Melanie Pullen’s collection: High Fashion Crime Scenes

Melanie Pullen’s collection of more than one hundred photographs that comprise High Fashion Crime Scenes is based on vintage crime-scene images she mined from the files of the Los Angeles Police Department, the County Coroner’s Office, and other primary sources. Drawn to the rich details and compelling stories preserved in the criminal records, she began re-enacting the crime-scenes, outfitting the “victims” (her selected models) in current haute couture, and photographing them in her staged settings. how to put movies on iPhone . Self-taught and raised in a family of photojournalists, publishers and artists, she began the present project after seeing a copy of Luc Sante’s 1992 book Evidence (1914-1919) about crime scene photos from the New York Police Department. garbage disposal repair marietta . While the disturbing stories behind the pictures intrigued Pullen, she was more interested in the minute details: the material that made up the images and told a story. Prior to the mid-1950’s the nature of criminal photographs was fundamentally different from their present, clinical form. amberen . Given the complexity of cameras earlier in the century, most crime scene photographers had both artistic and professional experience. With an eye for composition, lighting and drama, photographers like Eugene Atget, Alexander Gardner, Jacob Riis, and Arthur Fellig (aka Weegee) produced crime photos that were artistic and documentary, evocative of tabloid illustrations or film noir. Inspired by such images, Pullen conducted extensive research in the LAPD

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