers know that black-and-white film typically registers a negative image of the subject of a photograph, which can then be printed as a positive image on paper for final viewing. What looks dark on a negative becomes light on a print. But what happens when an artist decides to play with this paradigm by aiming to make the final image a negative image that looks like a positive image?
Slovakian photographer Tono Stano has been artfully exploring this idea since the 1990s, and the results are wonderful, delightful, surreal, and hard to deconstruct. Wedding Cakes Atlanta . Lens Culture is pleased to present a dozen of our favorite images from Stano’s series titled White Shadow.
The video at the bottom of this blog entry offers an inspiring behind-the-scenes look at the artist at work in his studio. laser spine institute . Cheers!