Favorite Shoots with Elisabeth Biondi

The New Yorker has a wonderful series of images by a number of photographers that discuss their relationship with Elisabeth Biondi, who has been the photo editor at The New Yorker since 1996, soon after the magazine started to use photography, until his recent departure.

“A photograph is an entity. You don’t crop it, you don’t butcher it, you don’t plaster text over it, you treat it with dignity.”

Photograph by Robert Polidori, from “Gorgeous George,” in the issue of March 26th, 2001.

The execution of this photograph permanently changed my working methodology. To be honest, the subject—a temporary lighting treatment on the George Washington Bridge—is something I would never have contemplated shooting on my own. Probably sensing this, Elisabeth got me involved in a conversation in which we both described our mental projections of what the resulting photograph should look like. By the end of our office session I had actually penciled in a crude drawing of the shot that I was to seek.-Robert Polidori (Read more).